The Director of Music Department

In every movie, the director will use certain things as a symbol of some aspect of the movie character.

Of course, the movies mentioned here must be relatively good movies.

For example, some film directors like to use the color or style of a character's clothing as a symbol.

This symbol may be an item, an expression, or a body language and so on.

By the way, there are some different makeup looks.

It is also often used in these TV shows.

For example, in "The Legend of Zhen Huan" such as "The Legend of Miyue", the makeup of the heroine in it will always change as the plot continues to advance.

The same goes for The Devotion of Suspect X!

In fact, in the previous life, in the domestic version of "The Devotion of Suspect X", there were also some easter eggs or details arranged by the director.

For example, the brand name erdos that Chen Jing buys for Shi Hong is the name of the Hungarian mathematician whom Shi Shen admired most in the original book.

Another example is the pen. The little policeman next to Tang Chuan likes to bite the cap of the pen; when Tang Chuan uses the pen himself, he likes to put the pen upside down on the table and push out the nib before using it.

These are the details that some directors deliberately made.

The reason why movies are different from TV dramas is that the biggest difference is that the shots of movies are limited, and every shot, most of the time, a successful director will endow it with charm.

But in this movie, the invisible symbol given by Chen Shaojun is Bao!

The camera specially gave a close-up of the bag carried by Ishigami. It was an old brown clamshell briefcase!

In the stereotype, Ishigami's old briefcase shows his rationality, and contains hints of his rigidity, nostalgia and self-regulation.

Bao here is endowed with social attributes by Wu Xiaozu, giving the audience a hint and a representational display of the characters.

Of course, the general audience doesn't pay attention to this most of the time.

But Zhang Weiming felt that this shot must have a deep meaning, otherwise why did he close-up this bag?

The camera finally gave a close-up of Ishigami's face for the first time, under the intermittent long light.

For the first time, the audience saw the complete face of Ishigami!

Old-fashioned glasses, his eyes are slightly numb, his face is sallow, but very thin.

The ordinary ones are like the office workers who can be seen everywhere in the streets and alleys. Let the audience see him, as if they saw themselves.

Zhang Weiming wrote the word "Bao" on the notebook and put a question mark on it!

Jingle bells... Unlike the sharp ringtones in the sound montage at the beginning, this one is very soothing! It sounds obviously comfortable.

A red bicycle came into the picture, and Ishigami froze, subconsciously bent down to tie his shoelaces, as if waiting for the bicycle to pass by.

The heroine Chen Jing is wearing a long skirt, a button-down sweater, and riding a red bicycle. A fair-skinned and lovely girl is sitting across the back seat with a bright yellow schoolbag on her back. One small arm is around the heroine's waist, and the other One hand holds a flowerpot with bright small wildflowers.

This picture, with its obvious tone, is completely different from the previous picture of Ishigami traveling alone.

The charm of the movie is not only in the lens, but also in the same color palette.

Zhang Weiming nodded involuntarily.

The red bicycle, the bright yellow schoolbag, and the brightly colored pots of small wildflowers, women and children, immediately eased the whole picture from the previous lifelessness and depression.

It was as if the picture came alive.

This opening scene surprised many insiders.

Wang Yifan was also a little surprised.

It has to be said that Chen Shaojun has indeed grown a lot.

The movie "The Devotion of Suspect X" is actually a commercial movie.

But it does not mean that commercial films cannot be art.

In fact, the beginning of this paragraph really gives people a very amazing feeling.

Especially screen switching.

It's very smooth. In fact, in the opening paragraph, there is no dialogue, and some of it is only the discussion of the students in the previous sound montage.

Afterwards, Ishigami walked under the night, through his body language, clothing, light, and color, he placed Ishigami in a depressing environment, making people feel that Ishigami was very depressed!

In fact, this kind of picture makes people look at it, and they will definitely not like it too much.

Because it is too depressing, I feel that the picture is "dead"!

Afterwards, the amazing thing was that Chen Jing and her daughter were first introduced into the venue through the soothing sound of bicycle bells.

The two of them seemed like elves who had broken into the lifeless and oppressive world of Stone God.

Immediately, the whole picture is filled with various bright colors, making the whole picture come alive.

Especially at the end, in the shot, a seagull flew in and landed on the flickering long lamp. The flickering lamp regained its light, and at the same time, the light hit Ishigami.

The split use of light shows the broken life of Stone God.

Old briefcases, flashing long lights, red bicycles, small wildflowers in flower pots, and seagulls that suddenly give people hope for luck.

The opening of the movie was very depressing, but the seagull at the end brought hope to people.

And this hope is gradual.

Not that kind of sudden appearance.

People like Wang Yifan, who knew the plot, nodded repeatedly.

In fact, the opening of this paragraph itself contains a lot of information.

Many things were expressed.

For example, the scar on Ishigami's wrist is a foreshadowing, but at the same time, it also means that Ishigami is a weirdo in the eyes of everyone.

He himself doesn't mind, but at the same time his life is indeed very depressing. In his life, there are no other colors at all, and some only have depressive and dim colors.

Until, the appearance of the mother and daughter brought him light and different colors!

The character Shishen himself is constantly looking for the lost spiritual support in his heart.

Therefore, under the camera, there will be a slight alienation from the camera, making the audience feel that this person seems to be a person close to him, but when he really touches him, he will find that the person is thousands of miles away, walking in his own world .

Only in this way can the audience calm down and look at this relationship and this story objectively.

The movie continues. In the shot, Shishen is standing downstairs with a bag in his hand. This is a large curved staircase. Under the stairs, various sundries were piled up in a mess.

The camera panned slowly up the stairs following the people. The corridors in front of the single-row houses seemed very congested, and there was still dirty water hidden in the potholed corridors. Pots, pans, clothes rails, etc. are randomly placed in a haphazard manner, and it is very cold.

Ishigami seemed very quiet and walked silently. As if all this had nothing to do with him!

"Crunch—"

The voice seemed a little abrupt.

The door of a clean room that passed by suddenly opened, and the mother among the mothers and daughters who appeared before, Chen Jing, came out with a pot of small wild flowers. A simple fitting mirror with a height of one person hangs inside her door.

"Teacher Shi." Chen Jing smiled politely.