From star abyss

Hello everyone, I am a prisoner of leave note, Deep Crimson.

Since the Abyss Scroll is expected to be solved this week and the Lower Star Abyss plot will begin, the workload is quite heavy, so I have no choice but to take a day off.

At the same time, there is another goal these days: to complete the plot of Du Zexin and David Lin.

Just take this opportunity to explain.

Although everyone complained that the plot changed after leaving "Earth". But the reason is actually: Layer Abyss itself has too many plots and is too complicated, and the content is not easy to streamline.

Just for the plot line of the Void Chapter, even though a lot of foreshadowing clues are buried and almost made explicit, there are still a large number of readers who still can't tell the difference between the Earth and the Blue Star.

Therefore, I am considering further reducing the reading pressure of readers, and I have also been revising and revising the previous chapters in the past few days.

The benefits of the revision are obvious. After the revision of the previous chapters, the maximum order has reached 20,000. I am also very grateful to the readers for their support along the way.

Everyone initially regarded this book as a meal replacement for the Super Mechanic, but in fact, this book was beaten by the Super Mechanic in all aspects.

There are people criticizing each other in the comment area, but I think it is really unnecessary, because Scarlet himself is the full order + leader of Super God Mechanic.

80% of the readers of Lata, whether they are on the side of Xingyuan or the Super God Mechanic, do not have as much support as Crimson for the Super God Mechanic. There is no need to argue about this issue.

Scarlet Hong doesn't mind the contemporary meal. Rather, being able to be compared with the Mechanic is completely achieved by Xingyuan. If this book hadn't happened to coincide with the break of the Astral Apostle and Pi Pi Jia was unwell, it would have been impossible. Comparable to the Super Mechanic.

To put it mildly, I have already taken advantage of the vacant benefits here. If it were not for the civilized society now, I would have kowtowed to a super god mechanic in ancient times.

Before the confrontation could arise, Scarlet Red quickly extinguished this possibility. Brat, don’t affect my pursuit of stars (bushi)

By the way, this is the previous criticism of this book by NGA and Youshu.com. Many users think that this book has many logical loopholes and poisonous points, and the common understanding is that women are dead.

This is actually a misunderstanding. I pursue absolute egalitarianism in this regard and will never give any preferential treatment to men and women.

Frost-plated President David Lin said: Capitalism has no men or women. This will remain the same regardless of whether it is in the past or the future.

If nothing else, let’s take a look at the special military operations of Da Mao and Er Mao in reality. Regardless of male or female. Once the war started, it was all labor force and reserve soldiers. When the war started, they had to fill in the lines for me. Women also had to go to the front line as logistics troops and drive supplies.

Let’s talk about capitalism’s inhumane nature: If women are not liberated, only half of the country’s population will be able to work as workers, and the labor force will not be enough, so how can the capitalists earn money?

In the grand narrative of cosmic civilization, gender differences are even more ridiculous. The gap in physical fitness will be meaningless in the future. By then, drug technology will be very advanced, and women can make up for the gap by injecting drugs and wearing exoskeleton powered armor.

What's more, this is an online article. It’s not about physical fitness. There are a large number of papers proving that there is no difference in IQ between men and women, and women are no worse than men in cultivating immortality. Not to mention that there are no men and women in capitalism, there are no men and women in the online articles on per capita socialism.

Commander David Lin is still too conservative.

In fact, if you do some statistics, you will find that the proportion of female characters appearing in Xingyuan is much higher than that of males.

Therefore, it is normal for the number of battle deaths to be high. It is purely due to the magnifying glass brought by the large base number.

Moreover, in the first volume of the main protagonist group, only two female characters died. In a strict sense, only one of the spontaneously angry characters died.

It is purely a rumor to say that there are many dead female characters in Star Abyss. In the first volume, in addition to the protagonist group, the female characters also died: a team of Law Four agents, the entire female staff of Humanity, a trio of professors, and four mecha crews. member.

The total number should be less than 150, most of them are background panels, and there are not as many people as Bachmut died in one day.

As for the male characters, there are so many dead male characters in this book.

So when everyone abandons the preferential treatment of character gender and treats character death equally, you will find...

The spontaneous anger part is really bad.

Although this plot has been revised once, I just wanted to make the character's death more gorgeous. The character who gets angry naturally is not fleshed out enough.

Actually, one problem is that the character of Spontaneous Fury was not thought about so much at the time. Her role was to bring out [society] and then deliver arcane energy.

When I create the protagonist, I have always adhered to the principle that "other people are the protagonist's side dishes" and "the whole world revolves around the protagonist."

Because I am just one person and don’t have so much energy to waste time on other characters, and I feel that with my style, group portrait flow can easily become a tool for water word count (Sin has been edicted)

For example, when writing a player plot, a few dialogues between a few players would take up more than 700 words, which really delays the progress of the plot.

In fact, there are several big problems in this paragraph. One is the psychological change of Ziran Qiuhuo, and the other is that this character did not have many plots before.

Anyway, it was so bad that I even forgot whether the character was male or female.

There is also the part that includes the most criticized White Knight.

I was criticized for that part of the story when it came out. Although I had laid out the hidden social plot for several chapters in advance, I didn't expect that something would still go wrong. I was scolded so harshly at the time that everyone couldn't accept the fact that the protagonist was defeated.

But in fact, looking back now, you will find that it was not the protagonist who suffered a defeat, but that Li Ozi almost killed the White Knight due to the toxicity of the etheric blood.

What readers are now thinking about is whether the earthlings in this book are a little too unnatural and their fighting ability is a bit inferior.

However, there was indeed a problem with that section at that time. It was because I didn’t grasp the rhythm of my writing well. (The crime has been punished*2)

In fact, I was thinking about opening an account on nga to divert traffic (cross out), and create a post to record and urge myself on the process of modifying "From the Star Abyss".

This is actually a personal problem for me. I never know how to write for fun. In fact, I didn’t feel comfortable writing the last book until the end.

In the end, I can only choose the method that I am better at: hot-blooded animation.

Because I don’t know how to feel good, even the subsequent plot is not easy to connect, and sometimes it is difficult to continue this feeling of joy.

I am also revising the previous questions when I read it over and over again.

Oh yes, here is a joke.

At the beginning, because the main attribute of the protagonist is charm, a lot of people criticized me at that point, and some people said that the protagonist is just a trash who relies on his appearance to make a living.

There is also someone who keeps telling me that the main character's attribute is "gravity" and not "charm". I can only reply to him over and over again that it is "attraction" and not "gravity", but the communication is still ineffective.

Later, after Baldur's Gate 3 came out, these people disappeared.

When I saw it, it turned out that a bunch of people were running to play Warlock.

Of course, treating Xingyuan as a two-dimensional work is obviously an insult to the two-dimensional world. You can think of this book as a collection of Internet subcultures.

The Layer Abyss Volume actually has a lot of problems. For example, the campus chapter is actually a buffer zone for introducing the map, but I wasted too much time here.

But something like the Void Chapter really had to be written.

Without writing the void chapter, there is no way to fill in the hole of Leoz. If it is not filled in now, then there will be no chance to write the next one.

Later, in order to catch up with the progress, I abandoned the plots of the players who were most likely to lose the word count as much as possible, and basically concentrated on the core main line.

Although the story of Xingyuan seems to have many settings, it is essentially a bunch of grass-roots team fighting, similar to the history of Japan's Warring States Period.

The major village chiefs (narrative) are fighting openly and secretly, but they don't know that the spies (players) of the Ming Empire (Xingyuan) are secretly watching their every move. While the fierce war between princes (grand narrative campaign) is going on, a black ship (secret society) He is about to lead the great powers (more societies) to use guns and cannons to open the closed door of Japan (open the door and annex civilization)

Let’s talk about society again. I have always felt that this thing does not require a threshold to understand, because there are too many anthropomorphisms in the national second creation.

Among them, the most out-of-the-box things are the Poland Ball and the Rabbit of that year.

The essence of society is living civilization. You can just think of it as a Poland ball or a hawk, a furry bear, a rabbit, John Bull, or Hans Cat.

To sum up, Layer Abyss Scroll is indeed not well written, especially the role of players is seriously reduced.

(Mainly, every time I write about players, I feel like I’m running out of words when writing casually. The plot doesn’t progress for a long time, and I feel upset. It’s all about players doing things for fun, which is not very fun.)

In fact, basically the player is now Zhukov (firefighting captain), descending wherever needed.

Several future modification directions are as follows:

1. Comprehensively and deeply revise the contents of the Frost Plated Volume and the Tianhuan Volume, and on this basis, establish a reader-centered comfort zone for online reading.

Accurately focus on entertainment points, establish stable and flexible update points, and increase readers' willingness to follow up. At the same time, we must avoid wasting money and spam and over-posting. Lucid waters and lush mountains are invaluable assets, without pursuing monthly ticket subscription results. , to avoid squandering the entire lake, and to make sustainable development of creation the primary goal of several books.

Comprehensively implement four key points: the characters should be better-looking, the plot should be richer, the language should be more humorous, and the reading should be easier.

Laws show different characteristics at different stages of the development of things. Always pay attention to changes in market trends, avoid stepping into new minefields, and capture the plots that readers love. This is to recognize the macro laws and understand past poisonous points and omissions.

2. Gather the characteristics of the game area, base yourself on the readers’ standpoint, and unswervingly follow the readers’ opinions. Fully absorb the opinions in the comment area, from the readers to the readers.

Maintain the performance and quality of a work, break away from the law of work cycles, and avoid one volume being inferior to the other, inability to follow up, and ultimately being unfinished (name and criticize the Eternal Speaker)

The quality of a book cannot be separated from the supervision, management and comments of the masses. Bad speeches should be pointed out and meaningless personal attacks should be avoided.

In order to break out of the cycle of works, we need to develop collaboratively, focus on market research and actual feedback, close contact with the readership group, and the need for authors to criticize and self-criticize. A work that is worthy of the paying public in the market must grasp both breadth and depth. It must be done with both hands, and both hands must be strong. Meet market demand while being full of humanistic care, insisting on proceeding from reality in everything, integrating theory with practice, and seeking truth from facts.

3. Learn new ideas, strive for new goals, and forge a new journey. It is necessary to fully learn the ideas and experience of high-scoring works.

Distinguish between main contradictions and secondary contradictions.

The current main contradiction of Xingyuan is that under the grand world view, the rhythm of the works is insufficient and unbalanced and cannot match it.

The current secondary contradiction of this book is that readers’ growing spiritual needs cannot be satisfied. (The prisoner on the leave request is deeply crimson and out of the queue.) We must comprehensively promote supply-side reform, optimize production capacity, transform into high-tech authors, and eliminate water and streamline. While adhering to the 4,000-day red line, we will optimize the quality of our works, improve our character images, and be on par with the great platinum authors.

Don’t forget your original intention, keep your mission in mind, introduce AI drawing experience, maintain and develop an inclusive and open secondary creative environment, and while enhancing the readability of online texts, you must not forget to enhance the sense of reading pictures and comprehensively promote the transparency of creation. Increase reader participation, stimulate readers' sense of ownership, optimize the sense of involvement, write online articles in the game area, and talk about pretending to be cool, for the benefit of readers, and for the development of the work.

Readers have faith, authors have strength, monthly votes have hope, and works can be on the list.

(Updated normally tomorrow)