The Director of Music Department

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Nai Fei's second big data self-produced drama is a magical epic drama.

"The Iron Throne"!

In fact, Netflix's second big data self-produced drama has many audiences in North America looking forward to it.

Because Netflix's self-made dramas are all binge-watching models.

That is to say, it is released all at once, so you can see enough at once.

And Netflix's first big data self-produced drama can be said to have become a phenomenon-level drama in North America.

Therefore, it will naturally make the audience have high expectations for this new Netflix drama!

As the initiator and practitioner of the big data film strategy, Naifei's every move has attracted the attention of countless people.

This time, the preliminary preparations for "The Iron Throne", the selection of actors, etc., are all dominated by big data.

Naifei is also very confident about this drama!

Then, "The Iron Throne" is officially launched!

As a result, it exploded!

Yes, it exploded!

Word of mouth exploded, and the ratings also exploded.

It worked.

It can be said that the companies that bet on the big data film strategy are all cheering!

On the domestic front, Ahri Media and Future Star Media were in the same spotlight.

On the contrary, it is the light and shadow of the times, the old giants of Kyushu in the prosperous Tang Dynasty, but the clouds are bleak.

To be honest, Wang Yifan was also a little surprised. In his previous life, the so-called big data-led self-produced drama of Naifei was actually the first one that was really successful.

The second part and the third part all failed, and as high as the previous expectations were, the latter will be more disappointing.

As a result, the big data movie strategy suddenly cooled down.

But this world is different. Naifei's second self-produced drama dominated by big data has succeeded, and it is an unprecedented success.

Then naturally, the pattern is completely different.

Regardless of whether big data is reliable or not, at least at this stage, the big data strategy is reliable, and it is a hot spot!

As the saying goes, pigs can fly when they stand on the wind.

Lin Husheng was persuaded by Wang Yifan before, and temporarily stopped betting on the big data movie strategy, but with the success of Nafel's "The Iron Throne".

As the big data film strategy became hot again in the capital market, he couldn't sit still anymore.

No way, this is not a problem of one or two movies, but a problem related to the future direction of the film and television industry.

Not only Lin Husheng, but other companies are also ready to move.

Soon, several medium-sized film and television companies announced to cooperate with Ari, Huaxun, Future, Star Technology, etc. to create big data movies!

In fact, whether big data can be successful has a great impact on the giants, and it also has a huge impact on other film and television companies.

It can even be said that this is a good thing for them.

So they all ran out to get a ride.

Ahri Media, Future Star Media, and Huaxun all come. After all, although this is an outlet, if you want to truly maximize the benefits and make big data movies deeply rooted in the hearts of the people, you still need a lot of successful cases.

On the other hand, for small companies, they definitely cannot afford to hire big directors.

But what excites them most about the big data film strategy is that this model can actually reduce costs.

Let the advantages of the giants no longer be so strong.

Of course, if the giants also enter the ranks of big data strategies, then there is another possibility.

To put it bluntly, the advantage of the giants is indeed the theater chain and the distribution channel.

But don't forget that the largest theater chains in Huaguo are all state-owned enterprises.

Therefore, in many cases, there is actually no monopoly.

And the reason why giants are giants is because giants have signed great directors.

The income of a big director from a movie can beat many small companies for several years.

And big directors have always been the guarantee of the box office of movies. Theaters want to make money, and of course they are more inclined to the movies of big directors.

But now, big directors are replaced by big data, and Huaxun, Future Star, Ahri, etc., all open the port of big data film strategy to the outside world.

Therefore, this seems to be a very good opportunity for those small companies!

After all, once it succeeds, the entire structure of the film and television industry may change dramatically because of it!

When the big directors no longer cover the sky with one hand, and when the giants start to lose their advantages, then their chances will come.

But Lin Husheng also knew that Wang Yifan had always been against betting on the big data movie strategy.

Therefore, if Huaxin wants to bet on the big data film strategy, it must also obtain Wang Yifan's consent.

Even though big data seems to be really good now, and can even replace great directors, great directors are still the mainstream of this era.

"Eccom has already bet on big data movies, and now the success of Netflix's "The Iron Throne" has made the big data movie strategy completely popular. So, do you still think the big data movie strategy is unreliable? ?” Lin Husheng asked.

Wang Yifan smiled and said, "Of course! Do you really think that the success of "The Iron Throne" is due to big data?"

"Isn't it? The data announced by Naphie, as well as the filming and launch of "The Iron Throne" are all dominated by big data." Lin Husheng said disapprovingly.

Wang Yifan nodded and said: "Actually, I have never denied the feasibility of big data, but I still reserve my opinion when big data dominates film and television creation."

"The script of "The Iron Throne" may indeed have elements of big data involved, but in fact "The Iron Throne" is an adaptation, and the original work of "The Iron Throne" is on the bestseller list in North America. Being in the top ten all year round, this work itself is a huge IP, and this is the core reason for the success of this show!"

"Yes, Big Data did choose the work "The Iron Throne", but it confuses everyone's attention and makes everyone ignore it. The work "The Iron Throne" itself has many book fans, many fans! This It’s not thanks to big data!” Wang Yifan also investigated the situation of “The Iron Throne”.

It turned out that Netflix's so-called big data movie strategy was actually a cover-up.

They are all avoiding the important things. In fact, is the success of the first political drama really due to the dominance of big data?

It's actually total bullshit.

That play itself was adapted from a well-known novel.

And although the screenwriter team is a team of tool people, what is overlooked by many people is that the chief screenwriter is a gold medal screenwriter in Hollywood.

In terms of production, the team is also a top team.

Big data dominates?

Don't talk nonsense, big data does play a role, but it is based on the quality of the episode itself.

Just like the success of "Kung Fu", can you say that it is dominated by big data?

of course not.

The same goes for The Iron Throne.

"Let's talk about the main creative lineup of "The Iron Throne". The first two episodes are the great Hollywood director Carlos, and the latter directors are also more experienced and mature directors in Hollywood film and television dramas."

"Can big data really affect the director's shooting? Obviously impossible!"

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