Let You Popularize Hypnosis, Do You Shoot Inception?

When filming Chen Yongren and Liu Jianming, their respective living conditions after being undercover.

Qin Feng mainly adopts the shooting technique of cross montage.

Using the means of narration, the two protagonists have their own different lives and fates.

Expressed through a common timeline.

Interspersed and interspersed together, through the lens constantly switching, interspersed, jumping,

It shows the different fates of the two protagonists who are undercover police officers and undercover gangsters in the same period of time.

It makes the narrative and development of the plot of the film more holistic and clear.

At the same time, the respective psychological states of the two protagonists are expressed through the language and pictures displayed by the camera.

In this way of crossing, the two protagonists are put together to perform.

The differences between them and the sense of destiny are more obvious.

Especially in this scene, Chen Yongren, who was originally a policeman, did bad things because of his undercover gang status.

He was arrested by Liu Jianming, a policeman who was actually an undercover gangster.

This shot puts the two people in the picture at the same time, and connects them through such a plot.

It even expresses the drama of the fate of the two and their own involuntarily implicit expression.

After filming the separate scenes of the two young actors.

It's about to make a screen transition between Liang Chaowei Liu Dehua and the two young actors.

June 6, 10 am.

After a night's rest, Liu Tianwang and Liang Yingdi arrived at the filming site.

Qin Feng then started filming the scenes between the four.

About Chen Yongren's prison photos, and Liu Jianming's promotion photos.

In this group of pictures, Qin Feng used the expression techniques of flipping the camera and contrasting montage.

The first is Chen Yongren when he was young, taking pictures when he was caught in the police station.

Then the camera flickered, and it became the appearance of his adulthood.

And when filming Liu Jianming when he was young.

By flicking the camera, the picture is quickly switched to Liu Jianming, who is an adult.

The use of this throwing lens enables two groups of different time and space to be linked together naturally.

At the same time, through the technique of throwing the lens, the film time is reasonably compressed, and the theme is directly and quickly cut.

It symbolizes the end of the first part of their respective growth trajectories.

Take the time to the two adult protagonists who are about to unfold the storyline.

The content of the film can be developed rapidly, and the use of the lens also implies the passage of time.

Indirectly shows the long time the two have been undercover, thus laying a foreshadowing for the characterization of the characters and the unfolding of the plot.

At the same time, through the use of contrasting montages, the two have different destiny identities from young to adult.

It symbolizes the opposites of the fate of the two.

Reveal the past, present, and future of the two protagonists.

They will all run in opposite directions, their fates will cross and they will end in the same direction.

After a morning of filming, the scenes of the two protagonists' age transition in "Infernal Affairs" have been completed.

I have to say that the performance of the two young actors is indeed commendable.

Even more unexpected than their performance in the movie,

They can put aside their grievances and devote themselves to the production of this movie that saves the Hong Kong film market.

Watch the changes the 4.9 duo made for the movie.

Qin Feng knew that "Infernal Affairs" would be successful in this world!

12 o'clock noon.

After eating lunch, take a short rest.

Qin Feng led the entire crew of "Infernal Affairs" to the Guangdong Investment Building, located at No. 148, Connaught Road Central, Hong Kong.

Here, he will shoot the most important part of "Infernal Affairs".

That is.

Goodbye, police!.