godfather of tokyo entertainment

Kei Fujiwara gave the order, and the entire crew immediately responded and began frantically contacting the actors.

A total of dozens of roles required auditions... For a time, it seemed as if all the talent agencies in Tokyo had received calls from Fukuyama Station to invite auditions.

For a time, the news that Kei Fujiwara was going to make a major production spread throughout the industry.

This guy doesn't want to film a Dahe drama, right? Some colleagues in the industry discussed privately.

After receiving the invitation, the actors knew that it was the work of this dark horse screenwriter and came to audition one after another.

Adult actors are easy to find, there are a lot of them available, and their acting skills are generally above average.

But it's a bit troublesome to find a young actor who can act and doesn't have stage fright.

Whether filming "Homeless Child" or "Housewife Mita", a little girl actor under the age of ten is needed. However, most child actors have shortcomings in their acting skills, such as emotional instability, and poor acting skills.

The play is extremely exaggerated, with a beaming expression and a spoken accent.

It’s not easy to find child actors who are particularly talented. Acting really depends on talent, especially for children. Half-year-old children have not received long-term acting training, and more emphasis is placed on the inner workings of the actors.

That bit of talent and spirituality.

The crew interviewed several children, and a girl named Inoue Morimata caught the attention of Kei Fujiwara. She seemed to be very introverted and was embarrassed to talk to adults. She always grabbed the agent's pants, but the clapper board only had a voice.

As soon as the song started playing, the expression on his face immediately changed, as if he instantly became a character in the script. He spoke clearly, recited the lines with a cadence, and the performance was very contagious.

After her audition performance, the crew couldn't help but admire her in their hearts, and even Mizuhara Yui couldn't help but applaud.

Under normal circumstances, the crew will not deliberately show their special love for a certain actor. On the one hand, it is to facilitate bargaining, and on the other hand, it is afraid of affecting the performance of other actors, but this time Mizuhara Yui took all these things into account.

Putting it behind me, I couldn't help but express my love for Inoue Mori again.

After the performance, Inoue Mori shyly hid behind his manager again.

"This kid is very good." Kobayashi Shuzo said to Fujiwara Kei.

"Yes." Fujiwara Keiya nodded. The child is also very beautiful. He looks a bit like a combination of Adachi Yumi and Ashida Aina.

"Mori Mata-chan." Kei Fujiwara stepped forward at this time, stretched out his hand to greet Inoue Mori and took another step forward.

Inoue Mori looked at the approaching monster again, and looked up at her manager in a panic. The manager pushed her and said, "Don't be afraid, this is Mr. Fujiwara, the chief creative writer of the show."

Inoue Morita clenched his teeth, as if he had made a great determination, walked forward, bowed politely, and said: "Hello, Mr. Fujiwara, I am Inoue Morita."

When bowing, his two little hands are raised behind his buttocks, which is so cute.

Fujiwara Kei couldn't resist pinching her little cheeks and said with a smile: "Hello, Komori Mata, I will tell you a scene now. It only has a few lines. If you perform well, our audition will be over today.

"

Inoue Morimata's eyes lit up, and he seemed to want to end the audition early.

Fujiwara Kei sighed inwardly. It seemed that he was another poor child who was deprived of his childhood by the dreams of adults. He was forced by adults to rush around to perform, and even lost the only leisure time in his life.

This kind of situation can be found in every country. Kei Fujiwara has seen many in his previous life. At a young age, he was running around in major movies. His parents were agents. Once he didn't behave well, he would come up with big mouths and fight because they were his biological parents.

No mercy and no psychological pressure.

There are indeed many children who later become stars. In Fujiwara Keihara's world, almost all of the younger generation of entertainers and stars started out as child stars. It is increasingly difficult for children from ordinary families to become celebrities through regular channels.

However, Inoue Morimata seems to have found a professional agent instead of his own parents... which is rare.

Although the child looked pitiful, Kei Fujiwara was not so sympathetic and patiently and meticulously told Inoue Mori about the play.

Inoue Mori is not very old, but

He is very smart and has strong understanding, and he understood it quickly. Children have good memories, so I just repeated a few lines that Kei Fujiwara said and memorized them.

If this child is interested in acting, he will definitely achieve something in the future. Fujiwara Kei couldn't help but think to himself.

Kei Fujiwara took out his wallet from his pocket and handed it to Inoue Morimata, then walked away.

Inoue Mori took the wallet again, closed his eyes to adjust his condition, suddenly opened his eyes, and then desperately took out the money in the wallet:

"Needles, I will swallow a thousand needles or two thousand needles. If the Lord of Hell wants a tongue, I will give it to him. Even if it means breaking the promise or breaking the oath, I will definitely protect my mother's life!"

After he finished speaking, a tear slipped from the corner of his eye.

Kei Fujiwara was also a little dumbfounded: Great!

And Inoue Mori seemed unable to get out of his emotions, still holding the handful of banknotes tightly in his hand.

Kei Fujiwara raised his head and said, "The agent is here to comfort me."

The female agent quickly ran over, touched Inoue Morimata's head with her hand, and whispered something in her ear. After a while, Inoue Morimata calmed down again, and shyly hid behind the agent, quietly

Looking at Kei Fujiwara.

"Very good." Kei Fujiwara was very satisfied, "Leave their contact information."

I tried many roles one after another, and many actors, except Morimata Inoue, there were a few who also performed very well.

The audition lasted until very late. Kei Fujiwara looked at his watch, then at the calendar date, and said to the staff: "Tomorrow my readers are going to visit the set of "Furuhata Jinsaburo". If I can't get away, trouble."

Please welcome me."

The staff immediately said: "Don't worry, Mr. Fujiwara, we will definitely treat you with care."

In fact, this is not a filming job for a TV station or a production company. Kei Fujiwara fulfills his promise here and maintains the friendship between him and the readers. This is a private job. But no one will jump out and accuse Fujiwara.

Keiko's weapon is for personal use. You have to know that there are many screenwriters who have paid for it at public expense. Is it such a big deal for Fujiwara-sensei to do such a trivial thing?

The next day, Togada Nanako dressed up carefully and looked in the mirror repeatedly before going out, feeling a little nervous.

She was lucky enough to be one of ten lucky readers who was invited to visit the set of "Furuhata Rensaburo".

Although I have met Teacher Sima Keita many times, I still feel nervous.

Togada Nanako went to the agreed place, a coffee shop outside Fukuyamadai. Togada Nanako did not check the time and came forty minutes early, so she had to wait patiently in the coffee shop alone.

The Japanese are very punctual, and it is not good to arrive early or late.

Togata Nanako ordered a latte and sat quietly by the window, when a familiar businessman called: "Togata."

Togada Nanako turned around and saw Fujiwara Kei tilting his head and looking at her.