I teach kendo in Tokyo

Facing Kitagawa Saori's declaration, Kazuma spread his hands: "Can you make me regret it? How can you make me regret it? Inherit Bai Fengfeng and then settle with me the general ledger of the Tsuda-gumi, the latest cash cow of Bai Fengfeng, which I destroyed?"

Kitagawa Saori didn't say anything, he just lowered his head and continued playing with the strings, avoiding Kazuma's question with an explicit attitude.

For a moment, the scene completely turned cold.

Kazuma looked at the others, and after meeting Nanjo Honami's eyes, she shook her head slightly, while Mikako next to her mouthed to Kazuma: Damn, can you chat?

At this time, Jinguji Tamamo walked towards everyone in the Kendo Club: "Everyone, please stop standing here and sit here. Leave all the snacks, wine and side dishes you bought on the road to me."

Only then did Chiyoko wake up from a dream and ran to Jinguji Tamamo to help.

Everyone then sat down on the plastic sheets that had been spread out in the yard, and started talking and laughing loudly, and the yard became lively again.

Toda-senpai stood under the old cherry tree with his hands on his hips, looking up at the huge tree crown that covered most of the yard, and sighed in the dialect of the Aomori area: "Oh my God, why is this tree so big?"

Miu Amanaka was carrying a bottle of wine and kicked Toda in the past: "Don't be so uneducated! You will make Tokyoites look down on us Aomori bosses!"

"Don't you also speak Aomori dialect? Wait, what are you holding in your hand?"

Senior Toda stared at the wine in Amanaka Miu's hand for a long time, and suddenly his voice rose several octaves: "Damn it, who gave her vodka? How dare you give her this drink!"

"What's wrong with the vodka!" Miu Amanaka yelled with a Russian-style tongue flick, while kicking Toda-senpai, "Can't I drink vodka because I'm short? I'm obviously 20 years old!"

"No, it's not a matter of being short."

"Is there anything wrong with my wine? My wine is very good! It's me and Gao Mize who send you drunkenly back to your rented apartment every time!" After saying this, Miu Amanaka raised her hand. of vodka bottle, blow directly into the bottle.

Kazuma glanced at Senior Takamizawa and found that her face was full of helplessness. After meeting Kazuma's eyes, she also showed a wry smile.

It seems that the fact is that Takamizawa-senpai always sends the drunken two people back to their respective homes, but in Ami-senpai's mind, she and Takamizawa send Toda away together.

At this time, Miu Amanaka jumped directly onto the small rockery in the yard - it was the thing responsible for hiding the pump that supplied the water.

Standing on the rockery, Meiyu Ganzhong sang the famous Soviet song "Katyusha".

However, her Russian was so poor that Kazuma suspected that she was just howling randomly. Anyway, as long as she flicked her tongue enough, it would make people feel like she was speaking Russian.

Miu Amanaka sang a few lines, and someone actually accompanied her. Kazuma turned around and saw that it was Saori Kitagawa.

Miu Amanaka pointed at Kitagawa Sasuri on the rockery: "Very good! Comrade S** is very satisfied with you! Go to work in Lubyanka tomorrow!"

Then Miss Gan Middle School took another sip of vodka, and then shouted: "Ula!"

After shouting, she started singing again. Judging from the continuous tongue flicking, it was probably a Soviet song. It took Kazuma a while to realize that this time the Red Army was the strongest.

Thanks to Operation Amanaka Miu, the atmosphere was completely heated up, and many people howled along with him.

Chiyoko and Jinguji came out with snacks and snacks on plates. Senior Takamizawa saw them and hurried over to take the plates, then turned around and placed them on the plastic sheet.

After Ganzhong Meiyu finished singing one song, she obviously still had more to say and started the next one.

This time Kazuma recognized it immediately after hearing the first phrase: it was "Singing Turbulent Youth".

However, Miu Amanaka did not sing in Russian this time, but in Japanese. The Japanese version of this song is called "Song of Youth of the Heart", and judging from the name, it is weaker than the Soviet version.

But what surprised Kazuma was that this time many people sang along with Miu Amanaka.

At the peak of the student movement, these people sitting in the courtyard should still be in junior high school or senior elementary school, but obviously they all remember the bravery of those predecessors.

That should be the last backbone of Japan. After all, one of the most basic demands of the student movement is to oppose the Japan-US security treaty. After that, Japan completely became the dog of the United States.

Kazuma also followed everyone and hummed together.

If a Japanese gonan passed by the yard at this time, he would definitely be startled.

The singing gradually faded, and the last sunlight disappeared from the horizon. Night fell, and the rising moon cast a bright light.

The fallen cherry blossoms under the moonlight look much more beautiful than during the day.

As expected of Seijuro Hiko, watching the cherry blossoms at night in spring is indeed one of life's great pleasures.

Kazuma sighed as he picked up a bag of Lay's potato chips from the plate brought by Jinguji who passed by him, tore it open with a sizzle, and ate it with relish.

Mikako leaned over, reached into Kazuma's hand and took out potato chips to eat.

Miu Amanaka on the rockery took another sip of vodka and then started singing "Winter Scenery of Tsugaru Strait".

Kazuma didn't know this song was so old.

Maybe it's because the song is about things in her hometown, and Sister Gan was very involved in singing it. Unfortunately, singing is really difficult, and non-professionals can only sing in various ways.

Kazuma stopped Jinguji who had finished "serving the food" and was about to go back to the house with an empty tray: "Egg, you come to perform the song!"

"I'm not very good at acting and singing." Tamamo smiled, "If I can play the taiko drum, I'll be fine."

Is your taiko drum just okay?

Kazuma was about to say something when he suddenly saw Okada Koji and Anno Akito appearing around the house carrying food and wine.

After meeting their gazes, Okada Koji said: "No one answered our knocks at the door, and there was no use ringing the doorbell, so we came right over."

Chiyoko stepped forward and said, "Come here if you want to play. What do you need to bring?"

As she said that, she took everything from the two of them, without even bothering to show off.

Okada Koji and Anno Akito, who were suddenly empty-handed, walked directly towards Kazuma, but their eyes were fixed on Amanaka Miu on the small rockery.

Okada Koji asked Kazuma: "What happened to this elementary school student? It is illegal to give alcohol to elementary school students. It will be over when the police come."

"She is my senior sister, she is 21 this year." Kazuma explained with a wry smile.

Okada Koji and Anno Akito both looked surprised, and they both looked at Amanaka Miu again.

"You didn't bring the storyboard here?" Kazuma turned the topic to the animation being prepared by their newly established company, "I also want to read the storybook tonight and start composing the music."

In fact, it is plagiarism of music.

"There's no rush, we're still brainstorming, and we've drawn three new versions of the storyboard."

The role of the storyboard is to determine the tone, artistic style and "predetermined famous scenes" of the entire film, which is the basis for the entire film production.

At the same time, the storyboard is also a tool used by producers to ask for money from the big boss - it is generally impossible to expect the big boss to read the storyboards honestly. How can the big boss have time to read such a thick storyboard?

Now Anno Akito openly says that he is still drawing storyboards, which means that this film is still a piece of cake.

Kazuma: "You are re-editing the storyboard. Does that mean that the storyboards and other things that were previously placed here with me will be invalidated?"

"Yes." Anno Akito nodded simply.

Kazuma finally understands how these people in another time and space allowed the production budget to go over budget by so much.

There's no way it won't cost too much.

Now Kazuma suddenly admires Okada Koji, who is responsible for attracting investments. How many words does he have to talk to convince the big boss to invest again and again?

While Kazuma was chatting with Anno Akito, Amanaka Miu started singing "Sailor Uniform and Machine Gun", a national song that suddenly became popular at the end of last year.

Kazuma suddenly pointed at Miu Amanaka and said to Akito Anno: "If you don't quickly determine what kind of animation it is, I won't be able to start writing the music.

"I am a non-professional musician who relies on inspiration to write music. I don't know how long it will take to write a song that you are satisfied with. After all, I have to wait for inspiration."

Kitagawa Saori said abruptly: "I think you just wrote two songs in a row quite easily."

Kazuma waved his hand: "That's just the inspiration. I hadn't written a song for a long time before this."

"No?" Jinguji Tamamo said as he passed by Kazuma, "You were leaning over the table to look at me during class, and you even hummed a new song. I remember it was like this..."

Jinguji said and hummed the melody of "My Deskmate".

Kazuma looked at Nanjo Honami and found that she was just smiling and listening to the melody. After meeting their eyes, Kazuma said softly: "It's a pretty good song. Do you have any lyrics?"

In fact, there is, but Kazuma is not good enough to translate it into Japanese confidently and complete the lyrics.

After all, Kazuma's music creation level is very poor.

So Kazuma shook his head: "I just suddenly thought of such a melody. This is also inspiration."

Dandanzi smiled and said: "I'm glad that I can be an opportunity to inspire you."

After saying that, she started to work again.

Together with Chiyoko and Takamizawa-senpai, she was unpacking and plating the things that Okada Koji and the others had just brought, and then placing them on plastic sheets.

Fortunately, the Kiryu family's skinny camel is bigger than the horse, and there are many plates in the kitchen - there should have been more than a dozen disciples in this dojo having meals here every day.

Okada Koji's eyes followed Jinguji who was carrying the plate towards the plastic sheet, and suddenly asked Kazuma: "Is this the main choice?"

"No, as an apprentice, you should help the dojo." Kazuma prevaricated.

Okada Koji glanced at Rina Hinami, Honami Nanjo and Mikako Fujii who were not working, and asked: "What about these three?"

"It's not necessary to help the dojo. It's voluntary." Kazuma didn't panic at all.

Mikako glanced at Kazuma and sighed: "Okay, I know, just let me help. Chiyoko, is there anything else you want me to do?"

"There's one last plate in the kitchen," Chiyoko replied.

Rina Hinami raised her hand and said, "I helped decorate the venue in the afternoon, so I had a good rest!"

So everyone watched Nanjo Honami together.

While pressing her hair that was messed up by the night wind with her hands, Honami replied: "My bridal practice does not include these housework. If someone in the dojo has a torn uniform, I will help sew it up. I think there are specialties in the art." It’s very important.”

At this time, Mikako had already come out with a plate, and happened to pass by Nanjo, so she complained: "It's just a plate. How can you specialize in the art?"

It was said that Fengjiazi stepped on the air, fell off the edge, and fell into the mud in the yard.

The contents of the plate she was holding were thrown high into the air and then clattered back onto her.

Kazuma quickly jumped off the edge and reached out to pull Mikako up.

"You are so careless." Kazuma said, taking out a handkerchief, "Here, wipe the mud off your face."

Mikako took the handkerchief and wiped her face, and asked doubtfully: "Why do you have a handkerchief, Kazuma?"

"When Chiyoko prepares clothes for me every day, she folds them and puts them in my pocket." Kazuma answered.

"I made a fool of myself again, in front of so many people."

"Don't worry, everyone is on HIGH now, no one is paying attention to you." Kazuma comforted her.

"But you saw it."

"Don't worry, I'm used to seeing you deflated for so many years." This is not nonsense with Ma. The memory inherited from the original owner contains a lot of clips of Mikako being deflated.

If you put this in Kamen Rider, Mikako can definitely become the deputy rider responsible for the defeat.

In Dragon Ball, Mikako would probably have the same status as Vegeta: How to show that the new enemy is awesome? Just let him torture Vegeta.

Nanjo Honami also got off the edge, squatted next to Mikako and started to pick up the snacks that fell on the ground.

As soon as Mikako returned the handkerchief to Kazuma, she reached out and grabbed a biscuit and stuffed it into her mouth.

"Are you going to eat what falls on the ground?"

"Three seconds rule, three seconds!" Mikako returned to her original carefree character.

"This has been longer than three seconds, right?"

While the quarrel started, Okada Koji tugged on Anno Akito's clothes: "Let's go, let's get to know the elites of the University of Tokyo."

Anno Akito immediately understood and nodded: "Okay! And I'm a little thirsty now, so I need a drink."

In this way, the two of them bypassed the gathered "Kiryu family" and walked towards the carnival scene on the plastic sheet.

Mikako glanced at Okada and Anno who were leaving, and said with a smile: "Look, the peach aura we exuded drove them both away!"

Nanjo Honami didn't say anything. She took the plate from Mikako's hand, put the gathered unsoiled food on the plate, and carried it to the plastic sheet.

Mikako glanced at Honami's back and suddenly thought of something: "Wait a minute, I haven't gotten anything to eat yet!"

She jumped up, almost knocking over Kazuma, and then jumped after Nanjo to the "main venue" for cherry blossom viewing.

After this little interlude, the task of distributing drinks, food and snacks was finally basically completed. Jinguji Tamamo came to the eaves and sat gently not far to the right of Kitagawa Saori, with her feet hanging down from the edge.

She started taking off her socks.

The white, flawless jade feet were exposed in the moonlight.

These feet were so slender that they could dance on falling cherry blossom petals, but they couldn't match Jinguji's plump figure.

Kazuma discovered that Jinguji's toenails were actually painted with nail polish, which was as pink as a peach.

Kazuma looked at Jinguji's white and unadorned fingernails again, and couldn't help but be speechless: This is a real show in the dark. You usually wear socks. Who can see when you paint your toenails?

Kazuma was about to complain about Jinguji when he noticed Kitagawa Saori moving to the side, away from Jinguji.

Kitagawa Saori used this method to express his will to have a good relationship with Kazuma and others.

At this time, Honami put the plate under her arm, stood next to Kazuma, leaned into Kazuma's ear and asked softly: "I wanted to ask in the car, did you bring her here for the serial murder case? How about that? , shall I go and hook up with her?"

"Are you okay?" Kazuma asked in a low voice.

"I think I should be able to ask some questions. After all, we are all eldest ladies. We can also have a eldest lady party with Sister Gan in the evening."

Just as Kazuma was about to answer, Saori Kitagawa said: "My ears are very good, and I also have something like absolute pitch, although that thing is useless for listening to someone's conspiracy."

Before Kitagawa Saori finished speaking, Mikako came up to her with a plate of roast chicken: "Are you hungry? Come and have a leg?"

"No, I had dinner in the afternoon..."

"Roast chicken is something stored in another stomach." Mikako said.

When Kazuma wants to complain, he usually says "the cake is stored in another stomach", right?

This sentence is a common expression used by Japanese girls when they want to eat dessert. It has been widely circulated and has been used for many years and has not gone out of style.

Probably because every generation of girls have to face the critical decision of "have a good figure or have sweets", and then they can use this sentence.

But for Mikako, anything delicious can be put in "another stomach".

Kazuma glanced at Honami, and sure enough he found her looking at Mikako with envy.

Mikako’s non-weight gain physique wins!

Mikako didn't realize that she had just won a game. She was still tempting Saori Kitagawa: "This chicken is very fragrant. The one Okada and the others brought is the grilled chicken from Ikebukuro that was recently featured in a gourmet magazine. The work of the store, who knows where they got the money to buy such expensive roast chicken."

He Ma couldn't help but hold his forehead.

If investors knew their investment, what would they think if Anno and the others used it to buy super expensive roast chicken...

Kazuma felt a little sorry for Mr. Otsuki who invested.

Later, Mr. Otsuki wants to collect debts, and Hema supports him with both hands and feet. He must force these people to be an animation for more than ten years.

After they pay off their debts, they want to let themselves go, especially Anno, who would rather be a voice actor than make a movie. The fourth part of Evangelion New Theater has not been produced for so many years!

When Kazuma traveled through time, he didn’t even see the ending of the new theatrical version!

While Kazuma was complaining in his heart, Mikako tore off a piece of roasted chicken and put it into his mouth happily, returning the squeak.

One thing to say, this roast chicken is delicious.

He Ma has already lost his temper.

The first-rate Halazi and Ma remembered a cross talk that he liked very much in his previous life. This crosstalk satirized people who eat and drink with public funds. The classic lines include "Liu Halazi" and "Leader, colon".

Now it seems that there is no problem in moving the cross talk here. After all, the roast chicken was also bought with the company's public funds.

At this time, Kitagawa Saori was still resisting: "I don't want to eat! Take it away! I'm the lead singer of a band, an underground idol, and I want to be in shape!"

Mikako smiled and said: "If you still want to be in shape, this steel plate will do. It's better to be a little fatter, so that you don't look like a tadpole."

"You!" Kitagawa Saori was about to explode, but he still held it back, lowered his head and began to focus on playing with his guitar again.

Mikako sat directly next to her, still eating without stopping, eating very happily.

Kitagawa Saori turned around and shouted to Kazuma: "You should take care of your apprentice!"

"My apprentice didn't do anything bad, right? He just sat next to you and ate chicken. Eating chicken will bring you good luck. Maybe it can share your luck."

"What the hell, you don't even have logic in what you say."

Yes, after all, it would take 36 years for "PlayerUnknown's Battlegrounds" to be born, and "Good luck eating chicken tonight" to become a popular meme.

Mikako grabbed the conversation with a smile: "Admit it, you just want to eat! If you don't want to eat, you won't care at all, just keep playing the guitar!"

"I..." Kitagawa Saori suddenly gave up, "Forget it, give me a leg."

"Okay." Mikako tore off a wing and gave it to Kitagawa Saori.

"I want chicken legs!"

"The wings have calves! You are the lead singer and an underground idol, so you should pay attention to your figure."

Saori Kitagawa was so stuffed that she couldn't speak. She could only hold her legs with one hand and put her other hand underneath to prevent the oil from dripping onto the guitar, and just ate like this.

However, her eating movements are much more graceful than Mikako's, and she is worthy of being a eldest lady.

Nanjo Honami whispered in Kazuma's ear: "Mikako is doing well. Her affinity is her advantage. Maybe she will become a famous comedian in the future."

Kazuma joked: "That won't work. Female comedians have to be ugly. Who can be a comedian with a pretty girl?"

"I think there are a lot of pretty girls who follow women's language."

As soon as Honami finished speaking, she saw two men wearing the traditional restaurant or hotel staff uniforms entering the courtyard.

Kazuma wanted to shout "Who's here?", but then he saw the family crest of the Jinguji family.

Kazuma asked in surprise: "When did you call that person?"

Jinguji turned around and smiled slightly: "I just called when I was putting the dishes in the house. You don't care about the phone bill, do you? Even Chiyoko doesn't care about this money."

"No, I just..."

Jinguji ignored Kazuma and turned around to directly order the two of them: "Put the snacks over there with the plastic sheet."

So the man carrying the box that looked like a takeout box turned around and walked towards the plastic sheet.

Another person came directly to Jinguji Temple with a long box in his arms.

Kazuma was curious about what was in the box, so the man opened the box.

Inside the box is a velvet lining and bottom, with a slightly ancient shamisen on it and a delicately crafted pick.

The shamisen pick is very large and looks like a bow held in the hand. The texture of the pick looks like ivory or tortoiseshell, with jade inlaid on the surface.

The lines on the jade can't be seen clearly because of the color of the jade, but it feels like sunflowers.

Jinguji picked up the shamisen, hugged it in front of him, and then took the pick from the respectful servant.

Saori Kitagawa glared at Jinguji like a cat whose territory had been violated. With that expression, Kazuma imagined the "hissing" sound of a cat expressing a threat.

However, this "cat" is currently holding a chicken wing in its mouth, so it cannot make a sound for the time being.

Mikako asked Jinguji on her behalf: "What did you do suddenly?"

"Miss Kitagawa's performance just now was great. Although I was busy setting up the venue, I was still moved. So I suddenly wanted to play the shamisen that I haven't played for a long time." Jinguji Tamamo paused, "Actually, I also I want to play guitar, but I’ve never learned that kind of Western instrument.”

As he spoke, Jinguji began to strum the strings.

She started with a stormy volley. Kazuma could only use the famous line from "Pipa Xing" to describe this exciting performance: The cavalry stands out with the sound of swords and guns.

Everyone turned their heads and looked at Jinguji Temple, even the two Aomori natives (Amanaka and Toda) who started the unlimited drinking competition as usual turned their faces.

Then, Jinguji expertly cuts into the gentle and melodious chords.

Kazuma is not a professional musician, so he couldn't guess what she was going to sing just by listening to the chords. It wasn't until she opened her voice that Kazuma knew it was "Spring in the Northland".

Jinguji Tamamo just sat barefooted on the edge of the edge, playing the shamisen and singing the enka "Spring in the North Country" with a strong flavor of the times.

The fallen cherry blossoms soaked in moonlight danced in profusion and slowly fell beside her.

In terms of singing skills, Kazuma could tell that Danzi was not as good as Kitagawa Saori, but at this moment, Jinguji Tamamo was simply beautiful.

Kazuma was very sure that this guy didn't want to use music to compete with Kitagawa Saori.

Suddenly, Kazuma noticed Jinguji Tamamo raised his eyes and glanced at the other side of the yard.

He immediately turned his gaze, but saw nothing. The corner at the other end of the yard was empty, with nothing worth looking at.

But Kazuma was sure, Jinguji Tamamo just glanced in this direction.

——Am I too worried?

Kazuma thought doubtfully.

**

While the Kiryu Dojo was enjoying the noisy cherry blossoms, somewhere in the Kanda River, there was room 207 on the second floor of a cheap apartment.

"It's done!" Naoki Tsutani shouted excitedly, threw the guitar to the ground, and grabbed the sheet music on the music stand in front of him, "Finally completed, the highest masterpiece!"

But, suddenly, the expression on her face froze.

Because she found that she could not understand the music score she had just written.

"Eh?"

She rubbed her eyes hard, and her eyes, which were dry from staying up late for a long time, suddenly started to burst into tears.

However, this does not change the outcome of the matter.

She couldn't understand the ghostly symbols on the music score.

But she knew that it was definitely a shocking piece of music.

"Why!" She wailed, banging her head crazily and rubbing her eyes, as if this could help her understand the music.

"I've obviously written it down! I've obviously passed through the narrow gate!" Naoki Tsutani shouted hysterically.

Suddenly, she stopped and stared blankly at the walls of the bare apartment.

After a moment, she stood up and walked to the only appliance in the apartment: the refrigerator.

She opened the refrigerator and frantically pulled out the half-eaten half-price bento and various beers, threw them on the floor, and then pulled out the movable shelves.

This way, there is room in the refrigerator for an average-sized girl.

She got in, curled up, and closed the refrigerator door.

The empty apartment returned to silence, and the lights on the ceiling flickered irregularly. Apparently, the voltage in this cheap apartment had always been unstable.