I Can Extract Abilities From Antiques

Han Tianfeng knew too much about his granddaughter.

It is good to be able to distinguish between official script, cursive script, regular script and running script.

Not to mention the fonts like Ou Kai and Liu type.

Therefore, Han Tianfeng knew that this evaluation was definitely not given by Han Ling himself.

But Lin Wentai didn't know this.

He had known Han Tianfeng for a long time, and he also understood the form of his calligraphy, which was exactly the same as what Han Ling said.

Now that Han Ling can clearly say, Lin Wentai takes it for granted that Han Ling's attainments in calligraphy are not shallow.

Then he said, "Old Han, your granddaughter is not as bad as you said."

"It's not bad to be able to see Ou Kai and Liu Ti at such an age, and to clearly point out their characteristics."

"You, don't be so demanding sometimes."

Being praised by Lin Wentai, Han Ling felt a little embarrassed, so he took the initiative to admit it.

"Grandpa Lin, in fact, this comment is not from me, but from a big brother named Hu Muzhi who is only a few years older than me.

"How old are you? Hu Muzhi?" Han Tianfeng was stunned again when he heard this strange name.

Mainly because the other party is a young man. As for the name Hu Muzhi, he has never heard of it, nor has he heard of any calligrapher in Xiangjiang whose surname is Hu.

On the other hand, Lin Wentai showed a sudden realization.

Looking at Han Tianfeng's current state, Lin Wentai seemed to be in disbelief when he saw Hu Muzhi's calligraphy for the first time.

After a while, Han Tianfeng came back to his senses and recognized Han Ling at 570.

"Granddaughter, are you sure it's a young man who gave this evaluation?"

"Yes, I just chatted with that big brother for a while." Han Ling nodded.

"Where is this young man named Hu Muzhi now?" Han Tianfeng asked hurriedly.

"It's there..." Han Ling pointed to the place where he separated from Hu Muzhi just now.

But there, Hu Muzhi was nowhere to be seen.

"What about people?" Han Ling glanced around.

But at this time, more and more people came to the calligraphy exchange meeting.

All kinds of people are surging, and it is obviously not an easy task to find a person quickly.

After searching for a while, Han Ling didn't find Hu Muzhi anymore, so he said, "Grandpa, I don't know where that big brother went.

"But don't worry, he said that he also came to participate in this calligraphy exchange meeting, anyway, this exchange will be two days, and there will always be encounters.

This made Han Tianfeng frown.

As the vice president of the Xiangjiang Calligraphers Association, Han Tianfeng knows that today's theme is "Praise for the Motherland"

Therefore, the people invited are the older generation, because these people are basically forced to come to Xiangjiang.

Compared with young people, they have deeper feelings for the motherland.

Of course, (bjci) does not rule out the older generation bringing the younger generation over.

For example, Han Tianfeng himself brought his granddaughter here.

Lin Wentai just smiled and looked at Han Tianfeng without saying a word.

Seeing the other person's brows getting tighter and tighter, he smiled.

"Old Han, if you can't figure it out, don't think about it. As your granddaughter said, since you are here to participate in this calligraphy exchange meeting, you will always see it."5

"Let's go, this exchange meeting will start soon."

Hearing this, Han Tianfeng nodded slightly, and then the three of them came to a seat directly below the stage and sat down.

There are twenty seats in this first row.

Ten of them are 'VIP' seats arranged by the Xiangjiang Calligraphers Association for members of the Beijing Calligraphers Association.

At this time, there were already eight seats.

Except for Wang Chengfeng and Hu Muzhi who did not take their seats, all the members of the Beijing Calligraphers Association were present.

At this time, Hu Muzhi came out of the bathroom.

When I saw a few more sofa stools on the stage, I knew that this exchange meeting was about to start.

However, Hu Muzhi did not go to his seat in the first row.

He understands that this morning's process is mainly based on speeches and speeches.

It was the same as in class, Hu Muzhi was not sure if he would fall asleep, so he just watched from a distance.

9 o'clock sharp.

Xu Anhua came to the stage with a microphone.

"Everyone, welcome to this calligraphy exchange meeting 'Praise for the Motherland' jointly organized by the Xiangjiang Calligraphers Association and the Beijing Calligraphers Association. 99

"As we all know, my country's calligraphy art is broad and profound, embodies the infinite wisdom of the descendants of Yan and Huang, and is a treasure in the cultural heritage of the Dragon Kingdom... 99

This speech took a full twenty minutes.

"Next, with our warmest applause, welcome the chairman of the Beijing Calligraphers Association, Wang Chengfeng."

As Xu Anhua's voice fell, Wang Chengfeng stepped onto the stage amid thunderous applause.

Then, like Xu Anhua, he talked for more than half an hour.

After listening for a while, Hu Muzhi knew that today's calligraphy exchange meeting is closely related to inheriting the culture of the Dragon Kingdom, expressing national feelings, and taking on the cultural mission.

In the speech session, Wang Chengfeng brought a wonderful keynote speech through in-depth discussion and dialectical analysis from the aspects of skills, art, self-cultivation, education, and philosophical thinking.

After that, several senior officials of the Calligraphers Association came to give speeches.

This process lasted an hour and a half.

an hour after that.

The members of the calligraphers associations in Xiangjiang and the mainland also shared their opinions and discussed the theme of "Longguo Calligraphy Praises the Motherland".

At the exchange meeting, Wang Chengfeng and Lin Wentai, the representatives of the Beijing Calligraphers Association and the representatives of the Xiangjiang Calligraphers Association, exchanged calligraphy with each other.

At the same time, Xu Anhua also exhibited his own work titled "Seeking the Roots, Asking the Ancestors, and Realizing the Dream of the Dragon Kingdom".

And Wang Chengfeng and Lin Wentai also showed their calligraphy to everyone.

The painting is titled "One Family, One Flower, One Leaf, Same Root, Same Bloodline".

The other is "Same Qi Lianzhi, Calligraphy Biography".

The paper is short and affectionate, and between the lines, it condenses the deep affection that separates the calligraphers of the two places.

The embellished ink and jade version, with white knots and white characters, records the earnest expectation of the compatriots of the Dragon country to join hands in realizing their dreams.

The whole process closely adheres to the concept of "one family", and takes cultural and artistic work as a bridge to give full play to the role of cultural and artistic work bridges.

Just like that, the morning calligraphy exchange meeting is over.

Afterwards, Xu Anhua led the members of the Beijing Calligraphers Association to have lunch.

At the dinner table, although the members of the Xiangjiang Calligraphers Association discovered the existence of the young Hu Muzhi, they thought he was someone's child, so they did not pay attention to him.

Both Lin Wentai and Wang Chengfeng knew that Hu Muzhi didn't like to be in the limelight, so they didn't introduce them much.

In the afternoon, it is the process of on-site communication.

To put it bluntly, it is a part of mutual praise.

You say my handwriting is good, and I praise your handwriting is also good.

This kind of communication between the same level, in fact, not much for the progress of calligraphy.

If you want to improve calligraphy, you must communicate with people who are higher than yourself.

This is one of the reasons why Lin Wentai wants to communicate with Hu Muzhi so much.

During the whole process, no one spoke to Hu Muzhi.

Because in their opinion, it is a pure waste of time to exchange calligraphy experience with a young man.

Soon, the calligraphy exchange meeting in the afternoon was over.

There is no part of pen and ink, obviously, this process has been arranged until tomorrow.

After dinner, everyone went back to their rooms.

In the evening, Hu Muzhi did not choose to set up a stall, but just came to Hollywood Road for a casual stroll.

Thinking that there will be a calligraphy exchange meeting tomorrow morning, so I went back to sleep before 10 o'clock.