godfather of tokyo entertainment

Fujiwara Kei also clearly noticed the change in Inoue Morita's body shape. This child just celebrated his fourteenth birthday not long ago. In the three months of filming, his size has already increased from the lower part of the chest to the direction of the collarbone.

Girls usually stop growing when they reach the age of 16, so this is the period when they grow the fastest. They grow the same every day, and when the shutdown ceremony is approaching, Kei Fujiwara keenly discovered that Inoue Mori began to say subconsciously when he walked again.

With a stooped back, it seems that other aspects besides height have also entered the growth stage.

However, Kei Fujiwara was not interested in the second part of "Homeless Children" and had no intention of writing it. The department head had no choice but to watch with sadness as Inoue Mori grew taller.

The production bureau also came to Kei Fujiwara, with a very low profile, hoping that Kei Fujiwara could cooperate with the production bureau and provide the production bureau with scripts.

The production bureau has also figured it out. With Kei Fujiwara’s momentum, before his contract expires, the production bureau’s water will not be poured in at all during the [Month 9th] period.

Their water waves cannot come in, but Fujiwara Kei's water can splash in at any time.

After "Homeless Child" achieved historical results, Yoshida Kashi and the TV station shareholders' trust in Fujiwara Kei has reached its peak. No one else would even think about his "Moon Nine". But if Fujiwara Kei watches

If you win someone else's time slot, the situation will be different.

Therefore, the production bureau no longer dares to have any thoughts about Kei Fujiwara. On the contrary, they are still afraid that Kei Fujiwara has thoughts about them.

Kei Fujiwara doesn't want to reach out to other time slots yet, but someone has taken the initiative to find Kei Fujiwara, adhering to the concept of cooperation if they can't be beaten.

A young producer hopes to produce a drama in the late-night period. He wants to film a [Kei Fujiwara's work]. But he also knows that it is impossible for Kei Fujiwara to write a drama specifically for himself, so he hopes that the other party will open the authorization.

It allows me to find a screenwriter to write a spin-off drama of "Furuhata Jinsaburo".

Kei Fujiwara agreed, signed a supplementary agreement, and received the licensing fee according to the share ratio. Therefore, the late-night drama "Imaizumi Shintaro", with Furuhata Jinsaburo's assistant as the protagonist, officially started broadcasting in the late-night period one month later.

The broadcast of such a spin-off drama can also build popularity for the second part of "Furuhata Shinsaburo".

Kei Fujiwara was revising the script of "Housekeeper Mita" in his office. The phone suddenly rang. On the other end of the phone was the company's operator: "Teacher Fujiwara, there is someone who said that he is the organizer of the peer film festival. He wants to talk to you about something. I want to pick it up."

Come in?"

Kei Fujiwara was startled for a moment, the organizer of the peer film festival? Did it come to notify him after the film passed the censorship? How could he contact him directly?

"Bring it in." Kei Fujiwara said directly.

After the other end of the receiver rang twice, the call was connected, and a man's voice said: "Teacher Fujiwara, we are the organizing committee of the peer film festival, sorry to bother you."

"Don't bother me, what's the matter?"

"Well, we are here to invite you to be a special audience of our film festival and participate in the evaluation of the films on display. I wonder if you have time?"

Kei Fujiwara was delighted, the co-author came to him to be the judge.

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【Tokyo Entertainment Godfather】【】

Normally, Kei Fujiwara might have agreed directly. The Peer Film Festival is quite famous in Japan, far more famous than any college film festival in China. Some good talents can also be found at the festival.

But that won't work this year. His works also have to participate in the film festival competition. There is no sense in being a referee and an athlete at the same time.

"I'm really sorry, we may not be able to do it this year. Thank you very much for your invitation." Kei Fujiwara said.

The other side doesn’t bother either,

He said: "That's right. That's really a pity. I'm bothering you, Mr. Fujiwara."

"It's okay...wait a minute, I would like to ask, has the first round of review of the movie ended?"

"Not yet, but soon. In a few days, the film authors will be notified and the list of exhibitors will be announced.

..." The person on the other side replied, but I felt a little strange. You're not here, so why are you asking so many questions?

"Okay, thank you." Kei Fujiwara said.

"Dongdong." There was a knock on the office door suddenly. Fujiwara Kei looked up and felt a little strange. The person who knocked on the door was very rude. No one in the company should do this. Who was it?

"Please come in." Kei Fujiwara greeted.

"Dongdong." The door was knocked twice more, but the person at the door remained silent.

Fujiwara Kei squinted his eyes, his brain was running at high speed, and he smiled: "Masai, come in."

The doorknob turned, and Arimama stood up from behind the door: "How did you guess that?"

"No one else is as boring as you."

Arima Sai walked in with his sleeves rolled up, "I heard that "Homeless Children" broke the ratings record. I came to congratulate you... It is indeed a TV series that I have participated in."

"What are you doing here?"

"It's so heartbreaking? I can't come and see you if I have nothing to do? Will you ask my sister this kind of question when she comes?"

"Okay, then you have a look." Fujiwara Kei said with a smile, and continued to write his own things with his head down. When this kid got tired of staying here, he left by himself.

Arimasai looked at Kei Fujiwara's office and walked around and around. Kei Fujiwara's office was in a minimalist style. There was nothing in it, but there were many potted plants and green plants. Arimasai ran to the window to look for trouble.

The green leaves were gone. After playing for a while, I felt bored again, so I sat directly opposite Kei Fujiwara, took out two tickets from his pocket, and slapped them on the desk.

"This Sunday, I have a performance at the Shinjuku 1-chome Koma Theater. Come and see it then. My sister is also there."

Kei Fujiwara glanced at the table, "Why two tickets?"

"Well...you can also bring others to see it then."

"Okay, I'll take Miss Mizuhara with me later." Kei Fujiwara opened the drawer and threw the ticket in.

Arimamasai suddenly became anxious: "Is it ridiculous for you to take another woman with you while my sister is here? Aren't you afraid of the Shura Field?"

"Then who do you want me to take?"

"...It's not what I hope. It depends on yourself...ahem... By the way, how is that guy Inoue doing? Oops, I almost forgot, you can take Inoue with you!"

Fujiwara Kei couldn't help it anymore, put down his pen and stared at him - your acting skills are too bad.

Under the gaze of Kei Fujiwara, Arima Sai's face turned as red as a tomato, but he still managed to hold on and said: "You...come as much as you can, if you really don't have time then just forget it."

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【Tokyo Entertainment Godfather】【】

After all, he was still a boy of fifteen or sixteen years old. Fujiwara Kei smiled, stopped teasing him, and said directly: "Okay, I will try my best to be there by then. Even if I can't be there, I will let Inoue go."

"That's not what I meant..." Arimamasai was not stupid. He knew that Fujiwara Kei had seen through everything, and it would be superfluous for Uanshu to explain anything, so he muttered a few words and left quickly.

Kei Fujiwara contacted Inoue Morimata's mother and manager and asked her what her plans were for Sunday. Ms. Inoue had no objections and was relieved about Kei Fujiwara. The manager even agreed directly.

Now Kei Fujiwara is like a launch vehicle in the broadcast industry. As long as an artist can be strapped onto Kei Fujiwara's big rocket, he can be launched into the sky and become a star. From Aoi Kono, Takaharu Miyata, and now Morimata Inoue,

There are countless success stories.

The agent also hopes that Inoue Mori can establish a good relationship with the launch vehicle again. It would be best if he starred in two more of his works to consolidate his position.

After getting permission from his agent and mother, Kei Fujiwara went to ask Inoue Morimata if she wanted to go. Inoue Morimata immediately agreed and seemed very interested.

On Sunday, Kei Fujiwara put on a mask and a hat for Inoue Mori and went to the Koma Theater in Shinjuku.

This theater is a traditional theater in Japan. It is located on Kabukicho Street. It performs traditional plays, modern operas, or concerts every day. It is very famous.

two

After getting off the bus, people walked into the theater and walked towards the seats on the ticket stubs. Katsura Arima had already arrived and waved to Kei Fujiwara.

Fujiwara Kei also waved to Arima Keixiang, and just as he was about to walk over, Inoue Morimata took the lead and ran to Arima Keixiang to say hello: "Hello, Miss Arima, I am Inoue Morimata, please give me your advice."

Arima Katsura smiled and said: "Hello Morimata, I watched "Homeless Child" and your performance was very exciting."

"Thank you for your compliment." Inoue Mori bowed again, and then sat down on the seat next to Arima Keika. Source: Previous Chapter Chapter 197: The battle has just begun Next Chapter 100

Chapter ninety-nine: What happened to her today?

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