I Can Extract Abilities From Antiques

Hearing the words, the girl showed a thoughtful look and said, "Big brother, who is this Liu Gongquan?"

Hearing the girl's question, Hu Muzhi was taken aback for a moment, and then asked, "You haven't studied calligraphy, have you?"

Being clearly pointed out by Hu Muzhi, the girl looked at Hu Muzhi in surprise and said, "How do you know?

"Because anyone who has studied calligraphy does not know Liu Gongquan," Hu Muzhi explained.

"Is this person famous?" the girl asked.

"Liu Gongquan, one of the top ten calligraphers of the Dragon Kingdom, a calligrapher in the mid-Tang Dynasty, one of the four masters of regular script, and also a summarizer and innovator of regular script."

"Liu Gongquan's calligraphy was very famous in the Tang Dynasty, and there is a folk saying that "the character of Liu is worth a thousand gold". 35 Hu Muzhi explained.

"Do you have a name?"

"Famous." The girl nodded and said, "Big brother, can you tell me more about this person?"

Hu Muzhi took out his pocket watch and checked the time.

It was still more than half an hour before the calligraphy exchange meeting started, and anyway, he had nothing to do, so he told the girl about Liu Gongquan.

Liu Gongquan (778-865), courtesy name Chengxuan, Han nationality, calligrapher and poet of the Tang Dynasty.

The official to the young master of the prince, so called "Liu Shaoshi"

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Liu Gongquan's calligraphy is famous for its regular script, and it is as famous as Yan Zhenqing.

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Regular script has entered its peak era from the beginning, and famous masters such as Yu Shinan, Ouyang Xun, Chu Suiliang and so on emerged in the early Tang Dynasty.

In the mid-Tang Dynasty, Yan Zhenqing's calligraphy "sub-sage" appeared again, which made the development of regular script to a new height.

And Liu Gongquan is the only one who can be called together with him.

When Yan Zhenqing died, Liu Gongquan was only 7 years old, but this did not affect him as Yan Zhenqing's natural successor.

His calligraphy was learned from Wang Xizhi at first, and later he looked at the calligraphy of famous calligraphers in the Tang Dynasty.

His calligraphy is vigorous, and his words are rigorous and meticulous.

In terms of the characteristics of the characters, he is known for his thinness and strength.

Also because of the unique characteristics of his works, Liu Gongquan's calligraphy is called "Liu" and "style".

Studying the subtleties within the words and seeking the grandeur outside the words is the best summary of Liu's style!

His rigorous calligraphy is inseparable from his character.

He has an upright personality and works rigorously.

Once, Tang Muzong asked Liu Gongquan how to write calligraphy well.

Liu Gongquan replied: "Use the pen in the heart, and the heart is straight and the writing is straight."

Liu Gongquan used calligraphy to describe politics, on the one hand, he explained his attitude towards calligraphy creation, and on the other hand, he also subtly used the spirit of calligraphy to give advice.

Since then, "the heart is regular and the pen is right" has become an important measure for later generations to measure calligraphers, and Liu Gongquan is a model of "words are like people"!

In the Song Dynasty, Su Shi once said in his poem: "Why should I be eager to pass on the family law, when I want to see the sincerity of the pen?35

Liu Gongquan is the last monument of Tang Kai.

After the development and expansion of these famous masters in the Tang Dynasty, it is difficult for regular script to have new innovations.

Zhao Meng in the Yuan Dynasty was just to solve Lu Jianzhi's "going into regular script" and form his own "Zhao Style" regular script, which is a micro-innovation, not a fundamental change!

However, Liu Gongquan's regular script has a unique style, strict laws, and extremely decorative beauty, which can be described as "precise".

It can be said that Liu Gongquan has developed the standard of regular script to the extreme, and his brushwork is exquisitely coordinated with yin and yang to the back, showing his profound artistic skills.

It is no exaggeration to say that he was the last regular script master in the Tang Dynasty and the last regular script master who created new styles.

In the face of this monument, even the arrogant Mi Fu was amazed: Liu Gongquan is like a Taoist in a deep mountain, with a well-established self-cultivation.

After listening to Hu Muzhi's detailed description, the girl exclaimed: "So Liu Gongquan is so powerful, no wonder my grandfather can learn his brushwork.35

From the girl's words, Hu Muzhi could faintly hear that this painting and calligraphy of "Guotai and Min'an" should have been written by his grandfather.

Otherwise, the other party would not have asked him how this work was and who Liu Gongquan was.

"Big brother, get to know me, my name is Han Ling." The girl smiled and said to Hu Muzhi.

"Hu Muzhi." Hu Muzhi also said his name.

"Brother Hu, I won't bother you to continue to appreciate these paintings and calligraphy works." After speaking, Han Ling left.

She was going to go to his grandfather and show off what she had learned from Hu Muzhi in front of her grandfather.

After saying goodbye to Hu Muzhi, Han Ling searched the hall and finally found her grandfather, Han Tianfeng.

It was also the old man with a folding fan of Jinsinan who visited the Hu Muzhi booth with the girl that day.

At this time, Han Tianfeng was communicating with an old man of the same age.

If Hu Muzhi was here, he would be able to recognize the old man who communicated with Han Tianfeng.

Because this old man is Lin Wentai.

.|| Grandpa. "Han Ling came to Han Tianfeng's side and shouted softly.

Nice granddaughter. 35 When Han Tianfeng heard the words, he touched Han Ling's head lovingly.

"Old Han, I haven't seen you for so many years, my granddaughter is so old." Lin Wentai laughed.

"Yes, when I came to Hong Kong from the mainland, the young man who was still in his thirties was thirty-eight years old in a blink of an eye." Han Tianfeng's eyes were full of memories.

In that era, many people from the mainland were forced to go south to Hong Kong one after another.

These people have very strong feelings for the motherland.

"My good granddaughter, this is Grandpa Lin Wen Tailin." Han Tianfeng introduced to Han Ling.

"Grandpa Lin." Hearing this, Han Ling shouted (Li Wangzhao) very obediently.

"Good." Lin Wentai smiled and said, "How many calligraphy skills did you learn from your grandfather?"

Before Han Ling could answer, Han Tianfeng said, "My granddaughter, everything is fine, except that she has mastered the seven or six of calligraphy, and the rest is ignorant.

Lin Wentai was amused by Han Tianfeng's words, and laughed hahaha.

"Grandpa, you didn't laugh at your granddaughter like that." Han Ling said with a puffed mouth.

"Did Grandpa say it wrong?" Han Tianfeng said with a light smile.

Han Ling just wanted to answer that he was right, but suddenly thought of Hu Muzhi's evaluation of the painting "Guotai Min'an", so he changed his words.

"Grandpa, about the piece of work you hang on the wall for people to admire today, it is based on Ou Kai's uprightness, coupled with Liu Gongquan's thinness and rigidity, combined with the aesthetics of modern people, to make regular script more beautiful."

Hearing Han Ling's professional evaluation, Han Tianfeng was stunned.