godfather of tokyo entertainment
Chapter 142: Four Plays
In the conference room, Kei Fujiwara told everyone the general plots and main selling points of the four dramas in one breath, and the conference room was silent.
If it were another screenwriter who came up with the outlines of four dramas in one go, they wouldn't be surprised. As a screenwriter, this is the virtue, and it always ends in an anticlimax.
These people are very good at it at first and can easily come up with a story outline, but if they are asked to write it all out, they will have the same difficulty in giving birth as an elderly woman.
So if another screenwriter comes up with four outlines for them to choose from at the same time, it is probably because he has not thought about any of the four stories and wants his colleagues to discuss which story may be more popular before he chooses.
Which one to write.
However, everyone here is familiar with Kei Fujiwara's style of doing things. One of his styles is to never take action when starting something.
Once he proposes a detailed plan, he must have an extremely mature writing direction. Maybe the story has been printed word by word on the blank paper in his mind. Once turned on, this guy can immediately act like a human typewriter.
The scripts are usually written in a very short time and the quality is very high.
His writing speed and writing quality are usually admirable enough, but in the past he was at least a little measured, conceiving one drama after another. As a result, today he actually produced four dramas at the same time, which made everyone
Make your selection.
Then can they reasonably suspect that you already have detailed stories in your mind for these four dramas?
If we ask you to write four dramas at the same time, you can't do it...
You guy, it’s a bit incredible what you can do...
"Ahem." Shibasaki Hideaki coughed and said, "Fujiwara-sensei, I haven't finished filming "Furuhata" yet. Shouldn't Kobayashi-san be responsible for the next drama?" So why did you call me here?
"That's true, but Shibasaki-kun understands TV dramas better than I do, and I also want to hear your opinion." Kei Fujiwara said sincerely.
This is Kei Fujiwara's true thought. After getting along with him for a period of time, Kei Fujiwara discovered that Hideaki Shibasaki is indeed a talent. The director's level is very high, which is beyond his qualifications. Moreover, this person's prestige within the team is also very high.
Second only to Fujiwara and Mizuhara.
And what satisfies Kei Fujiwara the most is that this person’s aesthetic appreciation of artistic works is popular and popular, which means that he will not commit some literary youth errors and shoot some highbrow works.
But to Shibazaki Hideaki's ears, Fujiwara Kei's words seemed a bit too modest. Who doesn't know that you are a new talent in the broadcast industry? Do you want my opinion?
"I dare not discuss my opinions. Personally, I like the drama "Naoki Hansawa" the best. Just listening to the general plot introduction, I think it is very interesting. If it were me, I would film this drama."
After Kei Fujiwara heard this, he nodded subconsciously. As expected of you, you saw the best one at a glance.
"Personally, I think "Hero" is good. In the past two years, idol dramas seem to have gradually become the mainstream of TV dramas, and the audience likes to watch them. This drama should be regarded as a combination of idol dramas and professional dramas. It is close to the style of "Long Vacation". If
If this drama is filmed, I believe there will be many popular actors willing to join the show," said Yui Mizuhara.
Indeed, after "Long Vacation" became popular, many young actors wanted to get the opportunity to work with Kei Fujiwara, but no one expected that his next two dramas would find two old men to play the leading roles. I just filmed one
An idol drama became an instant hit, shouldn't it be better to strike while the iron is hot? I really don't know what this dark horse is thinking.
And... this drama seems to be the most suitable for Arima Katsura to play the lead role. Ahem, they have also heard some gossips between their chief screenwriter and this popular actress. There is no guarantee that he does not have his own little thoughts, such as
I want to make a special drama to praise my little girlfriend and so on.
"I think "Homeless Children" is very good." Kobayashi Shuzo said at this time.
He is in charge of the next drama, so his opinion is very important. Among the four dramas Kei Fujiwara told, this one about a poor little girl moved him the most.
Maybe it's because he has a daughter and a granddaughter. When Kei Fujiwara said, "If you sympathize with me, give me money."
Mingdi was touched. I imagined in my mind what I would do if my precious granddaughter became "homeless". As I thought about it, my eyes became a little moist.
Good guy, no one chose to co-write "Housekeeper San Tian"?
Don't be like this, this is Nanako Matsushima's masterpiece, and when the last episode was aired, it was a crowd-pleaser.
"Okay." Kei Fujiwara, "Both directors, please explain, if you were to make a film that you like, how would you like to make it and which actors would you choose?"
Hideaki Shibasaki took his time and named several actors he thought were suitable for the role of Naoki Hansawa.
Kobayashi Shuzo also named two or three child actors and told them his shooting plan.
"Let's exclude the drama "Naoki Hansawa" for now and leave this drama to you, Shibasaki." Kei Fujiwara said.
Shibasaki Hideaki nodded and said, "Okay."
"Choose one of the remaining three dramas. I will write the first episode scripts of these three dramas within a week. After getting the scripts, we will have another meeting to discuss." Kei Fujiwara said.
"Writing three dramas in one week?" Yui Mizuhara opened her eyes wide. I know you are a model worker, but don't work so hard, Fujiwara. After all, you eat rice, not drink diesel.
"That's right." Kobayashi Shuzo also said, "Is it a little too difficult to create three dramas at the same time?"
Fujiwara Keimichi: "It doesn't matter. After all, it's just the first episode. I can finish it."
Kobayashi Shuzo still said: "I think it's better to assign you a team of screenwriters."
Mizuhara Yui nodded when she heard this. She has always wanted to assign Fujiwara Kei a literary assistant, and then form a screenwriting team composed of episode writers and line writers to serve Fujiwara Kei alone. Otherwise, she would really worry about Fujiwara Kei being busy.
Don't come.
Kei Fujiwara is the core of the entire team. If there is a problem with his creative state, all work will have to stop.
"If I need help, I will speak up." Kei Fujiwara said, and it was hard for the others to say anything.
Not long after, the fourth chapter of the Astrology and Magic Chapter of "Genius Detective Mitarashi Kyous" was officially serialized.
Kei Fujiwara cut and abbreviated the book "Astrological Killing Magic" into five chapters, and one more chapter, where the truth about Assold back then was revealed to the public.
Nishikido Zaihara bought the latest issue of "Spring and Autumn Literature Appreciation". This time he did not open "Samurai Atomic Heart" first, but read "Genius Detective Mitarashi Kiyo" first.
In this chapter, Mitarai encountered the notes of a participant in the incident and got more clues. In the chapter, Mitarai showed an expression of sudden realization, which means that the protagonist already knows the truth of the year.
Nishikido Zaihara felt a little irritated. Once the protagonist knew the truth of the year, it meant that all the key clues had been given. However, under the condition that all the clues were given, he was not able to restore the truth of the case, which made him a little bit agitated.
Frustration.
Nishikido Kihara likes to watch mysteries because he enjoys the process of fighting wits with the protagonist. As long as he finds out the truth earlier than the protagonist, it means he is smarter than the protagonist. In his past experience, he was often invincible, but this time
But once, it seemed to have encountered Waterloo.
Nishikido Zahara couldn't help but wonder in his heart, maybe not all the clues have been given yet?
If in the end the protagonist solves the case by relying on airborne clues that the reader has never seen before, this is a taboo in reasoning and will be very offending to the reader. The reader will definitely throw the book into the trash can and swear to never do it again.
I will never read this author again.
After the chapter ended, the author wrote a paragraph at the end of the article, letting him know that such a thing was impossible.
Because the author left a letter of challenge in the last chapter of the article.
"This letter came a little late, but I did it first to ensure complete fairness, and secondly to let more readers solve this mystery. Here, I decided to muster up the courage to write that famous sentence
Lines."
"Dear readers, please accept this challenge."
"Needless to say, the clues to the puzzle have been
It is completely presented in front of readers, and the key to solving the mystery has been laid out nakedly under your noses."
"Anyone who can solve the final mystery, please do not announce the answer in public for the time being. Instead, write the truth in a letter and send it to the editorial office. I will select the top ten readers who guess the truth.
We sincerely invite you to visit the filming set of "Furahata Shinsaburo" and have dinner together."
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