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Mizuhara Yui contacted Inoue Morimata's agent and signed a contract with the young actor.

After Inoue Mori was cast, Fujiwara Kei went to cast other actors.

The drama "Homeless Child" is not like "The Long Vacation". The long holiday comes and goes with just a few people's stories, one male, two male and three, one female, two female and three, the whole drama is 90%

time was taken up by them.

As for the drama "Homeless Child", it has a long story line and complex relationships between characters, so there are also many actors.

The audition alone took a lot of time, but in the end the actors were confirmed one by one.

However, when I was looking for the role of my cousin Gong Zhao, I encountered some obstacles. This role needs to be played by a young man, about fifteen years old, but I could never find a suitable actor to play it.

If you want to find a handsome boy who is fifteen or sixteen years old, there are usually many idol training agencies, such as the famous Jacks Agency. There are many training departments there, and there are many male idols who are fifteen or sixteen years old.

However, most of these idols come from singing and dancing backgrounds and are not very good at acting. It would be fine if they were playing other roles. However, the role of cousin Gongzhao is very complicated. A person with paralysis of his lower limbs, who loves and hates his mother, and a person who does not accept it too much.

Can people with acting training perform well?

With a skeptical attitude, Fujiwara Kei asked the staff to find a few idols to try it out. He almost made Kei Fujiwara pee in the role, but it didn't work.

Just when Kei Fujiwara had a headache, Konemon Matsumoto suddenly came to see Kei Fujiwara for a drink. The moment he saw Konemon Matsumoto, Kei Fujiwara was startled.

So the next day, Arimasai was sneaked to the set by his father.

"You used my sister, you used my father, and now you want to use me." Sai Arima looked at Kei Fujiwara with questions on his face: "You really have a soft spot for our Arima family. I understand.

How do you say that, love..."

"Love the house and the bird."

"Yes, love a house and a crow, that's an idiom." Said Arimama nodded, "If you love a house, even the crows standing on the house will like it... Wait, you think of me and my father as crows?"

"If you perform well, your salary will not be less." Keimichi Fujiwara, "Although it is not as good as your father, I can give you a relatively high salary at this level."

Arimasai spread his hands, "I don't care about this, money and so on... it's the most vulgar. I just perform normally, it's up to you to decide whether it's good or not. My father asked me to practice eighteen times, and I'm so fast these days."

I’m so exhausted that I don’t have time to travel between places.”

"The salary I will give you is 200,000 yen per episode, but if you perform well..." Kei Fujiwara lowered his voice, "I will give you an additional 50,000 yen per episode. It will not go to the company's account. Your father doesn't know.

.”

Arimasai immediately gave a thumbs up, "You are really discerning, really discerning. To be honest, acting is no longer a challenge for me. In fact, my sister is not as good as me in terms of talent as an actor.

.I also acted in a movie when I was a kid, "The House at the End of the Hill." Have you seen this movie? Do you know that many film critics call me a genius actor?"

After finishing speaking, he added: "You won't lie to me, right."

"Of course not." Fujiwara Kei said, but he thought to himself, your role doesn't have many roles anyway, and you won't be able to play it for a while.

"That's good." Sai Arimama rubbed his hands, "When will we audition?"

"Right now, by the way, you go and meet our leading actor first." Fujiwara Keimichi thought to himself: Genius actor? Oh, let you see what a real genius is.

Fujiwara Takashi brought Uma Sai to the audition, and specially brought Inoue Moritata with him, so that the two of them could play together. When Arimasai saw Inoue Moritata, he showed a standard smile with eight teeth: "Hello, hello.

, little sister."

Inoue Mori took a step back with some fear and looked at him nervously.

Arima Sai whispered in Fujiwara Kei's ear: "How can this little girl be so shy? How will she act when the time comes? She won't even be able to speak her lines by then, right?"

"You don't have to worry about her."

"Yes, yes, you are the creator and you have the final say."

"Morimata-chan." Kei Fujiwara bent down slightly and looked at Inoue Moritata with a smile, "Will you cooperate with my brother in the audition later?"

Inoue Mori nodded again.

Kei Fujiwara briefly explained the scene to the two, and then began to rehearse.

As expected, once the performance time officially entered, Inoue Mori seemed to be a different person and got into the state very quickly. However, because Arima Sai was exposed to the role for the first time, he was a little unable to adapt and even forgot a little.

Words.

He didn't perform well in the first rehearsal, and Sai Arima looked a little embarrassed, "I'm sorry, I'm not in good condition today..."

Fujiwara Kei smiled and said: "It doesn't matter, you can do it again."

Arimama Sai memorized the lines again, and this time he obviously paid much more attention to it.

When he did it again, Arimamasai was obviously more serious, much better than before, but obviously still not as good as Inoue Morimata.

Inoue Mori is one of those undoubtedly talented people, the type who is fed by God. Even the young actor Yumi Adachi in the original version cannot compare to her.

Arimasai also felt that his performance was not as good as Inoue Morimata's. He came from a theater family and he could clearly sense who was the center of attention in a scene. However, when he found that Inoue Morimata's aura was obviously stronger than his own,

, the competitive spirit of a descendant of a family of artists was aroused.

"I want to do it again," said Arimama Sai.

"The acting was good this time." Fujiwara Keimichi said, "I passed the audition. It would be great if I can maintain this level after the film is officially launched."

"I'm definitely better than that little girl during the actual filming," Saito Arima said.

"Come on, I'll give you the script. Go home and study it carefully." Kei Fujiwara patted his shoulder and said.

The actors are gradually arriving. This "Homeless Child" will face Junming Hidaka's new drama head-on. This is the biggest challenge he has encountered since he decided to implement the "Moon Nine" plan, so Kei Fujiwara is more serious than ever.

I paid more attention to it and decided to personally participate in the directing work of the play.

Originally, this drama was independently supervised by Kobayashi Shuzo, but now it has been jointly supervised, but he has no objection. Of course, the objection is invalid.

No one doubts Kei Fujiwara's supervisory ability. This is not the first time he has crossed over. From a writer, to a variety show planner, to a screenwriter, everyone who questions has their face swollen, and Hideaki Shibasaki is also a director.

I have great faith in his directorial ability. You must know that during "The Long Vacation", almost half of the storyboard scripts were directly adapted from the version written by Kei Fujiwara.

After signing the contract with the actors, a group of people held a three-day script meeting. Fujiwara Kei asked the actors to call each other by their character names in the group to get closer to the characters.

After the actors almost understood the characters, the creative team also held planning meetings for several days, and the production of "Homeless Children" was officially launched.

The crew was divided into two by Kei Fujiwara, and divided into groups A and B for filming. Group A mainly shoots the scenes of the heroine "Aizawa Suzu", while group B mainly shoots the scenes of other characters.

"Homeless Child" has many characters and complex side stories. In addition to the main plot of Aizawa Suzu, there are also branch plots of biological parents, uncle and aunt, and Mr. Katajima's branch...

After the official filming started, the people in Group B seemed a little nervous when they saw Fujiwara Keiya. They seemed far less relaxed and casual than when working with Kobayashi Shuzo.

Familiarity will increase contempt, and in the same way, unfamiliarity will increase majesty. This is a new crew, and many people in the crew have never interacted with Kei Fujiwara, but have only heard of him as a young screenwriter.

Kei Fujiwara is not afraid that these people will despise him because of his youth. He has already filmed so many dramas, and it would be a bit stupid to have such an idea again...

Kei Fujiwara looked at the monitor and sat silently on the director's chair behind the monitor.

It feels like I have been away for a long time...