Horrible! Actually playing this kind of game!

Chapter 301 205. You will also have this day

evening.

Qing Zhiyuan strolls on the path outside Studio Ghibli.

The afterglow of the setting sun passes through the gaps between the layers of forest leaves, mottled light and shadow, and falls on the ground.

There is a touch of warm red on the clean streets.

At the entrance of Studio Ghibli, there is a wooden bench.

At first, Qing Zhiyuan didn't quite understand why Hayao Miyazaki would put such a chair outside. He originally thought it was a decoration, because the shape of the chair was also unique, and there were two small wind chimes hanging on it.

However, as he got closer, he discovered two children sitting on the bench.

The children are not very old, about 6 or 7 years old.

A boy and a girl.

In the autumn of October, girls also wear skirts. The skirts are the kind of layered gauze skirts that make them look like a bright and charming little princess.

It feels like something straight out of a cartoon.

When Qing Zhiyuan walked outside the house, he happened to meet Hayao Miyazaki who was getting ready to get off work.

"Huh? Qingsang, why are you here?"

"I happened to be passing by, so I stopped by to say hello and see if you are still here. If no one is around, I will prepare to stroll back." Qing Zhiyuan smiled.

Having said that.

In fact, Qing Zhiyuan was indeed a little worried about the progress of the animation production of "Princess Mononoke", but he was too embarrassed to rush Miyazaki, so he wanted to come over and take a look.

Miyazaki is a master of standards, an idealist, and an inspirational person.

If there is no inspiration today, he will not make any progress at all.

It may even be that you have been drawing for several days and suddenly feel that all the previous drafts are useless, so you tear up all the drafts and throw them into the trash can.

It is common for Hayao Miyazaki to start over and start again.

"Ha, I just have to get off work, why don't you come in and sit for a while?"

Studio Ghibli is really Qing Zhiyuan's ideal. The whole home has a fairy tale atmosphere, and there are thick and beautiful curtains outside the windows. If you don't know that this is a company, it is really no different from a villa.

"Will it bother you?" Qing Zhiyuan smiled.

"fine."

Hayao Miyazaki waved his hand, "It's just in time for you to help me move the chair in."

"ha?"

Qing Zhiyuan was slightly startled, "Do we still need to move this chair in?"

"Um."

Hayao Miyazaki nodded, "Mainly because I'm afraid it will rain, or it will be damaged when no one is around at night."

"I am also the first one to arrive at the company every morning and then move it out."

"Don't you feel tired?" Qing Zhiyuan asked curiously.

"Not at all." Hayao Miyazaki laughed, showing a big pear dimple.

"This is also a resting place specially designed for children and those who love Ghibli."

"Ah~ I see."

Qing Zhiyuan nodded.

Hayao Miyazaki smiled and wiped his hands on his apron and walked towards the two children.

"Well, that's it for today. I have to move the chair in."

When the two children heard his words, they got down from the bench with some reluctance and stood on the ground.

The girl walked up to Miyazaki obediently and bowed to him.

"Thank you for "Castle in the Sky""

"Haha, thank you too."

Hayao Miyazaki stretched out his big hand and touched her forehead.

The girl took the boy and said goodbye and ran away.

I don't know why, but when Qing Zhiyuan saw this scene, especially when he heard the girl say "Thank you for the Sky City", he felt an inexplicable touch in his heart.

"I really envy you, Mr. Miyazaki." Qing Zhiyuan said.

"Nothing, I have nothing to be envied about."

“Carrying the hopes and dreams of children and being appreciated.”

Qing Zhiyuan said, "It's really strange. Everyone is working hard to chase their dreams and bring a beautiful and warm experience to the audience/players. Why do I only receive blades and curses?"

"You will also have this day." Hayao Miyazaki encouraged with a smile.

…

The two came to the second floor. Miyazaki turned on the light and asked him to sit down on a chair. He went to make a pot of tea and came back.

"Well, let's sit down for a while. I've been very busy recently and it's really a bit chaotic."

Qing Zhiyuan nodded and looked at it silently.

There are many original paintings pinned with thumbtacks on the wall.

It can be seen that they are basically produced by Hayao Miyazaki.

Moreover, these paintings are either storyboards or original paintings, which can be regarded as one frame of the entire cartoon.

For example, City in the Sky has a large structural diagram, which is the structure of the entire city floating in the clouds. It is like a large multi-layered cake with rich colors.

However, it is different from what is shown in animated movies. When Qing Zhiyuan looks at it carefully, he can find that there are many lines drawn with pencils.

Quite obvious.

This is the design drawing used to find inspiration.

Look again, there are Porco Rosso, Lupine the Third, My Neighbor Totoro...

"I discovered a very interesting thing." Qing Zhiyuan said with a smile.

"Um?"

"These original paintings are all the most critical designs in every movie. You can feel the infinite creativity as soon as you see them, just like the anchor of the entire animation."

"Yeah, awesome!"

Miyazaki gave him a thumbs up.

"My way of working is different from that of many animators." Hayao Miyazaki sat on a chair with his feet spread apart and his big apron falling on his knees.

“Some people like to use words as scripts, some people think about the story first before starting to create the script, and some people directly draw storyboards.

And me?

I don't like to use words, I like to draw directly.

You have to find the most critical thing first.

Once this thing appears, all the stories will be there. "

Qing Zhiyuan glanced back and found that the old man was quite proud when he said these words.

You really mean well.

Is it just because of your creative method that the progress is very slow?

To a certain extent, Hayao Miyazaki is comparable to the famous Chinese director Wong Kar-Wai.

At the beginning, I didn’t even think about what kind of movie I wanted to make.

I just had a vague impression, maybe even a name, and then I started shooting.

The process of shooting is a process of constantly looking for inspiration.

When inspiration comes, draw the key frames and think about the story.

The story may come out all at once, and the overall production process will be smooth.

What if you don't come?

Then this person will delay everyone's progress.

In terms of creative methods, Qing Zhiyuan has nothing to say.

The master has his own unique way of working. Perhaps this is why Miyazaki's animations are so beautiful, as they are not bound by time or external pressure.

It’s all about pursuing what you really want.

However, as a partner, even for a project employee, it is actually quite hard to meet such a master.

Because you don’t know when construction will start.

The original painting storyboard is the basis of all production, equivalent to the design drawings of construction. Without this thing, it would be impossible to work at all.

And this thing, only Hayao Miyazaki is doing, still relies on rolling dice.

At this moment, Qing Zhiyuan discovered the painting of "Princess Mononoke".

In fact, it's quite conspicuous. It's in the middle of the other wall. Judging from the newness of the drawing paper, you can tell that it was nailed up recently.

He couldn't help but stand up and get closer.

The painting on the wall is a very classic scene——

Princess Mononoke is wearing a mask, riding on the back of a white wolf, holding a dagger in her hand. The overall color is dark, and even behind Princess Mononoke it is almost black.

In such an environment, Princess Mononoke and the White Wolf suddenly become extremely prominent. Together with the movements and blurred lines, they express the sense of charge at this time.

Very tense.

Very fast.

"Wow, Mr. Miyazaki, you have already found the answer." Qing Zhiyuan stared at the words on the wall and sighed.

Hearing Qing Zhiyuan's words, Miyazaki couldn't help but smile with relief.

"Your eyes are really amazing. This is the answer I just thought of yesterday."

Seeing this, Qing Zhiyuan felt a little more stable, and everything was moving in a good direction. Now that Hayao Miyazaki has found the key frames he wanted, there should be no big problems in the production of "Princess Mononoke" Come on.

"However, regarding the Qilin Beast, I have never been able to think of a particularly good final performance scene."

Hayao Miyazaki lit a cigarette for himself, then stretched out his hand and scratched his head.

Oh my god!

You must never overthrow it and start over!

"Huh? What does that mean?"

Although Qing Zhiyuan was a little worried, in order to avoid irritating the old man's sensitive nerves and affecting future paintings, he still pretended to be calm and asked as if nothing had happened.

"A sense of sanctity and oppression,"

Miyazaki raised his hand and gestured in the air, "It's hard to capture this feeling."

He stood up, walked to his wooden table, and picked up a painting he had just painted today from the table.

Qing Zhiyuan took a look and probably found the problem.

Hayao Miyazaki's paintings have nothing to say about the composition, color, and other aspects. However, in such a picture, the mountain beast god Qing Zhiyuan sees is still different from what he imagined.

The devastation was great, for a terrible gap was opened throughout the forest.

However, it lacks that awe-inspiring feeling.

"The bigger something is, the more oppressive and shocking it is." Qing Zhiyuan said thoughtfully, "But, I think there is another condition."

"Um?"

"slow."

"Slow?" Hayao Miyazaki's eyes suddenly lit up, as if he had caught something.

"One more thing." Qing Zhiyuan continued, "The sense of awe does not necessarily have to be through destruction, but may also be in other forms, such as withering, corruption...

The mountain beast god itself is in charge of death and rebirth, so when showing its negative effects, can you portray this feeling of slowly withering away? "

"ah!"

Miyazaki suddenly stood up from his chair.

He finally understood.

"Thank you so much, Qingsang, you came at the right time today and woke me up right away."

"Rage has nothing to do with awe. Great, you made me understand that."

Qing Zhiyuan smiled happily.

No, these are all things done by your future self. I just discussed your future self’s thoughts with you in advance.

The two of them chatted until very late, and it was almost around 1 o'clock in the morning when Qing Zhiyuan left Ghibli.

Although the body is very tired, the brain is extremely excited.

very good.

This time it was stable.

As long as Miyazaki has his thoughts sorted out, "Princess Mononoke" should be made quickly.

The game will hopefully be released next year.

…

In October, the PV of pokeni's new game "To the Moon" was broadcast on TV stations.

The picture begins with a round moon hanging in the sky.

A boy and a girl sat on a broken tree in the lawn, looking up at the sky.

There are many stars in the sky, which are very beautiful.

In terms of painting style, the dreamy fairy tale style of "The Man in the Bed" is used, and this time it is used to its fullest, making people have endless fantasies about the starry sky.

Immediately afterwards, soothing music slowly flowed, and some words appeared on the screen:

【This is a story about memory】

【This is a story about love and agreement】

【Go to the moon】

…

Then there are some in-game clips and gameplay demonstrations.

[New decryption elements]

[When the truth is revealed step by step, at that moment... what will happen? 】

On the tower, the lights flickered.

Men and women danced gently clinging to each other.

Although there are only two people in the scene, it is extremely romantic.

"I would like to spend my whole life reminding you of the promise you made to me under the moon."

——"What if you forget or get lost?"

——"We will always meet on the moon, idiot!"

——"To the moon"

pokeni co., ltd.

Producer: Mika Ishino.

Agreement with you:

November 24th.

See you or leave.

…

After the PV of pokeni's "To the Moon" was played, there were gradually more positive comments about the game on the Internet.

"The PV is better than the physical game I saw at the video game show."

"Yeah, I was reading the forum before, and many friends who came back from the Tokyo Game Show didn't seem to have very high evaluations. They thought this year's pokeni had a rubbish galgame."

"Maybe it's because my previous expectations were too low, so I felt a little inexplicably moved when I saw the PV this time. It's really much better than I imagined."

"Great, I thought I wouldn't be able to play pokeni's galgame this year."

"P Club will have at least one galgame every year. Last year's CL and LL were both released in the second half of the year. It's not surprising to see going to the moon now."

"Although P Club's galgame doesn't have any cool parts, it has a strong attraction inexplicably.

What’s more, this game was produced by Mika Ishino. "

"The painting style of "The Man in the Bed" is really the Bai Yueguang in my mind.

I can still see it in "To the Moon", which really moved me. "

"Great, "To the Moon", my favorite dreamy style of "Bed Man", paired with my favorite producer Mika Ishino.

What kind of effect can it produce in the end? "

"To be honest, I was skeptical about "To the Moon" at first. After all, the feedback from the Tokyo Game Show was not very good. Now after watching the PV, I have to consider whether I should buy it."

…

After reading the comments, Qing Zhiyuan couldn't help but frowned.

Damn it, how bad did you think this game was before?

…

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No updates tonight

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