godfather of tokyo entertainment

Returning to Mizuha Production Company, she saw Kei Fujiwara approaching. Yui Mizuhara wanted to pounce on him and take a bite out of his face.

He was already handsome, but now he looks even more attractive.

"Fujiwara." Mizuhara Yui walked over and said while suppressing the excitement in her heart,

"The ratings of the last episode of "Homeless Children" reached a historical level, ranking sixth in history." Kei Fujiwara took the ratings report, glanced down, and said, "Not bad." Compared with the original version of "The Homeless Child" in the parallel world,

"Homeless Children" is even better. The final episode of the original "Homeless Children" has a broadcast score of 37.2%, which is already outstanding, but it has achieved better results in this world.

The reason why it is higher is that Kei Fujiwara, as a bystander and practitioner, knows the detailed ratings of each episode of the original version and the shortcomings of the show, so he made some changes.

Of course, Inoue Morimata's excellent acting skills are also part of the reason. Fujiwara Kei thinks she is better than Adachi Yumi.

After reading it, Kei Fujiwara returned the ratings report to Yui Mizuhara. Yui Mizuhara took the report back angrily, feeling a little disappointed with Kei Fujiwara's mediocre reaction.

Kei Fujiwara is a bit sultry... Maybe he would happily tie his tie on his head and do a striptease when he was alone at home... I really want to see how this guy loses his composure... Yui Mizuhara's heart seems to be bursting out.

A little devil whispered to her.

"What are you thinking about?" Kei Fujiwara tilted his head and asked, seeing Yui Mizuhara a little dazed.

"Ah, it's nothing. I was wondering where to hold the celebration party?" All the works have achieved good results, and they have held celebration parties countless times. Now the people in the creative team have become accustomed to celebrations.

I'm not as excited as I was in "The Long Vacation".

If I had known better, I would not have taken them to such an expensive restaurant to celebrate. It seems that raising the threshold is not a good thing... Mizuhara Yui cursed.

"Keep everything simple." Kei Fujiwara said,

"You go ahead and tell the members of the creative team about the ratings, but you have to warn them and remember to guard against arrogance and impetuosity. The battle has just begun."

"Battle? Do you mean "Housekeeper Mita"?" Mizuhara Yui said with a smile: "I checked, and there were almost no decent competitors in the same time period during the broadcast of "Housekeeper Mita"."

"Don't take it lightly." Kei Fujiwara said,

"Now the outside world should have realized that the [Yuejiu] plan is not our temporary nonsense, so I guess the other five conferences will unite to deal with us during this period. You should pay more attention to their production plans. Once you hear the news

Communicate with me in time." The relationship between Japan's five major civilians is like five frogs in a bucket. Each frog wants to climb out of the bucket, but once there are signs of climbing to the top, the other four frogs will try their best to climb out of the bucket.

Work together to pull it off.

There was a time when NBC, the Japanese broadcasting company, relied on its excellent news columns and romantic dramas to dominate the world. However, the other five major broadcasters tried their best to suppress them during the broadcast time of their main TV series, which severely weakened their strength.

Not long ago, Dongdao TV also thought about getting rid of its position at the bottom of the five major TV stations, so it poached people from major TV stations and concentrated on producing programs. It originally planned to find another way to accumulate viewers through late-night dramas and morning dramas.

As soon as things started to improve, the other five major groups began to attack Dongdao Channel. Various well-produced morning and late-night dramas were launched one after another, which made Dongdao Channel doubtful about life. In the end, it was decided that it would be better to safely show cartoons.

Of course, if everyone maintains the status quo, the five major TV stations will still get along very happily. They are all friendly businessmen and will not make things difficult for each other. If you have a TV series that you have invested heavily in recently to be launched, as long as you let it out, other TV stations will tacitly pay attention to it.

Avoid and will not fight with you to the death.

When it comes to the award ceremonies for major awards, everyone can happily share the pork and spend the golden decade happily.

However, the emergence of Fujiwara Kei and the [Moon Nine] plan is destined to break the balance. How did Fukuyama Channel join forces with other channels to attack Higashishima Channel and Japan Broadcasting NBC? In the near future, the other parties will also

Treat others in their own way.

"Homeless Children" achieved the sixth highest ratings in history, which also shocked the industry. Although I knew that the final ratings of this drama would be good, I did not expect it to reach this point.

What does the 39% ratings mean? The reason why Hidaka Junaki has such a high status in the broadcast industry is because there is a drama in the top ten in history. The highest episode rating of that drama is around 37%.

Kei Fujiwara's "Homeless Child" not only defeated Hidaka Junaki's "Gemini Detective", but also defeated the drama in which he made history.

So, Hidaka Junaki lost well this time, but he might not have been able to win against the current Kei Fujiwara in his prime.

Due to the amazing ratings this drama achieved and the social impact it caused, the entertainment pages of major newspapers began to rush to report on it the day after the drama ended.

The first is the old club Sankei Daily. Two-thirds of the entertainment pages are given to it. As for dramas in other time periods, I'm sorry, you can squeeze in the remaining one-third.

The report first mentioned the astonishing ratings achieved by this TV series: 39%. Since the 1990s, Fukuyama Channel has not seen a single episode of a TV series with more than 35%.

This is a very remarkable achievement and deserves to be trumpeted. "Homeless Children" relied on the last episode to directly enter the historical level.

Among the five dramas ranked before it, three were filmed in the 1980s, and two were filmed in the early 1980s.

After 1991, the TV programs of the major commercial stations became explosive. The audience base did not increase much, but the number of TV programs increased more than two or three times.

After 2005, the Internet became popular and the TV industry became even worse. Therefore, the further you go, the higher the gold content of high rankings.

Apart from its achievements, the most remarkable thing about this drama is the impact it has had on society. [Sympathize with me!

Just give me the money!] directly won this year's Newspeak/Buzzword Award and became a mantra for many young people.

The popularity of this drama has also made many people pay attention to the cause of child welfare. Many welfare home staff said that since the launch of this TV series, the number of voluntary volunteers in the welfare home has increased a lot, and the number of children, especially girls, has increased.

The adoption rate is also much higher.

Just a few days before the TV series ended, a consortium made donations to several children's welfare homes in Japan, under the slogan: Give all homeless children a warm home.

Just three days after the TV series ended, the famous writer Momoka Kamiya also published an article in a magazine.

The article seems to be a film and television review of the drama "Homeless Child", but a large part of it also describes the period of my childhood.

The "homeless" time. Momoka Kamiya is a well-known columnist, and her article caused a sensation after it was published.

Unexpectedly, this great writer also had such a bitter childhood. At the end of the article, Momoka Kamiya also praised Kei Fujiwara, the screenwriter of this drama, thinking that he is an excellent observer who can see the cracks in society and the weaknesses of people's hearts, so

Only then can we create such an excellent drama.

And I hope he can present more and better works in the future. The portrait photos that Kei Fujiwara hired a photographer to take for Inoue Morita frequently appeared in various media. Inoue Morita suddenly became a hot new star, and he was constantly filming.

.

The agent was quite reliable and did not take advantage of this opportunity to desperately accept scenes for Inoue and consume her spiritual energy. Instead, she let her settle down for a while. After a while, when public opinion became less impetuous, she would take on new films.

The senior leaders of Fukuyamadai wanted Kei Fujiwara to write the second part of "Homeless Children" quickly. Because the first part left the story suspenseful and had no ending, it was natural to shoot the second part.

But the sooner the second part is filmed, the better. The further it is delayed, the bigger the changes will be. For example, in more than a year, Kei Fujiwara is about to terminate the contract; another example is Inoue Mori... How come he has grown so tall after just one film?

?

If he grows bigger, he is no longer a homeless child! He has become a runaway girl!