Dream Guide

Chapter 650 Craftsmanship

When the scene of thousands of green trees played out inside the altar like a movie, the distant horizon began to darken, and a black line began to move slowly from the sky, casting a huge shadow on the earth.

The coal boss shouted impatiently: "Where is the passage? Where is the passage home? Hurry, we are about to fall into the deep well of time and space!"

Aoki walked to the willow branch that was cut on the ground and sat down. He looked at the thin leaf that had just grown on the branch and said, "We can go back when it grows into a tree."

"Quack? Wait until it grows into a tree?" The crow was stunned for a moment, and then cried out in mourning, "Quack...when it grows into a tree, my flowers will grow old! My elbows... will all grow hairy... … Gua Gua…”

Aoki once again gently touched the delicate willow buds with his hands, sensing the inextricable connection that the touch of fresh green brought with his distant hometown. In his mind, he saw many weak wickers swinging in the wind, like green door curtains. With just a slight lift, he could lift the curtains and walk into his long-lost home.

It's a pity that his outstretched hand couldn't touch the wickers, and he was still some distance away from the curtain. He felt that it was a bit like the boundary of a dream, as if crossing from one dream to another. If your mental power is not strong enough, you can sometimes see the existence of a dream next door, but you cannot touch its boundary and cannot cross it.

"A century-old tree is indeed very long, but we will soon be covered by the static zone of space and time. The one hundred years here will not take a few days on the earth, maybe one day is enough." Aoki said.

"Then Ruhua will never grow old! Sauce elbow... If it's winter, you can still eat it... But it's better to keep it in the refrigerator, or simply make it again... a hundred years... um..."

The crow tilted his head and thought for a while, then suddenly became frightened, "Quack! Ruhua will never grow old, we will grow old! In the static zone of time and space, we will die!"

"So, we have to hide outside the stasis zone of time and space." Aoki said, stood up, returned to the center of the altar, and held the Soul of Wood.

"Outside? You mean the room where the helicopter is parked...the space-time bubble?" Crow looked around, "Of course it would be best if we could find that bubble, but I think the Swordfish's hangar is suspicious."

"Oh?" Aoki asked with a smile, "Why?"

"What a coincidence." Crow said, "Why does the space-time bubble happen to be in a room on a ship? Why is it in the same place twice? Why..."

It thought for a long time and couldn't think of anything else, so it croaked, "Why is there a space-time bubble?"

Aoki smiled and said: "Because space-time bubbles can be made, just like sauce elbows."

"What? Can it be eaten?" The crow flapped its wings, and then realized that what Aoki was referring to was not the attribute of 'eating', so it awkwardly croaked twice at the sky, "I mean... it's all, um... craftsmanship , yes, craftsmanship!”

Aoki nodded: "It is indeed all craftsmanship."

With that said, he pulled out the wood soul from the ground. The towering tree in consciousness cracked into spiritual fragments like a broken image and disappeared.

The floating boulder suddenly fell down as if it had lost some kind of support, causing the crows to shrink their necks and croak.

"Don't be afraid, they will return to their original position. We are standing in the middle. There were no stones here." Aoki said.

As the boulder fell, the entire space rumbled and shook. Aoki closed his eyes and carefully felt the spatial cracks formed in this vibration through the soul of wood, which reflected the mental changes.

As early as the time when the giant moon appeared in the sky, he discovered that the shape formed by the superposition of the floating boulders in the altar and the altar itself was very strange. Mrs. Larry also said that it was formed by two pyramids superimposed on each other. But what is strange is why the two pyramids are not opposite each other at the top, in line with the meaning of the symbol, but the two pyramids are inserted opposite each other to form a spatial overlap?

Now he knows that this overlapping part is a special space. This layer of space was probably left intentionally by the original builder or designer of the altar to eliminate the influence of the static zone of time and space.

If this is the case, the power of the builder of the altar is incredible. The ability to make the altar fall into the stasis zone of time and space every time it is activated is no longer just a spiritual ability, but the mutual influence of spirit and matter. It is hard to imagine how terrifying that person would be if he had mastered the direct influence of spirit on the material world and his spiritual power was strong enough.

The black line in the sky is getting closer and closer, and the sun is isolated by shadows, as if it is blocked by thick dark glass.

All the stones fell back to the ground before the shadow covered the altar. The place where the two void pyramids overlapped originally had two layers of space. After the stone fell back to the ground, it became a normal space. The extra layer was supposed to be annihilated. However, due to the close connection between this space and the spiritual force field, the fragments from the annihilation of the space were captured and recollected by Aoki Yimu's soul, forming a new space-time bubble.

Due to the dispersion during annihilation, this space-time bubble is much smaller than the original superposition of the two pyramids, and is just about the same size as the Swordfish's hangar.

The black line moved over their heads, and the shadow completely enveloped them. They feel like they are in a strange world, as if they are living in a crystal house. The outside world is real and trance-like.

Aoki slowly walked up the steps of the altar, and the entire trance space moved with them. Standing on the top of the altar, you can see the trees and grass in the distance rapidly declining and prospering, as if you are playing a nature documentary at high speed.

"Oh, there is such a method! When did you become so smart?" Crow tapped Aoki's scalp, a little in disbelief.

It suddenly thought of something again and exclaimed, "Hey! So, the bubbles on the boat are also artificial? Wow, I told you it was such a coincidence! But...how did they do it?"

"Just a strong enough mental power." Aoki caressed the wood soul in his hand, "Without the sacred staff, I don't think anyone's mental power can be that strong."

"Holy Rod? But isn't the Soul of Fire placed in Ronald Cohen's cabin?" Crow asked puzzledly, "The space-time bubble is in the hangar. How to explain this?"

"When we saw them, they had already fallen out of the stagnant zone of time and space. At that time, there was no need for a space-time bubble." Aoki recalled, thinking, "Maybe it was after they fell out of the deep well of time and space that Ronald The Fire Soul went back to his room and wrote that last message...but what was his purpose?"

"What? But he didn't die of old age!" The crow shook its neck vigorously and fluffed its feathers to show that this matter was simply incomprehensible. "And more..." it shouted, "Then the space-time bubble came again. Where did it come from? Why is it still in the hangar?"

Aoki said: "Don't forget, we only saw half of the fire soul."

"Isn't the other half on the earth?"

"This is what Ronald said, and we can't confirm whether what he said is true or false."

"You mean that half of it is hidden in the hangar? And... quack!..." Crow seemed to have thought of something terrible, "There is someone hiding in the hangar?"

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like