Rebirth In Hollywood
Chapter 143 This killer is not too cold
The lights in the theater went out and the picture on the big screen lit up. Ryan could feel that Natalie seemed a little nervous and excited. This was normal. It was the first time to witness the release of a movie starring him, even if she was precocious Smart, and can not help but worry about gains and losses.
Ryan shook her hand gently, still so small, "Relax, Nat, when the movie is over, everyone will know how good you are!"
"Thank you, Ryan."
Natalie smiled at him, seemed to relax a lot, and then looked to the other side, where her parents were sitting not far away, and Mrs. Shelly was smiling at her.
The screen flickered, and the title of Miramax appeared, followed by the logo of Luc Besson's studio. Following the aerial footage of New York's Central Park, the camera pulled into the streets of New York, while browsing Brooklyn. After walking down the streets of the district, he finally got into a shop and landed on a man with a glass of milk and round sunglasses.
This is Leon!
Like most action movies, the beginning of "Killer Leon" is also a hot action scene. Under Ryan's prank suggestion, Luc Besson also made a cameo, that is, the fat gangster.
This is a hot and intense gunfight scene, and it is also a solo show by Leon. He rushed into the gangster's mansion lair like a ghost, and used all kinds of skillful and bizarre techniques to destroy the gangster. The thugs were killed one by one.
Through this series of fast-changing shots, the film reveals Leon's highly skilled side as a killer.
Faced with the threat of Leon disappearing without a trace, the gang boss can only playfully ask the police for help. Just when he answered the phone, a hand silently stretched out from the darkness behind him and put the knife on the phone. up the fat neck.
The killer merges with the darkness, but everything is under control. This is Leon, a taciturn killer.
The camera kept changing, and soon Leon's panorama was revealed. He wore a large black trench coat to perfect the world. Wearing a yarmulke and wearing round sunglasses on the bridge of the nose, even after many years, this is still a very classic movie image.
Of course, as Leon went to the convenience store to buy milk, the camera gave a close-up of about two seconds - the placement of the advertisement.
This movie is a play between three people. The camera follows Leon's figure and enters an old-fashioned apartment. In the seemingly empty stairwell, a pair of small brown leather boots sticks out of the guardrail of the stairs. As the lens moves up. Leggings with a cartoon pattern. The cigarettes burning between the fingertips appeared one after another, and finally the shot was fixed on the one with the bob head,
The girl's face was pressed tightly against the guardrail.
The burning cigarette curled up between Matilda's fingers, but never came close to the girl's mouth. How sad will she be at this time?
Another main character in this play also appeared, the crazy policeman Stan wearing headphones, shaking his head, and then sniffing around the girl's father like a hound, all of which reflect his neurotic side. showed.
It's a chilling figure, even if he doesn't have a gun in his hand.
The next shot renders the other side of Leon as a killer, who likes to drink milk and clean the leaves of evergreen with his own hands. Sitting on the sofa with sunglasses on and falling asleep quietly, and in an empty movie theater, with a childlike smile, admiring the song "Singing in the Rain", these will remind people of the simple and innocent side of his heart. .
The phone rang. Matilda pretended to be her parent, and after a conversation with the school who called to inquire, especially after hearing her father's evaluation of her 'problem girl', she stared at despair and cold eyes and said something , "She's dead!"
That tone, that expression, fully expressed Matilda's state of mind, and at this moment, many people had a feeling of sadness more than the death of their hearts.
Whether it is the picture of family life or the absolutely classic dialogue with Leon in the stairwell, it clearly tells the audience what kind of environment this rebellious girl lives in, and how lonely and helpless the situation she faces , even despair, and the only thing that can bring her warmth is her young brother.
Matilda's father finally caused the disaster for his greed, and the policeman Stan brought his men to kill the door.
At this time, the close-up shot of Stan taking drugs showed his madness. When he held a shotgun, imagining a Beethoven symphony, he rushed into the apartment and started killing, even Matilda was young. The younger brother did not let go.
Matilda happened to go out to buy something and escaped this catastrophe. When she came back, she was in a desperate situation, especially when she saw her father lying in a pool of blood from the open door. Clearly filled with fear.
She lowered her head and walked straight to the end of the corridor, which was Leon's room and the only way to survive. Standing in front of the door, Matilda burst into tears, desperately ringing the doorbell, praying for the door of life. Open.
Facing the crying girl, despite some contradictions, Leon's kind heart still prompted him to open the door. At the moment when the door opened, a bright light fell on Matilda, full of despair. Her face illuminated her dark life, and it also allowed her to break away from the old road and gain a new life.
He walked through the bloody house with his head down and calmly, and used the voice of Transformers on the TV to dispel the suspicion of the police who came to investigate. The audience gradually saw the other side of this girl, smart and quick to respond!
In Leon's dialogue, Matilda expressed her resentment towards her family and her nostalgia for her younger brother, which also paved the way for the girl's later persistent revenge. .
In this way, two people who had nothing to do with each other live together. Although the middle-aged Leon is a killer, he has a gentle, kind and innocent heart. Although Matilda is still young, she In stubborn willfulness with age disproportionate maturity.
The same is the end of the world, the long-term relationship and the death of the same life, let the two lonely people who yearn for warmth get closer and closer, and gradually wipe out the spark of love.
The relationship between Leon and Matilda will naturally not be as sharp as in the previous life. Although the indecent love attracts people's attention, it does not do any good for Ryan or Natalie. chapter.
For those sensitive plots in the previous life, Ryan had undergone a lot of surgeries, and the shadow of unethical love became extremely light, and it was more of a relationship mixed with complex entanglements such as gratitude, fatherly love, family affection, attachment, and admiration.
Sometimes hazy and obscure feelings are more touching.
For the kind of plot that is really too prominent, Ryan simply deletes it, such as the scene where Matilda dresses up as Monroe.
This movie will still make people addicted after ten or twenty years. Except for the obscure Lolita plot, it is the rhythm of the movie. I have to say that Luc Besson is not like a European director at all. , regardless of past or present life, the rhythm of "Killer Leon" is handled very tightly.
You know, many movies in the early 1990s were slow-paced, and they were inevitably criticized after entering the new century.
Luc Besson later became the banner of French cinema, not without reason. Compared with those guys who talk to themselves and shoot things they don't know, he knows how to adapt to the market and the audience.
The warm two-person world still cannot quell Matilda's determination to take revenge for her younger brother. After trying to find out where the policeman Stan's office is, she did not inform Leon and chose to go to the police station alone to take revenge. However, she Facing an out-and-out madman, an inexperienced girl, and facing a seasoned policeman, what will happen is self-evident.
Matilda was caught by Stan, and when Stan's men questioned her, Leon broke into the police station, killed the two guys easily, and rescued Matilda, however, Stan was also provoked Now, he took someone to find Leon's upper house, and forced him to find out the whereabouts of Leon and Matilda.
Here, the movie enters the final battle. Stan leads a large number of special police to surround the building where Leon lives. In the predicament, Leon alone fights dozens of special police officers, although he rescues Matilda who was captured by the special police. , but he is only one person after all, unable to fight against a large number of well-equipped SWAT police, and at the moment of desperation, Leon forcibly smashed through the wall and opened the vent.
However, the ventilation ducts were too narrow to allow only the young Matilda to pass through. At this moment of life and death, Matilda refused to leave Leon. She knew very well that parting was almost equal to parting. It was a farewell, but in the end, under the persuasion and coercion of Leon, Matilda left with Evergreen and the bear doll.
Leon disguised himself as an injured SWAT, got through the border and came downstairs, but was recognized by Stan, this crazy guy, in order to kill Leon himself, even transferred all the SWAT officers guarding the passageway, alone. hidden in the dark.
Taking off the SWAT mask, Leon walked from the darkness to the light ahead step by step, as if he would get a new life as long as he walked out of this passage and into the sunlight! But Stan's neurotic face appeared behind him, along with the revolver raised.
Leon fell in a pool of blood, just one step away from the light he had hoped for, however, before he took his last breath, he stuffed a grenade ring, as a gift from Matilda, into Stan's. In his hands, Stan faced a pile of grenades that were about to explode, and just scolded expressionlessly, showing the policeman's nervousness and madness.
After the loud bang, Stan died, and so did Leon.
He fulfilled Matilda's wish.
Matilda went back to school, thinking of Leon, and buried the pot of evergreen, which had witnessed the two people's shared life and intimate relationship, under a tree.
"We're safe here, Leon!" The rebellious girl returned to the mainstream.
At the end of the plot, Ryan also made a small change, so that Matilda, a character full of rebelliousness, has a sense of returning to mainstream values.
The camera zooms further and further, and through the top of the dense woods, New York is again revealed in the frame, where the vast sea is soft.
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