Millions Of Viewers Are Crying Watching My Anime

Monday, DOS.

There were several people sitting in the large conference room, including the head office's supervisor Taro Komura and production manager Noe Esaka, the supervisor of D-2 Kitagawa Shingo and production manager Shigeo Ohashi, and of course, Takagi Makoto, the president.

"The matter, you should already know it. The current situation is that I am going to make an animation myself and tell netizens that my level of animation has not declined. By the way, I will teach the HA company what to do with similar animations. Do." Takagi Makoto said solemnly.

"President."

Yukimura Taro suddenly said, "Isn't H.A.'s Shinkaigen you yourself?"

"Shut up!" Takagi Makoto glared at Taro Komura.

Taro Yukimura was a little frightened, and quickly closed his mouth.

Makoto Takagi retracted his gaze and turned to Shingo Kitagawa: "Originally, D-2 should continue to do the third season of "Natsume's Account of Friends", but for now, this project will be retained for the time being. I want to draw on your main force to make a new one. Animation, by the way, Beichuan, you come to be the deputy supervisor."

Shingo Kitagawa froze for a moment, then nodded quickly and said, "No problem."

"Esaka." Takagi Makoto looked at Esaka Noe again.

"Yes." Esaka Noe responded.

"You come to be the production management of the new animation." Takagi Makoto ordered.

"Oh." Esaka Noe was even more nonchalant.

After the arrangements were made here, Makoto Takagi looked at Taro Komura again: "Yukimura, you will continue to do "Girls and the Tank"."

"Still doing "Girls and Tanks"?" Komura Taro was stunned. "President, have you smashed with this ip?"

"What? You don't want to?"

Takagi Makoto frowned, "If you don't want to change, I won't stop you if you want to change jobs now."

"Yes! Who said I don't want to?" Taro Yukimura was anxious.

Although he had indeed thought about quitting, it was because he was locked in a cubicle and was locked out of the psychological shadow. Now that one year has passed, he has not been locked up again. He has long since been in the psychological shadow of the beginning. Came out.

Coupled with the great success of the ip of "Girls and Tanks", why is there no reason to be unwilling?

only……

"President, I'm willing to be the same thing, but what should I do next? The protagonist has almost no opponents, can they really continue to do it?" Yukimura Taro asked again.

"Of course it can." Takagi Makoto nodded, and then moved out the same set that Esaka Noe had said before.

Taro Yukimura was stunned.

Before he could react, Takagi Makoto said again: "That's what it is, and... Ohashi, you will be the production management of this final chapter."

"Okay." Ohashi replied simply.

Takagi Makoto continued to explain some animation-related matters, especially the distribution of the two animation staff.

To put it simply, the main force of D-2 is all tuned for the new animation, and the rest is used for the final chapter of "The Girl and the Tank". The DOS head office is half of the main force for the final chapter of "The Girl and the Tank". Chapter, the other half is transferred to do a new animation.

This arrangement does not mean that I am not interested in "Girls and Tanks", but that the final chapter of "Girls and Tanks" is only a theater version of ova after all. It was not played on TV and was given. A very long production cycle, leaving half of the main force, plus the non-main players who filled in the past on D-2, is already considered a lot, and there is no need for all the main players to work together.

The new animation created by Makoto Takagi himself needs more main force.

Even if it wasn't for D-1 who was busy doing "Blow!" In the second season of "The Euphonium", Makoto Takagi might have to recruit some people from there.

However, the two animations currently produced by D-1 are both daily and musical themes. Although they are both high-quality animations, they are still a bit different in style from the new animations made by Makoto Takagi. While mobilizing manpower, there is no regret.

After explaining the issue of personnel distribution, Takagi Makoto asked Taro Komura and Shigeo Ohashi to leave first, and called a few people in by the way to hold a new animation production meeting.

"President, what is the theme of the new animation?" Shingo Kitagawa asked suddenly.

Makoto Takagi glanced at Shingo Kitagawa, before thinking about it, directly replied, "Magic girl subject matter."

"Huh?" Shingo Beichuan suddenly looked dazed.

The others in the meeting room were also dumbfounded.

Even Esaka Noe couldn't help asking: "President, what you just said was the magical girl theme?"

"Yes, it's the magical girl theme, horse monkey shochu." Takagi Makoto confirmed.

"Is that the magical girl I know?" Esaka Noe asked again.

"Which magical girl is there besides?" Takagi Makoto asked back.

Esaka Noe stopped asking more, just looked at Takagi Makoto with a dazed expression.

Others were equally surprised, stunned, and stunned. There were even a few people who suddenly wondered if Takagi Makoto had a brain cramp.

Magical girl, a very traditional theme.

The emergence of this theme can be traced back to the 60s and 70s of the last century. The early works of "transformed girls" were the prototypes of magical girls. The theme of magical girls was born when "transformed girls" and "magic" were combined.

In another world, the most successful early magical girl theme animation was "Magic Girl Sakura", which is a comic cartoon. The first season was broadcast on April 7, 1998. The original manga was published on June 1996. This month, it was serialized by CLAMP in Kodansha’s monthly shojo manga magazine.

The world that Makoto Takagi is in now does not have the animation "Magic Girl Sakura", but like the other world, there are a lot of animations on the theme of Magical Girl.

In the early days, there were one or two very popular animations on the theme of Magical Girl, but now this theme has long been ruined.

More importantly, the age of the main audience group of magical girl-themed animations is relatively small. It’s not that teenagers and adults can’t watch it, but the main audience group is children, or even sub-forecast animations at all. At least now everyone Think so.

Therefore, when Makoto Takagi said to make a magical girl-themed animation, the people in the conference room looked confused, and some people wondered whether Makoto Takagi had a brain problem.

Let’s not talk about the problems with the theme of Magical Girl. The animation of this theme needs so much main force to do it?

Is something wrong?

Takagi Makoto could naturally detect the weird look in everyone's eyes, but he didn't take it seriously and didn't explain, he just asked Esaka Noe to help distribute the pile of materials in front of him.

The so-called new animation on the theme of Puella Magi refers to "Magic Girl Madoka Magica".

This animation, of course, contains tear-gas elements, but its protagonist is a magical girl, which makes it difficult to substitute in it. Basically everyone sees this animation from the perspective of a bystander, so even if there is tear-gas, touching Locally, there are fewer people crying, and more people have an impression of "depression" and a kind of subversive shock.

In another world, this animation was planned by MagicaQuartet and released by Aniplex. It was broadcast on January 6, 2011. The production company was SHAFT, supervised by Akiyuki Nifusa, the script written by Xu Yuanxuan, and the original role played by Cang Shumei. , Kajiura Yuki is responsible for the music.

This is the only TV animation that has won three major awards at the same time, and it is also the most awarded TV animation in the history of the island.

As for the sales of discs, the first-release sales alone amounted to 70,000, and the subsequent sales exceeded 80,000, making it second only to "EVA", "Monumental Story", "Mobile Suit Gundam 0079" and "Mobile Suit Gundam". "SEEDDESTINY" animation.

In addition, this animation directly takes the whole magical girl theme.

The previous magical girls were basically for children. After this animation, the magical girls directly became a theme that is not suitable for children, and various animations with curiosity and dark magical girls appeared, such as: " "Magic Girl Raising Project", "Magic Girl Website", "Yuki Yuna is a Brave"...

In short, this is a very awesome animation.

It is very suitable to use "Magic Girl Madoka Magica" as the first animation after the comeback, but after this animation is finished, there may be a little trouble in the follow-up.

I'll talk about the future things later, and what we need to do now is to get this animation out first.

The people in the conference room, after all, have never seen the original "Magic Girl Madoka Magica", just looking at such a project in hand, without a complete storyboard, and no complete script, it is impossible to imagine the future of this animation. .

They all frowned and worried.

Shingo Kitagawa couldn't help even asking: "President, you finally come back. Is it really okay to do such an animation?"

"No problem." Takagi Makoto said positively.

"Well then." Shingo Kitagawa sighed, "Since you think it's okay, then do it. After all, you have already created so many miracles, and I will trust you again."

Others didn't say anything, but they obviously had similar thoughts.

Makoto Takagi nodded, holding the plan, and explaining some of the main points of the new animation.

When the explanation is over, the meeting ends.

After leaving the meeting room and returning to the office, Makoto Takagi did not immediately start writing scripts and drawing storyboards, but instead sat in front of the computer thinking about other issues.

The animation to be done on the DOS side has been finalized, and a simple arrangement has been made. The question now is, what should I do on the H.A. side?

Although I have considered producing an animation on both sides at the same time, torturing together, but this kind of thing can really be done?

Even if it can be done...what kind of animation should H.A. do?

I was still a little worried that after "Charlotte" was finished, my identity would be completely hidden. Now it seems that there is no problem at the moment. In this case, I have to make an animation that can save my reputation.

The sales volume is not very high, but there are still more than 10,000.

With a high reputation and sales of more than 10,000, there are of course such animations, and more than one.

Which one to choose is a question worth considering.

Thank you for reading this story at mtlarchive.com. Your support enables us to keep the site running!