The Director of Music Department

"Music Department Director Novel ()" Find the latest chapter!

"Yifan, if you lure us here this time, you won't be able to do it if you don't bring some dry goods." Lin Tao was not inferior to any giant, and his relationship with Wang Yifan was quite harmonious. He was the first to say with a smile.

"That's right, Director Wang, you called us all over here, you can't do thunder without rain." Wu Han also said with a smile on the other side.

"Well, let's come one by one?" Wang Yifan came prepared, so naturally he was already ready.

"It seems that Director Wang really prepared something good." The eyes of several other directors could not help but light up.

Wang Yifan's story creativity has always been talked about by people.

Take "King Kong" as an example. When the world's mainstream monster movies have formed a mature routine, Wang Yifan was able to find another way, wrapping monster movies with love, and then creating a unique monster like "King Kong" Blockbuster.

It also created Chen Shaojun, a new director.

"Director Cao has always insisted on retaining the characteristics of old Hong Kong movies. This kind of persistence is admirable." Wang Yifan said to Cao Meng.

Although the golden age of Hong Kong films has long passed, today's Hong Kong films can be said to be declining more and more.

But Cao Meng still persisted, and his films more or less retained some characteristics of old Hong Kong films.

This is certainly a habit, but it is also a kind of persistence.

In fact, each region has its own characteristics, such as Taiwan Island, and Hong Kong Island.

Unlike the old Hong Kong movies that were unwilling to innovate before, Cao Meng just wanted to keep the last bit of feelings of the old Hong Kong movies, so it is worthy of recognition.

Due to its geographical relationship, Hong Kong Island itself is only the size of a city, so in many cases, it is inevitably limited.

Therefore, when making historical films on Hong Kong Island, there are usually a lot of jokes, but this does not mean that Hong Kong films have no characteristics and advantages.

In fact, Hong Kong Island's gangster films, gangster films, etc. have always been unique.

Because of the "one country, two systems" principle, many types of films cannot be filmed in the mainland, but restrictions can be relaxed on Hong Kong Island.

"Hey, I'm just an old-fashioned person who hasn't come out of the golden age of Hong Kong movies, ashamed!" Cao Meng sighed.

The demise of Hong Kong films is caused by many factors.

“I’ve been watching old movies some time ago, and I suddenly had an idea. In fact, there are still many things in Hong Kong movies that our current film market lacks. However, there are very few that can reproduce the essence of old Hong Kong movies. .” Wang Yifan sighed.

Hong Kong films can be said to occupy a pivotal position among Chinese films.

Although the market is no longer there, the generation who grew up from the golden age of Hong Kong films still miss the old Hong Kong films very much.

It's just that many Hong Kong island film directors no longer take movies seriously. More people make old Hong Kong films with the feelings of Hong Kong films, but in fact, they just want to make a quick profit. Walk.

As for the film directors in Hong Kong Island, because the domestic film market is immature, relying on their advantages, all kinds of tricks and abductions also make their reputation completely stink after the market matures.

A straw hat costing 6,000 yuan can only be done by a group of filmmakers on Hong Kong Island. This is playing people as fools, but now, they have become real fools.

Investors no longer favored them, so Hong Kong Island movies declined more and more. Every year, they could only rely on fried rice and use some classic titles from the past, but in the end they filmed some shit.

It can only be said that the spirit of research in the past is rare among Hong Kong Island filmmakers now.

"Yeah, I remember that the reason why I became a director back then was because of the Hong Kong movies I watched in the video hall. Unfortunately, now...times have changed, and many things are different." He Jun on the side also endured Can't help shaking his head.

"Actually, if you want me to say, Director Cao, the decline of Hong Kong films is one thing, but filmmakers on Hong Kong Island, at this moment, still put on a high-ranking posture, and they are somewhat living in the past, such as the Golden Statue Awards, haha !" Chen Hang has always been indifferent to filmmakers in Hong Kong Island, and it can even be said that he has hatred.

Because in the past, Chen Hang was tricked too.

"Yeah, some people have started to go out of business. A straw hat is 6,000 yuan, and it's stored in a safe. Are you fooling ghosts?" He Jun also added.

Cao Meng blushed a little. In fact, the early Cao Meng also did this, because they found that it was really easy to cheat.

"This is not the most disgusting thing. The most disgusting thing is that halfway through the filming, the investor is told that the budget has been exhausted, and the money must be increased or the end will be unfinished. As a result, the reputation is completely rotten." Lin Tao also shook his head. road.

It can be said that this kind of thing has really happened frequently in the past ten years. The Huaguo film market exploded at the beginning, but the filmmakers failed to follow suit.

So it gave Hong Kong Island filmmakers a kind of mentality that rare goods can be lived in.

Of course, you can't knock down everyone with one stick, it's just that there are more black sheep.

"Okay, Director Cao, I wrote a notebook, um, it's a Hong Kong-style gangster movie, is Director Cao interested?" Wang Yifan asked with a smile.

Of course Cao Meng was interested, if he wasn't interested he wouldn't have come.

"Here is the outline of the script. Director Cao can take a look." Wang Yifan was really generous this time, and what he showed were all classic Hong Kong films from his previous life.

Not only Cao Meng was interested, but other directors were also quite curious.

Especially He Jun!

He Jun fell in love with police and gangster films, and has been studying in this area. In fact, it can be said that he was also influenced by Hong Kong films to a certain extent.

Among Hong Kong movies, police and gangster movies can be said to be the mainstream movies, and many popular police and gangster movies have been born.

What Wang Yifan gave Cao Meng was "Dark War", which is regarded as a classic among Hong Kong films.

"Dark War" is actually different from many Hong Kong gangster movies. It is very rare in Hong Kong gangster movies. There is a type in police and gangster films that a shrewd policeman sets off a more shrewd thief, because only when confronted with a master can victory appear more valuable. The confrontation between cops and gangsters in "Dark War" belongs to this category. In the film, the cops and robbers are elegant and confident, and the other is quick and shrewd. The image is very vivid, and the duel is extremely interesting. In the confrontation of intelligence, there is always a winner, but in the confrontation of acting skills, it can be said to be a win-win situation!

It can be said that "Dark War" is one of the few movies with two protagonists, and what is particularly rare is that although the police and robbers are still opposed in the film, they are not so clearly defined. As one of the villain's dual protagonists , Hua Tsai's charm even surpassed that of the policeman among the gangsters.

And this is a movie that makes people watch and have endless aftertaste.

Even if it is the script, Cao Meng, as an old Hong Kong filmmaker, can feel the strong taste of Hong Kong films at a glance.

And what is rare is that the story design is very ingenious, which gave him the urge to shoot the story immediately.

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