I teach kendo in Tokyo

The cherry blossom viewing party lasted until late at night.

Kazuma originally wanted to talk to Anno Akito and the others about the infant theatrical animation, but now he found that this was an impossible task.

Once the scene gets HIGH, there will be no end.

Now, there was a mess in front of Kazuma. Except for a few of them who were not old enough to drink, everyone was lying on the ground under the big cherry tree.

Moreover, he didn't know if it was Kazuma's misunderstanding, but he always felt that the flowers on his old cherry tree were falling faster.

Kazuma and Amao packed up the kitchen garbage and put it at the door. When they came back, they saw that everyone on the ground was covered with a layer of cherry blossom petals.

Those who didn’t know this thought that a war had just ended and these were all dead.

Suddenly, Kazuma had a sudden idea, ran into the dojo, took a wooden knife, came back and stabbed it into the rockery under the cherry blossom tree.

Good guy, there are corpses everywhere under the gauze made of falling cherry blossoms, and a lone sword is stuck in the middle of the picture. It's really funny!

But I always felt like the wooden knife was missing something.

Kazuma pulled out the wooden sword, returned to the dojo, came out with Bizen Nagafune Ichimonji Masamune, and pulled out the sword with a clang.

Kitagawa Saori had fallen asleep holding his guitar against the pillar beside the edge. Hearing the out-of-body sound, he suddenly woke up and pulled out part of the handle of the guitar, revealing the bright light of the sword. .

Then she realized that no one was trying to assassinate her, so she awkwardly inserted the guitar blade back into the guitar while making sure that no one saw this scene.

She found that only Jinguji was looking at her with a smile.

But after meeting their eyes, Jinguji immediately looked away and said with an attitude, "I won't tell you."

Nabawa Kazuma didn't notice the interaction of the girls behind him at all. He inserted the unsheathed Bizen Nagafune Ichimonji Masamune into the rockery, and then pulled away.

Under the moonlight, the long knife stuck in the ground still glowed.

There are corpses scattered under the sea of ​​cherry blossoms, and it feels right now.

Kazuma pondered for a few seconds and suddenly saw Nanjo Honami's thin scarf placed on her side - it was quite cold in Japan at this time of year, so it was normal to wear a scarf.

Kazuma took the scarf and wrapped it around the hilt of the Bizen Nagafune Ichimonji Shogun on the ground.

Then he pulled away and looked at his masterpiece with satisfaction.

Just at this time, the wind blew, blowing up the scarf on the handle of the knife and fluttering in the wind.

The falling cherry blossoms are like goose feathers and heavy snow, swirling in the wind.

At this moment, Kazuma thought of the theme song "In Memories "KO.TO.WA.RI"" composed by Taku Iwasaki for "Rurouni Kenshin Memories".

It’s so touching!

Chiyoko happened to come out of the house at this time, preparing to pack up the plastic sheets and other things. When she saw Kazuma's behavior, she frowned and was about to scold him, but Jinguji Tamamo stretched out her hand to hold him back.

Jinguji gave a slight "shush".

Nanjo Honami picked up the harmonica that Kazuma had just placed beside her and handed it to Kazuma.

Kazuma looked at Honami inexplicably: "Huh?"

He looked at the harmonica and suddenly didn't understand why Nanjo wanted to give him the harmonica.

Honami: "Have you found inspiration? The inspiration for their score for Swordsman Theater."

Kazuma thought to himself, "No, I don't have it. I just had a whim and put on a stylish scene!"

Nanjo Honami: "You drew the sword deliberately, you couldn't just put on a showy scene, right? That's your beloved sword that accompanies you through life and death, isn't it?"

Kazuma was speechless and could only take the harmonica.

He glanced at Tamamo Miyadera and found that she was also looking at him expectantly.

It seems that Danzizi can't be relied on to help deceive him. Sure enough, Danzizi can't be counted as Kazuma being a time traveler.

Kazuma was about to turn around when he glanced at Saori Kitagawa and found that she was already holding the guitar and getting ready to play chords.

Your sister, you are too arrogant!

Kazuma's last gaze fell on Amao. His eldest disciple was now looking at him with a mixture of admiration and expectation.

——If I don’t get something out now, I can’t explain it.

So Kazuma could only turn around and face the scene, pretending to be emotionally brewing.

After a while, he brought the harmonica to his mouth and tried to find the tune first.

After finding the key that was closest to Taku Iwasaki's famous song in his memory, Kazuma began to play the main melody.

Kazuma was a little worried at first. Taku Iwasaki is a very strong arranger and orchestrator, so he might not be able to express the charm of this famous song with just a harmonica.

But after playing a few notes, Kazuma realized that he was worrying too much.

Maybe the scene now offers some emotional bonus? Anyway, after playing the first section with Ma, I actually felt pretty good.

Sure enough, this main melody is written with flavor. As long as the rhythm instrument group is added, it can feel like it!

Oh, by the way, there is a sound that sounds like a crow in the original song. I don’t know what instrument it is played on, so I can experiment one by one.

Of course, you can’t use harmonica for the main melody, but strings!

This sense of fate and the unique sadness of sword and halberd films!

At this time, in Kazuma's eyes, this scene was no longer a messy cherry blossom viewing party scene after a lot of nonsense, but a caravan that had just been attacked by bandits in the wilderness. The only surviving boy faced a strange swordsman——

Kazuma was immersed in his own fantasy, when suddenly someone among the people buried by Sakura sat up.

It was Anno Akito, and he seemed to be fully awake.

Anno Akito stared at Kazuma for a few seconds, then turned his head to look around.

Then his face stretched out, as if a mathematician had suddenly proved Goldbach's conjecture.

"This is it! This is the taste!" Anno Akito shouted, "I understand what is missing from our story!"

As he spoke, Anno Akito bent down, dug out Okada Koji from the petals of the cherry blossoms, grabbed his shoulders and shook him: "Wake up, Okada! Look at this scene! Kiryu-sensei has given us some guidance!"

Kazuma: I'm not, I didn't, don't talk nonsense!

Of course he just denied Sanlian in his heart.

Now that a bunch of his disciples are watching, as a master, he can only hold his cup.

Alas, this is the fate that as a master, as the only elder in Kiryu Dojo, I have to bear.

Akito Anno couldn't wake up Koji Okada, so he simply started to slap him in the mouth.

After two slaps, Okada Koji woke up and looked at his best friend with a blank expression: "What? Why did you hit me?"

"Look!" Anno Akito pointed at the "sword tomb" Kazuma had just built using the rockery.

Okada Koji turned around and said in surprise: "Who is dead?"

Anno Akito waved his hands vigorously: "No one dies, but you feel this FEEL! Of course, people die in our movies, and the scenes are all dead people. No, I mean, oh, you just feel it."

"Teacher Kiryu! Blow one, and blow one for Okada too."

Blow one?

Why don't you let me change a suona for you and send you off happily?

Kazuma complained in his heart, but picked up the harmonica and played the melody just now.

Koji Okada also looked like a mathematician who suddenly proved Goldbach's conjecture.

He gasped, turned around and held Anno Akito's hand: "This is it! This is what we are missing! Teacher Kiryu! Do you have room here to draw a storyboard for us?"

Kazuma stopped playing and looked at Chiyoko.

Chiyoko: "Well... our family is very poor, and the only art supplies we have are the leftover colored pencils I used when I was a kid..."

"This is enough! That's enough! Come on, Akito, let's go! Kiryu-sensei will lend us a room to use, and we may stay there all night."

Amao: "The living room can be used. I have cleaned it before."

Chiyoko frowned: "When did you clean it?"

"Just the past two days, I thought you didn't clean it because you didn't want to get emotional, so I cleaned it."

"No, no, we just don't have the energy to clean so many places." Chiyoko waved her hand, "But thank you anyway. Then, you two can use the original living room."

Anno Akito and Okada Koji heard this and immediately left happily.

Kazuma scratched his head, and then found Kitagawa Saori looking here.

After meeting their eyes, Beichuan immediately became unhappy: "A person like you keeps saying that you have no talent. How can we, who really have no talent, be embarrassed?"

Kazuma: "I think the chords you gave me live today were very good. How could you not be talented?"

Saori Kitagawa interrupted Kazuma: "No! The reason why I can play chords on the spot is because I put a lot of effort into learning and practicing.

"I have spent a lot of effort, whether it is music theory or arrangement, I have spent a lot of effort and learned from very powerful teachers!"

When Saori Kitagawa mentioned "a very powerful teacher", Kazuma couldn't help but think of the old man in her band with a 55-level martial arts skill on his head.

Because of the precedent of Nanjo Honami, Kazuma suddenly suspected that this old man was also a butler, right?

Do you ladies all have a butler who is like a double?

When two eldest ladies fight, they just stand face to face and stare at each other. In fact, the stand-in is Euler's stand-in for the other party, right?

Kitagawa Saori may have seen something from Kazuma's expression, so he said, "Teacher is the boss of the Earth House."

"The Earth House is..."

"Piano store." Kitagawa Saori said angrily, "If you want to know about the newly popular hallucinogens, it would be better to ask him than asking a little girl like me who only plays music and has no connections. good."

Kazuma blinked: "Do you really not understand? I don't believe it."

"I have told Detective Akira Shiratori everything I know."

Kitagawa Saori directly called out Detective Shiratori's full name.

Sure enough, because she is the eldest daughter of the Yakuza, she knows everything about the criminal police of the organized crime countermeasures department of the Metropolitan Police Department.

However, Kazuma thought that the information in the envelope he got was handed over by Akira Shiratori through Heita Nishikiyama, so the content mastered by Saori Kitagawa should also be included.

So He Ma changed the subject: "Aren't you scared? The targets of serial murderers are young female lead singers of bands. It's theoretically dangerous for you to play and sing alone on the street."

"I have the ability to defend myself." Kitagawa Saori said softly.

"What if it's an enemy that your self-defense ability can't deal with?" Kazuma asked again.

"That's just right." Saori Kitagawa smiled at Kazuma, and then asked, "If I am killed, will the righteous college detective, the future police chief, avenge me?"

"I will not avenge you." Kazuma replied instantly, and glanced at Nanjo and the others, "But I will seek justice."

"'This is really beautifully said.'" Kitagawa Saori said, "Originally I wanted to tease you like this, but you have indeed delivered justice time and time again."

Kazuma shrugged and was about to reply when Jinguji Tamamo suddenly said: "If you want to ask for help, just ask for help. It'll be fine."

"Who is asking for help! Stop looking down on others! I have worked hard all the way to this point!" Saori Kitagawa rolled his eyes at Jinguji Tamamo, then stood up, "Lend me a room, the train has stopped, I don't want to Take the Nanjo family’s car back.”

Chiyoko looked at Kitagawa Saori: "Brother told me something about you. Are you the eldest lady of Bai Feng Summit?

"Your family still has a grudge against us. What if you sleep in our dojo and Bai Feng comes over and attacks the dojo in the name of saving you?"

"Don't worry, it won't happen. Now my father and grandfather are very worried about the Fushou Gang. It's precisely because of this that I sell and sing on the street every day without anyone caring about me." Kitagawa Shaori—— Bai Feng Yuyin shrugged, "So I'm quite grateful to the Fushou Gang."

Kazuma couldn't help but ask: "Then if the Fushou Gang sends your father and grandfather away, will you be completely liberated?"

Kazuma remembered that in his previous life, the Fuqing Gang used anti-tank mines to kill the big boss of the Daochuan Society, including his bodyguards and his car.

This is the so-called indigenous aircraft. During the Anti-Japanese War, we also dealt with the Japanese in this way. This seems to be a kind of inheritance...

The big boss's bodyguard is said to be the No. 1 martial arts sect of the Showa era, with extremely high force value. However, it is of no use because the anti-tank mine does not want to compete with him.

Put it in this world, I'm afraid that one day Bai Feng Sougo will fly on a plane with the swordsman he invited.

Regarding Kazuma's words, Kitagawa Saori showed a tragic expression: "If that happens, I will inherit Bai Feng, and then lead the remaining Ruozhong to find an explanation from the Fushou Gang."

"Why?" Nanjo Honami asked.

Kitagawa Saori asked: "What do you think? Let me ask you, Nanjo, if the Nanjo Zaibatsu was in trouble and your father and grandfather fell ill and could not manage things, would you take on the burden of the entire consortium, or would you run away happily? , wandering around the world with your master?"

Nanjo Honami was silent.

Kitagawa Saori smiled: "Look, of all the people here, you understand me the best. Some things are not so easy to get rid of."

Nanjo Honami took a deep breath, and then agreed: "Yes, some things are not so easy to get rid of."

Jinguji Tamamo suddenly said: "To be successful in life, you must have all the fun, and don't let the golden bottle stand in the sky against the moon. Of course we can't drink, so let's use music as a bar."

As she spoke, she sat down next to Kitagawa Saori, picked up the shamisen, and then looked at Kitagawa Saori: "You start, I can follow."

"Generally speaking, it should be the other way around, right? I'm a professional." Kitagawa Saori said.

So Jinguji Tamamo turned to look at Kazuma: "Then why not come with Kazuma."

Kazuma shrugged, put the harmonica to his mouth, and played the tune he had just copied by Taku Iwasaki.

"Don't want this!" Shaxuri Kitagawa protested, "This is too tragic! Be more cheerful!"

He Ma was speechless, thinking that he would be happy, okay?

He looked up at the full moon in the sky and decided to play another piece by Taku Iwasaki, which was also very suitable for playing under the moon.

Yes, he played "Awake"...

…

This night seems very long.