The Director of Music Department

Wang Yifan couldn't help turning his head to look at Chen Shaojun.

"Okay! This movie was made."

Wang Yifan was really surprised.

"The scattered light in the cold night creates isolation and anxiety. The camera turns to the mirror hanging on the inner wall of the door. The light source comes from the dim light in the corridor, reflected by the water traces in the potholes on the ground, forming a blue-gray scattered light, which is cold and presented. In the mirror image, the use of this mirror image makes the aisle in the distance echo the darkness above, making the contrast between light and dark in the whole picture extremely strong."

"I didn't realize that you still have this ability." Wang Yifan said.

Chen Shaojun said shyly: "That's necessary, you can't ruin your gold medal screenwriter's book, right?"

In fact, at the same time, many film critics were somewhat pleasantly surprised.

After all, "The Devotion of Suspect X" was originally a commercial film.

But in the end, Chen Shaojun's version of "The Devotion of Suspect X" gave them a sense of surprise.

Although most veteran film critics are not as picky as they used to be because they want to have a good meal, they still prefer literary movies in essence.

Although "The Devotion of Suspect X" is a commercial film, they couldn't help being amazed by the wonderful layout of light and color.

The previous bag and the current mirror are all very interesting hidden lines.

A briefcase, or someone else's bag, is a symbol, so to speak.

The mirror is also another metaphor.

The film continues.

Ishigami stood in the corridor, turned his back to turn the key to open the door, his movements were very slow.

The scattered light formed a layer of outline on him, showing a silhouette effect.

With this effect, a lonely, bleak and gloomy atmosphere appeared immediately, as if he would be swallowed by the gray-blue darkness at any time.

That's the magic of lenses.

"Snapped--"

At this time, the camera switched to Ishigami's subjective perspective.

The other side's door is slowly closed, and the angle of the reflected light and shadow of the mirror changes.

The light source in the mirror image changes on the screen, and the warm light in the opponent's house is reflected from the mirror surface into a beam of light source and hits the stone god's face.

This is nothing, the point is that the most obvious difference is that when the door is closed, the warmth disappears in an instant.

This kind of picture actually lasts for a very short time. Most people don't think there is anything, but they will have a very obvious feeling that the previous stone god and the current stone god are completely two people.

But in fact, the real reason lies in that mirror and that warm light!

The contrast between light and dark is very obvious.

But in the eyes of film critics and filmmakers, how similar is this scene to the opening scene?

However, the difference is that at the beginning of the scene, the scene first created a lonely and depressing atmosphere, and then, with the introduction of Chen Jing's mother and daughter, it began to add other elements to the original black and white as the main color picture. Color, more "live" color.

After that, the seagulls landed on the flickering long lights, and the long lights began to light up.

It is a process from repression to hope and light.

In this scene, it can be said that it is just the opposite.

When the door was opened, warm light shone on Shishen, making him appear more "human".

But the moment the door closed, it seemed that he had become the original weirdo who didn't care about anything!

In this regard, Chen Shaojun did a very good job in this movie!

Having said so much, in fact, the movie has only just begun.

The movie continues.

This time the close-up is on the keyhole.

What's interesting is that he didn't have a key in his hand at all.

Entering the room, what the audience sees is the blackboard full of walls and formulas.

The blue and gloom make the space extremely narrow, and the small desk lamp gathers all the attention of the audience.

In fact, this is also intentional, because if the space is too large, it will naturally not fit Ishigami's personality.

Similarly, another advantage of the small space is that the audience can see the end at a glance, and the table lamp is the light source, which can naturally gather all the attention of the audience, because this place is already very small!

Ishigami is sitting in front of the desk, and there is an ordinary small mirror in front of it, and the vertical wall clock behind him is in the mirror lens.

clang! The bell rang in my ears.

Shishen's eyes showed a hint of reminiscence, and the texture of the film gradually became warmer and redder.

This discoloration is actually to let the audience know at a glance that this is Ishigami's memory.

The camera showed a close-up, a steel compass slowly, gently, slowly and quietly cut through the wrist.

At this time, the camera was pulled up and shot from top to bottom, but the man's face was not captured.

It just made the audience seem to understand at once that Shi Shen, he had committed suicide.

At the same time, it also allows the audience to understand how the centipede scar on his wrist at the beginning of the film was caused!

This made many viewers more and more curious. The name of this movie is "The Devotion of Suspect X". To be honest, the name of this movie is very strange.

Of course, many people still understand.

He is a genius, but not a genius of this world. He is a defender of the Tao, but he can't see the appearance of heaven.

In his heart, heaven probably looks like a library, right?

Of course, this is the memory of Shishen, so it is certain that he did not succeed.

And it's not hard for many viewers to guess why he didn't succeed.

Obviously this has something to do with the mother and daughter next door.

Ding dong!

The sound of the doorbell broke the prelude to Ishigami's death, as if the temperature of the blood brought the warmth of life in the dark.

"Hello, is anyone home?"

The knock on the door and the gentle greeting made him suddenly drop a stone in his unchanging life.

This scene made many viewers and film critics understand why, in the opening paragraph before, why, Ishigami was originally in the shadows, in an extremely depressing environment.

The appearance of the mother and daughter made him seem like a different person.

Turns out, they have a story!

In the cramped and dark space, Ishigami stood up slowly with his back to the camera.

He opens the door.

At this moment, it can be said that it has the same effect as the warm light in Chen Jing's room before.

Only, this time it was more obvious.

The room was diffused by sunlight, and the subjective perspective of the camera, I blinked first, and then I saw Anita Mui with a warm smile and a cute little loli with double ponytails in front of me, that is, Chen Jing's daughter holding a pot of small wild flowers, standing at the door!

"Hi, I'm a new neighbor. Didn't it bother you? The child may practice playing the flute every day, I hope you don't find it strange—"

Chen Jing's eyes were crooked, and she smiled tiredly.

"It doesn't matter."

The dialogue between the two has always been based on the subjective lens of Ishigami.

"Uncle, this potted flower is for you."

The little girl held a pot of small flowers and handed it to the stone god who was clutching his wrist!

Shot, close-up in slow motion, a drop of blood slowly falls on the ground, and two smiling faces are reflected in the drop of blood.

Crack, the blood splattered in all directions, like the shape of a flower. It's like a little wild flower swaying in the wind in the hands of a little girl.

Zhang Weiming saw this scene with a gleam in his obvious eyes.

That is the ray of joy for seeing hunters!