Qin Feng then struck while the iron was hot.

He also quickly shot several key shots of "Infernal Affairs".

This included the scene where Han Chen was eating a box lunch at the police station.

Qin Feng personally also likes to watch the scenes of the protagonists eating box lunches in these Hong Kong films.

The clip of Han Chen eating a boxed lunch can be said to be domineering.

Not only seven or eight little brothers with arms standing behind him.

And because of the anger of Superintendent Huang, Han Chen waved his hand.

Sweep seven or eight meals under the table.

Except for this snippet.

Qin Feng was also in the underground parking lot and finished filming the "You Picked" scene.

This scene brought an end to the fateful entanglement between Han Chen and Liu Jianming.

This shot uses flashbacks, near and far lens changes, combined with background music and other means of film presentation.

After Liu Jianming finished firing, he also said to Han Chen, who had fallen, "You pick."

Han Chen is dead, and the black hand who controlled Liu Jianming's fate is gone.

However, can Liu Jianming's mistakes completely disappear because of Han Chen's death?

cannot!

No one will let him go.

Such as Chen Yongren!

After making these two shots, Qin Feng rushed to shoot the last scene in the "Infernal Affairs" movie.

That is Liang Yingdi and Liu Tianwang both turning back.

In the ending screen of the film, Qin Feng used two methods: cross montage and theme montage.

It is still a close-up, echoing the title.

It can be said to be the most meaningful and meaningful sublimation of the film.

At the beginning of the story, Chen Yongren, who was young, left the police academy to work as an undercover gangster.

While Liu Jianming stayed at the police academy to train as an undercover police officer, Chen Yongren walked out of the gate.

The turn of the head at that moment symbolized the change and confrontation of the two young protagonists at that time.

At the end of the film, it is still the same shot, but it is replaced by them as adults.

And this turn of the head adopts the technique of thematic montage, repeatedly emphasizing the moment of the turn.

It seems that the turning point of fate is magnified at this moment.

This turn is a turn of fate.

The adoption of the adult protagonist's image seems to imply that many years ago, they foresaw the present ending.

Once you go up this road, you can't go back, you can only keep going.

The sentence Liu Jianming said at the end, I want to exchange with him, revealed the complicated emotions in his heart.

He wanted to change back then, and now he still wants to be a good person.

So this line runs through.

It magnifies and concretizes Liu Jianming's inner contradictions.

And Chen Yongren's turning back also hinted that he knew he couldn't go back.

I can't help myself, but I can only move forward.

The use of montage is repeated at the end of the film, which greatly enriches the images and characters of the two protagonists of the film.

Once again, it expands the difference and sense of destiny in it, which is simple and meaningful, leaving the audience with unlimited space for reverie.

It was 8:00 pm on June 7th when this clip was finished.

At this time, Qin Feng is only one step away from finalizing the production of "Infernal Affairs"!

Before filming the evening scene, Liu Tianwang and Liang Yingdi proposed to invite Qin Feng to dinner at the Hong Kong Hotel.

The rest of the film will then be filmed.

After a busy day, Qin Feng's stomach was also a little hungry.

Moreover, the production speed of "Infernal Affairs" is far beyond his imagination (Zhao's Zhao) Xiang.

In this case, Qin Feng agreed to the dinner invitation of the two movie stars.

Then the three took the crew's car and came to the warehouse at the entrance of the Hong Kong Hotel.

What Qin Feng did not expect was when they arrived.

This place has long been surrounded by reporters.

When he got out of the car with Emperor Liu Tianwang Liangying, all the media workers unexpectedly swarmed towards him.

He put Liu Dehua and Liang Yingdi aside.

This move by the media workers also surprised Qin Feng.

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