godfather of tokyo entertainment
Chapter 152: Blocking [Month Nine]
The news of the launch of Kei Fujiwara's new drama was also quickly known by the media and appeared in newspapers. It is still his base period "Moon Nine". The dark horse screenwriter and the evergreen player in the broadcast industry will meet head-on in the near future.
This also ignited the enthusiasm of discussion among tabloid reporters. They all discussed in the newspapers who would win or lose after the series was aired.
"Oh, you look so bold when you drink. It really makes me want to cum for you again, Director Hidaka~"
At the banquet, Matsushita Shinya smiled flatteringly, picked up the wine bottle in his hand and poured wine into Hidaka Junmei's glass.
Hidaka Junming stretched out his hand and watched the liquid level in the glass in his hand rise little by little. Although his face was flushed, his eyes were bright and he remained awake.
"Matsushita-sensei, I can't drink alone." Hidaka Junna patted Matsushita Shinya on the shoulder and said.
There was a huge difference in body shape between the two of them. Hidaka Junmei was tall and strong, while Matsushita Shinya was as skinny as a stick, with a slight stoop at the waist. He slapped his hands on the shoulders and suddenly grinned.
"That's for sure. I don't have the drinking capacity like Director Hidaka, but I will risk my life to accompany you today."
Matsushita Shinya said with a smile, then drank a full glass of wine, and then drank another glass.
Matsushita Shinya's drinking capacity is indeed average. After drinking all this wine, his face immediately turned red and his eyes became a little distracted, but he still kept a smile on his face.
"Haha, Matsushita-sensei's drinking capacity has improved a lot." Hidaka Junming laughed.
Matsushita Shinya also laughed with him. He was obviously the main creator, but anyone with a discerning eye could tell at a glance that he kept his posture very low, almost like a subordinate of Hidaka Junna.
In fact, it doesn't have to be like this. The drama production system in Japan and South Korea is different from China. The status of screenwriters is very high. Some strong screenwriters can even ask to change directors midway. Shinya Matsushita is also a veteran screenwriter. Even if his status is not as good as Junmei Hidaka, he still has a high status.
Not to the point of being a companion.
It's just that he, a senior screenwriter, is having a difficult life these days, and an important reason for his difficult life is that damn guy.
Kei Fujiwara, it’s all his fault!
Ever since this guy refused his request to become a disciple for some reason, Matsushita Shinya's life has become unsatisfactory. When Fujiwara Kei scolded him in front of everyone and slammed the door, it was nothing.
It's just a small role, it can't make any waves, and no one in the company dares to discuss it.
But the most damning thing is that this guy actually wrote a super best-selling book and won the Naoki Prize, which caused some bad rumors to spread in the company.
After the senior executives in the company heard about this incident, they seemed to be a little dissatisfied with Shinya Matsushita.
This dissatisfaction became even stronger after Kei Fujiwara produced one after another hit dramas as a screenwriter.
In addition, a drama written by Matsushita Shinya not long ago had very poor ratings. With the help of his friend Fujii, he shifted all the responsibility to the producer Shuzo Kobayashi. But what he never expected was that Shuzo Kobayashi surrendered.
Kei Fujiwara, and also filmed "The Lonely Gourmet", the number one night drama at the same time, which made him feel even more anxious.
Although your own failure is sad, the success of your colleagues is even more heart-wrenching.
For this reason, he also put pressure on his apprentices. The reason why the work failed was because these unsatisfactory people couldn't write a good script! Why can't you incompetent guys be like Fujiwara Kei?
Thinking of this, Matsushita Shinya was almost furious again. What's wrong with being my apprentice? As long as you work hard, I won't treat you badly!
But it's too late to say anything now. But Shinya Matsushita, as a person who has been able to make trouble for many years by relying on his gunslinger, certainly has his strengths. Although he is not good at writing scripts, he is very good at plotting.
After learning that Hidaka Junmei's new drama was about to start filming, I made many connections, tried my best to flatter Hidaka Junaki, and finally became one of the co-writers of his new drama.
The screenwriter who co-operates with him is also a very talented screenwriter in recent years, but his qualifications are not deep, although he is not willing to cooperate with others.
The main creator, but there is no room for resistance.
The general story of the play has been decided, and the rest is all carving work, and the disciples of Matsushita Shinya are fully capable of doing it.
A group of people were having a puffer fish feast in an expensive Japanese restaurant. Atsushi Hidaka picked up a piece of puffer fish sashimi, put it in his mouth and tasted it carefully. After a while, he said: "After the end of "Furuhata Rensaburo", Fukuyamadai's Tsukiji
Is Er Yuan still responsible for the time slot?"
Nihara refers to Fujiwara Kei and Mizuhara Yui. These two people have recently become famous in the broadcasting industry, making some people who have been in the industry for many years fearful.
"Yes, it's them." Producer Yamada Konjiro nodded, "And I got the news that from now on, they should be responsible for Fukuyama Station's September 9th time period."
Hidaka Junming smiled and said: "It seems that the news I heard is true. I heard that Fujiwara Keina made a bold statement to make the Moon Festival a time period beyond the weekend prime time. It turns out that it was not groundless."
Shinya Matsushita immediately echoed: "It's just a fantasy, how can this be possible? It's unlucky for him to be in the same time slot as our drama this time."
Hidaka Junming glanced at him sideways, "Less than two years after Kei Fujiwara debuted, the works he produced have been hugely successful both commercially and critically, and he has never lost once. Although I made bold statements in front of reporters,
When discussing privately, it is better to seek truth from facts. When meeting this person head-on, I dare not make a conclusion about who will win. In comparison, Matsushita-sensei is really confident, which really makes me feel ashamed."
Matsushita Shinya stopped talking immediately, his face was hot with shame, but because he had just drank wine, his face was already red, and others could not see his embarrassment.
"Hidaka-san, it stands to reason that you can choose the weekend time period, why would you choose the September 9th time?" Yamada Konjiro asked.
Hidaka Junna gently held the waist of the female assistant next to her with her left hand. While eating delicious fish fillets, she said: "Two reasons. One is because "Furahata Rensaburo" is a popular drama at this time and its ratings are very good.
Yes, it has accumulated a lot of viewers recently. The audience base for mystery dramas in this period has been accumulated. Since someone is making wedding dresses for us, why not wear them?"
"There is another reason. The director also heard about Fujiwara-kun's [Moon Nine] plan. He seems a little reluctant to let this plan succeed..."
Hidaka Junming continued: "To be honest, the higher-ups in Taiwan are a little afraid of this young man now. If they really let him go, who knows what terrible things he will do... What if the [Yuejiu] plan happens?"
What if it really comes true as he envisioned? Then all other channels’ Sunday time slots will become garbage time slots, which is the last thing the production office wants to see.”
"To be honest, I think the director is very prescient. People from other commercial stations regard Fukuyama Station's [Yuejiu] plan as delirium, but I feel that if competitors keep ignoring it, it will probably be realized. But if other channels
Commercial channels are now joining forces to attack this time slot, which may not be able to nip this seemingly arrogant plan in the bud.”
"But it's a pity that other TV stations don't have the foresight of our director, and they don't seem to take this seriously. In this case, I have to be the pawn."
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