North American Gunslinger Detective

Peter did not go tracking with Diana this time, but continued to watch the surveillance in the surveillance car.

Peter: "Jones, did you hear anything?"

Jones: "No, they probably weren't talking in the living room, they were probably in the bedroom inside."

Peter: "Go on."

Jones and Peter both wore headphones to monitor, while Jimmy sat boredly by the back door, took out the revolver, and started playing with bullets.

When I was studying and doing tests in the academy, there was no such long-term monitoring. It was mainly to let the agents know how to use it. This long-term monitoring made Jimmy a little irritated, so he could only take out the revolver to practice.

Practice and relieve your irritable mood.

What Jimmy didn't notice was that while Peter was listening to the surveillance, he was glancing at Jimmy from time to time. His loading technique was so dazzling that no one else would have used this kind of technique of throwing the bombs one by one into the nest with one hand.

, the key is that the speed is too fast, installing a round of 6 bullets in two seconds is a bit excessive.

Jimmy loaded the bullet, put the revolver back under his arm, and said to Peter and Jones: "Let me take a look. I don't know what Seaman is doing in the house. Jones, give me a bug and I'll see if I can get in."

Jones gave Jimmy a bug, which was very small. "When you put it in, click the switch."

Jimmy opened the door with a bug and left the surveillance vehicle.

Jimmy walked slowly to the bottom of the apartment building. As he walked up, he looked at Seaman's room. Seaman was busy in the bedroom where the paintings were placed. It seemed that he had made some movement. He was now moving the paintings from the corner to the bed and folding them.

I got up and put two piles away.

Jimmy twisted the door handle and found that the door was locked. Jimmy had not yet learned the lock-picking skills, so he had to give up. The only thing that was certain now was that the paintings were indeed in this room. What he saw from his heart's eye were Seaman's paintings one by one.

are stacked together, this is very obvious.

Jimmy looked up at the hidden camera, shook his head, then turned around and went downstairs, first went to the coffee shop to buy three more cups of coffee, and then came to the surveillance vehicle. "Sorry, the door is locked, there is no way to get in, and the bug cannot be installed."

"

Jimmy returned the bug to Jones, and then gave Jones and Peter a cup each. Because he didn't know their tastes, Jimmy bought three identical lattes.

Jimmy already knew that Seaman was going to take action. The action of sorting out the paintings just now obviously had some follow-up actions. Now it depends on what he does.

Half an hour later, a van parked below Seaman. From the surveillance camera, you could see Seaman walking downstairs with a stack of paintings in his hands. The driver of the van also got out of the car and opened the side door.

Peter took off his headphones, pulled out his pistol and said to Jimmy, "Get in."

Jimmy opened the back door, came down with Peter, and then slowly walked towards Seaman's villa. Seaman was on the 4th floor. It would take time to walk down. However, Jimmy and the others were just over 20 meters away from Seaman's apartment, so walking slowly would be enough time.

Jimmy opened his eyes in advance and stared at Seaman coming down the stairs, and happened to meet him at the door.

Peter shouted "FBI", but before he could follow up with the next sentence, Seaman had already let go, the painting fell to the ground, and Seaman turned around and ran back to the apartment.

Jimmy stepped forward, grabbed Seaman's clothes, and pulled him down, "Stop. FBI."

When Jimmy went to catch Seaman, Peter reached out to hold the picture frames, but he still couldn't save them all. Two pictures had fallen to the ground, and the frames were scattered.

Peter looked at the painting and said, "It is very similar to Rachel's painting. Seaman Mace, I suspect that you are related to the theft of Denley Gallery, and I want to arrest you now. Jimmy, please hand it over."

Jimmy took off the handcuffs from behind his waist and put them on Seaman. For Seaman's normally thin figure, Jimmy was already a strong man, and resistance was ineffective.

Jones followed behind, carrying a camera, and took pictures of the painting that fell to the ground and the painting that Peter was holding.

Peter reached out and picked up the painting and said: "That's not all, there should be paintings in the room. Jones, you take the suspect back to the station, and I will apply for a search warrant. Jimmy, guard the door of Seaman's apartment and don't let anyone

Go in and destroy the scene."

He put several paintings back into the surveillance vehicle and took a taxi to leave. Jones controlled Seaman to the surveillance vehicle and locked himself in the passenger seat.

Jimmy was more worried. He only needed to check Seaman's apartment. However, when he turned around and saw that the van driver was still there, he didn't even take advantage of the chaos to run away. Yes, it saves trouble.

Jimmy thought for a while, then walked over and made a routine inquiry to the driver. This was a moving company's car. After recording the driver's ID, phone number and license plate, Jimmy was ready to let the driver leave. With this information, he would

If anything happens, you can contact him directly. If he escapes, even better, you can issue an arrest warrant directly.

He originally thought that the matter was over, but the driver suddenly gave him a surprise. The driver gave him an address, the destination of the delivery, a mini warehouse next to the Hudson River.

What an unexpected gain. Jimmy asked the driver to leave. He was not in a hurry to tell Peter about it. It would not be too late to raid the warehouse after the search warrant was obtained. There must be something wrong with Parker Denley, the owner of the gallery. He just didn't know about Peter.

Will their subsequent interrogation be able to link him to it?

With several paintings as evidence, it was very easy for Peter to apply for a search warrant. This time he brought along several members of the action team and evidence appraisal experts.

After cleaning Seaman's apartment, I found other paintings from another room. There were more than ten paintings, all in them.

Returning to Federation Square, Peter did not directly arrange to notify the painter Rachel and the gallery owner Parker, but the retrieval of the paintings was not complete. According to previous clues, it was obvious that this employee was not the final boss, and there were others behind him.

Peter was not interrogating Seaman in the interrogation room, but in the conference room. Only he and Seaman were there, and Jimmy didn't know what they talked about.

Regarding the address of the mini warehouse provided by the van driver, Jimmy has already provided it to Peter. I believe that an old agent like Peter will definitely know how to use it.

Jimmy was at least a little depressed. Strictly speaking, this case had nothing to do with him. Although he believed that there was something wrong with Seaman and took photos, others could actually tell. After all, there were only a few employees. As long as they went back to summarize the information,

Naturally, you can tell that Seaman's expression was a little nervous at that time. It just saved half a day.

This kind of operation that relies solely on the brain to analyze clues, monitor suspects, and finally arrest is a bit too tortured for Jimmy.