Rebirth of the Great Entertainment Empire

…

Walking on the red carpet in Cannes, Xu Cun couldn't help but think of the scenes of female stars competing for beauty here in the news that he saw in his previous life. Immediately, I couldn't help but feel a lot of emotion!

The person who accompanied Xu Cun on the red carpet was Tang Shuxuan—Originally, Xu Cun planned to call Zhao Yazhi to accompany him on the red carpet, but when he thought of the dense crowd of reporters from all over the world on both sides of the red carpet, and the reporter's beating nature that was afraid of chaos, Xu Cun Cun immediately dismissed this idea, and asked Tang Shuxuan, who was already in his thirties, to accompany him on this journey of right and wrong.

In fact, I don’t blame Xu Cun for being so cautious—it’s true that China’s century-old history of humiliation is in great contrast to the once prosperous and splendid cultural country. The Chinese extremely admire everything in European and American countries, and even envy and worship Japan, which is separated by a river.

As a social animal, human beings are extremely eager for the approval of others—this need for recognition extends to the entire ethnic group, which is reflected in the fact that the Chinese especially hope to be recognized and praised by other countries.

There are too few international awards for Chinese-language films! In the 80 years since the birth of Chinese-language films, only a few films have been shortlisted for major international film festivals, and so far only "ET" has been able to become the opening film of a film festival-although the main actors of "ET" are almost all foreign People, but its production team is out-and-out Chinese G people, so Chinese G people consciously included "ET" in the ranks of Chinese-language movies.

At this moment, there are countless Asian media on both sides of the red carpet, and even the already poor "Film Biweekly" has tightened its belt and squeezed out funds to send people to Cannes to interview the "ET" crew.

The question is, under such circumstances, how dare Xu Cun be careless?

...

While walking and stopping on the red carpet, Xu Cun said to Tang Shu, who was enjoying the atmosphere around him:

"Sister Tang, making a movie is more interesting than opening a restaurant, isn't it?"

"...I have been self-willed for more than ten years, and my boyfriend has indulged me for more than ten years. I have to give him an explanation."

"That doesn't necessarily mean you have to go to the United States. In Xiangjiang, you can also become a couple of gods and gods."

"His job has been transferred to US G."

"...Sister Tang, what do you think of DreamWorks?"

"Hmm...the embryonic form of a thriving entertainment empire."

"Being able to say these words proves that I have found the right person... Sister Tang, don't go to Beauty G, stay at DreamWorks and help me build this entertainment empire."

"...For more than ten years, I have been the center, and it's his turn to be the center."

"How can a man who can be looked at by you, Sister Tang, be an ordinary person? Believe me, I will persuade and arrange for my brother-in-law to stay in Xiangjiang willingly!"

"..."

"I'm too utilitarian. If I were the one who supervised all the films of DreamWorks, then almost all the films made by DreamWorks would be commercial films. Even if I occasionally make some literary films, I would still choose those literary films that are sure to make money. But by It’s different when you are the general manager of the production department of DreamWorks. I’ll give you an authority — every year, you can invest at will or make two films with a production cost of no more than three million Hong Kong dollars. I will never ask. It doesn’t matter if those two movies don’t come out.”

"...three parts."

"Art needs money. There are no other movies that make money. Sooner or later, you will be exhausted. To be honest, if you don't consider that you have a business vision, Sister Tang, I can only give you permission for one movie at most."

"Stop messing around with me, you're talking about flowers, these two spots are also designated for those literary films, you just wait to lose money!"

"..."

...

The "ET" played at the opening ceremony of the Cannes Film Festival is not the sample edited by Tang Shuxuan and Mai Zishan, but the final version edited by Xu Cun based on the "ET" he saw in his previous life.

As soon as the film is played, the unique title animation of DreamWorks makes people who like movies fall into a kind of dream.

Among the people who come to participate in the film festival, people who like movies account for a large proportion.

Therefore, before "ET" was officially broadcast, it made many people look forward to it.

"ET" also lived up to expectations. As soon as the film opened, the mysterious atmosphere and ET's looming appearance captured the hearts of moviegoers, and made moviegoers look forward to ET's appearance.

Then, the plot enters a gentle stage, without twists and turns, and not annoying...

...

In the messy little room, Elliott pointed to all the small objects and told the potato-like ET beside him: "This is a fish tank, this is peanuts, and this is sugar."

He gave it a bag full of chocolate chips.

It said in a weak voice: "ET...phone...home."

It rehabilitated his injured finger.

It tapped his shoulder with its long, thin fingers.

...

Elliott was riding a bicycle, carrying ET flying in the sky full of stars, Elliott's surprised expression, the curvature of ET's mouth, the large green forests in the night, and the silver moonlight. It is as gorgeous as heaven, like a flying silvery white, filling everyone's eyes, like an endless dream in a fairy tale, many people even want to reach out and touch this amazing and inextricable. The sinking, forever and ever hope that this dream will last forever.

...

When he had a high fever and was about to faint, Elliott was still begging his brother in a weak voice to find the lost ET.

At the moment of death, in order to let Aiolet survive, ET went to death alone, and kept telling him: "Stay alive, stay alive..."

ET's brain waves gradually decreased, and his heartbeat began to stop.

"The little boy is starting to get back to normal, but the alien is dying," the doctor yelled.

ET traded his own for Elliott's, willingly, even quietly and contentedly.

...

Before ET left, he stood beside the beautiful spaceship and hugged Elioia. A long, long time. Long long hugs.

It said to him: "Come."

He said to it: "Stay."

They both want each other to stay by their side, forever and ever. But they are destined not to be able to live in the world where the other lives. Even fairy tales can't change their inevitable separation.

So in the end ET left alone, taking away only Elliott's pot of blooming flowers - it held it so carefully, as if holding the memory of its love on earth.

It touched Eloia's forehead with its glowing fingers, and told him, "I am right here..."

...

At the end of the film, everyone seemed to meet a fairy tale with a smile. Fairy tales are full of chance, flying, believing, understanding, cherishing, simplicity, cleanliness, and a kind of pure love.

Maybe only fairy tales can be so beautiful. It is so beautiful that people can't bear to doubt its truth, and can't bear to find the source of happiness and the critical point of drifting away.

Like a nightmare. A nightmare that never wants to wake up, and an inevitable lifelong separation that never comes.

...

It was a long time after the film ended before there was applause.

The applause woke up those who were still immersed in the fairy tales, and then these awakened people remembered that they should applaud when they saw a good movie, and then they joined the applause.

The applause was like a wave, and it lasted for a long time...

...