godfather of tokyo entertainment

Chapter 148: The work is the moat

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"Why is this crappy writer so embarrassed to ridicule Sima Keita?"

"Doesn't he have a basic appreciation of literary works? I have read his works, but I can't get past the first 10,000 words. Compared with "White Night Walk" and "Genius Detective Mitarashi Kiyoshi", his is just toilet paper.

"

"Let me tell you a joke: The water is lucky to the river."

"Hahahaha, so funny."

"Damn it! Bastard!

A bunch of ruffians!

!」

Seeing these bad comments, Yuki Minakami was so angry that he tore the newspaper where Chiba Shinichi's article was published into pieces, and continued to smash cheap things at home to vent his anger.

But there was nothing he could do.

He is both a writer and a critic. But as a writer, his influence is not as good as Keita Sima; as a critic, his industry status is far worse than that of Chiba Shinichi.

Sima Keita was too lazy to pay attention to him, but Sima Keita had a group of loyal readers, and since the "Astrology Killing Magic" caused a sensation, his loyal reader group has expanded.

This group of people ridiculed Yukie Minakami to the fullest, and some even called the editorial office of his serial magazine, saying that it was too ugly and that it would be better to cut him in half as soon as possible.

Needless to say, Chiba Shinichi, he is a senior critic, and the newspaper space he can get is much better than his, and he also dares to scold more. After seeing Chiba Shinichi's ridiculing article, Minami Yukie thought angrily

I wanted to write another article in response, but I don’t know if I was so angry that I sat at my desk for an hour and couldn’t write even a single word.

He suddenly realized sadly that no matter how much he wrote, it would be in vain. Because works are really a writer's moat, and Sima Guitai's works were much better than his. Even if his response articles were lavishly written, they could not shake Sima Guitai.

position in the minds of readers.

No matter what he says, readers only need to compare the works of the two people and torture their souls: Since you said Sima Guitai's works are not good, why are your works so much worse than others?

Speechless.

It seems that being a critic and a writer at the same time is a bad idea. Mizukami Yukio Xindao.

Just like when you are an economist, you can talk nonsense about business management, you can understand the applause but not understand the fuck out, and no matter what you say, some people will believe it. But once you run a business yourself, no matter how reasonable the economic theory sounds,

Not as convincing as corporate financial reports.

Fujiwara Kei received a call from Itagaki Kazuhiko in the office, coming to announce the good news.

This issue of "Spring and Autumn Literature Appreciation" is selling so well that it is predicted to break the historical record of monthly sales, and all this is thanks to Mitarai Kei.

I guess Mitarai's ranking will improve in the latest [Japanese Detective Ranking List].

In any case, this book "Genius Detective Mitarashi Kiyoshi" has finally survived the early stage and is beginning to stride forward towards becoming a best-seller again.

Everyone in the editorial department knows that this book "Genius Detective Mitarashi Kiyoshi" will be a big hit again after it is officially published, but no one dares to give an accurate figure on how much it will sell. After all, the sales volume of "White Night Journey" in the country has already been

It’s close to 2 million, and overseas publishers are also contacting me.

Spring and Autumn Society has tentatively reached a cooperation intention with a publishing house in Baodao, and we can sign a contract directly after some cooperation details are discussed.

After serializing a large story chapter, it can be published as a single book.

As for the next story, Kei Fujiwara plans to write Yukito Ayatsuji's "Template" series.

This is also the work of a king in the Japanese reasoning world.

The popularity of "Astrology Killing Magic" also successfully stimulated the ratings of "Furuhata Shinsaburo". The ratings of the latest episode of the TV series actually rose to 28.8%, exceeding the ratings of the first episode.

Konemon Matsumoto, the star of this drama, is also deeply rooted in the hearts of the people because of his role as Furuhata Jinsaburo. Even some viewers who do not pay attention to kabuki performances have become his fans. Some young fans who like "Furuhata Jinsaburo" even go to

went to the theater to watch his performance, and even

They also brought light signs and glow sticks into the theater, which was something that had never happened before...

The biggest dilemma of traditional art is how to attract young audiences. With the development of the times, cultural and entertainment life has become richer, and fewer and fewer young people come to theaters to watch kabuki. Compared with old traditional art, popular culture is more

Attractive.

Therefore, some famous houses have begun to think of new ways, such as integrating pop music into kabuki performances.

Matsumoto Konemon also thought about incorporating some popular elements into the performance to attract young audiences. But to his surprise, before he could do anything, young audiences poured into the theater in droves.

Some people in the audience even called him "Furuhata", and Matsumoto Konoe reacted very quickly. He would scream as a character: "I am not Furahata! I am Ashiya Michitsu! This person must be from the Abe faction."

The spies who come, get out of here!"

The audience burst into laughter.

The success of "Furuhata Rensaburo" also made Konemon Matsumoto officially start to consider whether he should broaden his acting career?

In fact, in the parallel world, many Kabuki actors transform into screen actors, but the Kabuki actors in this world are relatively conservative.

Konemon Matsumoto received certain dividends from the role of "Furuhata Jinsaburo". The scandal between Kei Fujiwara and Keika Arima was once again revealed by interested people, who believed that Kei Fujiwara was deliberately taking care of his father-in-law.

There were even entertainment journalists who directly asked Matsumoto Konemon about the relationship between Arima Keika and Fujiwara Kei, but all they got was silence...

The crew has been constantly auditioning various actors during this period in order to find a suitable candidate for the lead role in "Hero".

The heroine of "hero" is tentatively considered to be Aoi Kono, but the intention has not been reached yet. Kei Fujiwara also directly told Etsuko Fukuyama that the male and female protagonists have not yet been decided and may change at any time, so Aoi Kono does not have to reserve it for them.

Schedule.

However, I auditioned several people in succession, but none of them seemed to be suitable. Kei Fujiwara decided to find Takaharu Miyata, who has a more mature temperament and has become more husband-like recently. Logically speaking, he would not be suitable for the role, but Kei Fujiwara still

I plan to find him to give it a try, maybe he can create a new feeling.

But after contacting Miyata Takaharu, they also told Mizuhara Yui very apologetically that she might not be able to come. Miyata Takaharu now has a filming appointment and has already joined the group. What a coincidence, it is Junmei Hidaka.

A new drama "Gemini Detective".

The originally scheduled third male lead contracted an unknown infectious disease due to traveling abroad. It was only recently diagnosed that he was unable to join the cast, so he found Takayoshi Miyata under the recommendation of Hiroshi Hoshino.

"First Hoshino Hiroshi, then Miyata Takayoshi, and that guy Hidaka Junaki is still a senior, they just eat our leftovers." Nishimura Taro complained at the meeting.

"Nishimura." Yui Mizuhara reminded her sternly, "Don't talk like that again. It's really disrespectful to the actors."

Hidaka Junming spoke nonsense about them in public, so there is no need to talk about respect for this guy. But describing the actors as "leftovers" is a bit rude.

Taro Nishimura is a member of the creative team, and his status is higher than that of actors in the Japanese broadcasting system. Therefore, he is arrogant and lacks respect for two actors with low foundations, Takaharu Miyata and Hiroshi Hoshino.

.

Nishimura Taro quickly apologized: "I'm sorry, I said the wrong thing. Fortunately, those two people didn't hear me."

Mizuhara Yui didn't pursue it, but turned to look at Fujiwara Kei, wanting to hear what he had to say.

But I found that Kei Fujiwara was playing with a ballpoint pen, pressing it constantly on the table to make it bounce up, and he played with it for half a minute.

And for some reason, he suddenly remembered the rumor that China couldn't make ballpoint pen balls.

"Ahem..." Mizuhara Yui coughed to remind Fujiwara Kei that we are in a meeting now. Are we children? What's so fun about pens...

Keiichi Fujiwara looked up and saw everyone in the conference room looking at him. He felt a little embarrassed. He pretended to cough twice and said, "The actors will continue to contact for auditions... but the scope will be expanded."

"The three dramas "Hero", "Housewife Mita" and "Homeless Child" contacted actors for auditions at the same time. If any drama can find actors with unique temperament, it will be given priority.

shooting."

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