Hollywood Road

"You should probably thank her."

On the screen, the middle-aged lawyer patted Nick's leg, "But remember, don't piss her off!"

There was a burst of laughter in the theater, and the laughter was extremely loud. Since Amy's plot reversal, such laughter has appeared more than once.

"This pair..." Kyle Dunst leaned forward and back together, "It's just too much, it's really a perfect match!"

"Hahaha……"

There was laughter all around.

Judging from the laughter alone, this is definitely a laughing reaction that only a bad movie would have, but the screening was nearing the end, and no one left the scene, and no one was dissatisfied or mentioned any words related to the bad movie.

This movie is dark and this movie is hilarious!

The most interesting part of the movie is that there is no "villain" in the whole film, and the story itself is the big villain.

Amy is the perpetrator and the victim at the same time. The media always pays attention to the victim, so they give her all the attention and sympathy. After Kyle Dunst knew the truth, Nick became the victim again, so His feelings moved back to him.

"Actually, marriage is like this. No one is clean. Everyone is both a perpetrator and a victim."

When the subtitles fell, Kyle Dunst heard a middle-aged man in the front row say that he was not married yet, so he couldn't feel this kind of experience. He just thought it was a very interesting movie. The director used cryptic techniques to , ridiculed marriage, love and the media all over again, it is simply cursing without swearing.

After the screening of the film, there was joy in the theater.

"Such a film with a dark theme." The black youth said to Kyle Dunst, "The director is really good at making such a good entertainment."

A friend of his interjected at this moment, "It's really good, this movie is absolutely amazing."

Another person opened his mouth and said, "A cousin is a dog, forever."

The lights on the ceiling came on, and the audience began to leave one after another. Kyle Dunst found that most of the people had smiles on their faces, obviously enjoying this "Gone Girl".

After watching the movie, Daisy didn't smile, but felt that something was touched.

An hour before watching this video, she felt comfortable all over her body: "You see, marriage is like this dog, men are so fucked up, they will cheat on a little girl after only three to five years, and they will be cold and violent if they can't get divorced. Rub fire."

One hour later, to her surprise, there was a big reversal.

James Franco's Nick Dunn is so pitiful that Daisy feels like throwing up when he holds Amy's hand and practice saying I love you over and over again.

The most frightening thing is that Daisy finds herself a bit like Amy, although she doesn't match her realm - astonishingly beautiful, sexy as hell, smart as hell, and cool as hell.

But that kind of bitchi energy is really similar, both paranoid, serious and sensitive. In high school, someone described her as a loli face and bitchi heart, and she has remembered the ugly word bitch ever since.

Murphy blackened the marriage scene very humorously. In the face of the dinner crisis, Amy did not pick the bread crumbs, but chose to smash the entire dining table, splashing blood on her husband's face, and her husband was forced to accept his fate from then on.

Seeing the ending, Daisy sympathizes with Nick very much. Although it seems that men can conquer the whole world, in fact his free will is always dominated by women invisibly...

Walking out of the Capstone Theater where the screening was held, Daisy looked back again, as if... It seemed that Murphy's director skills had improved again.

She was the first person to see Murphy's films, and she also watched him grow from a young director to the present stage step by step, so she naturally had a special feeling in her heart.

In almost every film, she can see Murphy's huge progress.

This "Gone Girl" is definitely a model of a drama film. Murphy's grasp of the plot is perfect, perfectly combining the warmth of the appearance with the coldness of reality. And for one, very cleverly.

Daisy never imagined that marriage could turn out like this,

The husband and wife went from loving each other to cheating, and then to an extremely fierce game that must be said to be very clever.

Also, Murphy probably doesn't like the media very much, right? After watching this film, it is not difficult to see how easily the public is captured by the media and appearances. The "enthusiastic" crowd in the film has become the background of the cold truth several times.

"Is marriage really like this? Is it just a system established by human beings to reproduce the next generation? A bondage in the name of love and with the original intention? Why did it end up like this, mutual control and mutual use?"

Thinking of this, Daisy shivered. Marriage is the scariest thing, so it's better not to touch it.

"How about it?"

A brown girl walked out with Mobike Stani from a movie theater in Santa Clara Valley, California, "Still so angry?"

"It's not necessary." Mobike Stani shook his head, "It's worth seeing such a wonderful movie, even if it's temporarily blinded by some propaganda."

What's the point of being misled to see such a special film?

But when he saw his girlfriend in a blink of an eye, the expression on his face was somewhat unnatural.

The point of view of this movie under the appearance of entertainment is too sharp, it can make people re-examine marriage, it can make people who are afraid of marriage even more afraid of marriage, and the rift in marriage has reached the point where it cannot be repaired.

The most terrible thing is that the profound and suffocating depression also makes the suspenseful atmosphere of this film perfect.

A black car drove away from the Capstone Theater. Robert Downey Jr. was driving with a smile on his face and couldn't stop. Susan Downey, who was sitting on the co-pilot, frowned and seemed confused.

"Is it so funny?" She looked at Robert Downey Jr. and asked, "Is the marriage problem reflected in it funny?"

"Marriage problem?" Robert Downey Jr. shook his head, "Honey, don't be fooled by that guy Murphy. This so-called marriage problem is just his personal bad taste."

He turned his head and looked at Susan Downey, "Now that I'm leaving the theater, think about it carefully, how much does this in the movie have to do with real life?"

Susan Downey thought for a while, then shook her head slightly.

"Murphy, this guy, has made great progress in comedy and humor."

With the character of Robert Downey Jr., once the chatterbox is opened, it will naturally not be closed easily, "Didn't you realize that the comedy element in this film cannot be ignored. I will laugh out loud once, and many characters have witty and humorous dialogues. I like this method of interspersing comedy with suspense. It can adjust the atmosphere very well, but it doesn't become nonsensical too much. Murphy's black comedy style is indeed coming out. gone."

"Yes." Susan Downey nodded.

She's also a filmmaker, so of course she can see these things.

"Murphy's use of subtext is simply superb." Robert Downey Jr. is very emotional, "I think "Gone Girl" can become a textbook work in this regard."

He paused, coughed twice, and said, "The typical opposite of this is "Moulin Rouge". Although it is also a pretty good movie, the central word 'Love' appears too many times, and there is no room for subtext. It all told you."

"Look at "Gone Girl" again." He talked endlessly, "Murphy has a lot of subtext, but they are all presented to you, not forced to you with the lines."

Knowing Robert Downey Jr.'s talkative character, Susan Downey agreed with his words, and said, "Murphy's satire on the media, jokes on the truth, criticism of the illusion of happiness, despair of marriage, these The insights are naturally brought out after watching the movie.”

"So..." Robert Downey Jr. used Murphy's words, "This makes the film appear to be very high-end. It has a good theme, but those who throw these big principles in your face naked are just average. A good movie, a good movie is for you to comprehend and experience yourself on the premise of a good theme."

"As long as Murphy doesn't go astray." Susan Downey sighed softly, "The future is limitless."

She recalled the end of the movie, and said, "Murphy's narrative technique is absolutely classic. It creates suspense and depressive atmosphere layer by layer like a frog boiled in warm water. It doesn't seem abrupt. These depressive elements really surround Watching people, devouring people's thinking, making people unable to escape. The meaningful ending left by the movie is a fatal blow, and it completely penetrates the repressed elements into the hearts of the viewers."

"Honey." Robert Downey Jr. freed a hand and patted his wife's shoulder lightly, "I've said it all, this is Murphy's bad taste, don't be influenced by him."

Seeing Susan Downey's expression, Robert Downey Jr. suddenly felt that he had to go to Santa Monica to settle accounts with Murphy tomorrow.

"Honey," Susan Downey said suddenly, "you have made a very good friend."

Robert Downey Jr. could understand her subtext, shook his head and said, "You won't understand the friendship between us. We are not only friends, but also best brothers."

Susan Downey really couldn't understand the relationship between this kind of men, especially in a place like Hollywood, the relationship between their small team was really rare.

"The tragedy of love is not life and death, the tragedy of love is indifference."

I don’t know why, when I sat at the dining table to eat early the next morning, thinking of the movie I watched last night, this sentence popped into David Ellison’s mind. He muttered to himself while eating, “Some people seem to be It was born for movies, and the works created are also born for movies, just like "Gone Girl."

After all, he had studied at the USC Film School. "The story that Murphy created, even if it is interpreted from many different angles, still has a lot of aftertaste."

Thinking of this, David Ellison looked at a number on the paper next to him. This was what Stanton Studio had just told him by phone. The advance box office of "Gone Girl" was $6.2 million!

David - Ellison then received a call from his father, Larry - Ellison asked him to return to San Francisco early tomorrow morning. (To be continued.)