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For Wang Yifan, "Dark War" is indeed a classic story, but he still has many such stories in his hand.

He certainly couldn't do it all by himself.

Then take it out, give it to the right people, and shoot these classic movies from previous lives, it is naturally a good choice.

For Cao Meng, although he had expected it before, after all, although Wang Yifan is famous for writing scripts, Hong Kong movies, especially this kind of story with a strong Hong Kong color, are actually written by Wang Yifan. Let him a little surprised.

But I have to say that "Dark War" really made him very fond of it.

Hong Kong films have been in decline for a long time. As an old director who came from the golden age of Hong Kong films, Cao Meng's love for Hong Kong films is deep in his heart.

It's not that he can't make the kind of movies that go to Hong Kong, but he hopes to be able to show the glory of Hong Kong movies again in his lifetime, even if it's just a flashback, but he can also set an example for other latecomers.

Hong Kong movies are not outdated, it's just because the people of Hong Kong Island are still stuck in the glory of the past and don't want to come out, but the times have changed.

Now those directors in Hong Kong Island, although there are some occasional blockbuster movies, they are no longer the mainstream. Moreover, because of the excessive crude production and the feelings of selling Hong Kong movies, this situation is getting worse and worse. .

In the past, the sequel of any old movie on Hong Kong Island could be released and make a fortune, but the reputation was very poor.

Once or twice is nothing, but the number of times is too many, and the audience is not so easy to fool, so now, as long as it is a movie that is a sequel to an old Hong Kong movie, in the eyes of the audience, there will be a first impression. It's a bad movie!

And the other directors are not idle people. Although the story of "Dark War" is just a script, they can't help but look forward to it a little bit more.

Why? Because "Dark War" even they are heart-stirring.

It's not about how high the box office potential of this movie is, but the story is really interesting and exciting.

And it tastes like a Hong Kong movie.

As expected, he is worthy of being the world-renowned golden master. At this moment, at least Cao Meng is completely convinced of Wang Yifan's screenwriting ability.

Don't think that writing a Hong Kong-style script is so easy to write, and that's all it takes to write it well, not to mention to write something new, which is even more rare.

"Director Wang, "Dark Warfare", what a "Dark Warfare", I'll take this book!" Cao Meng was still sensible.

What he was talking about was this book, which I took instead of asking for it. The two have completely different meanings.

Of course, this is normal. After all, Wang Yifan is not short of money, and Huaxin has no shortage of directors. Why did he come up with such a book that makes people think it is a good story? Naturally, it has a purpose.

Cao Meng also knew this, so what he said was that I accepted this book, not that I wanted it.

The meaning is obvious, this project is regarded as Huaxin's, or Wang Yifan arranges it himself, and Cao Meng takes the position of director of this film.

As for investment or something, it is naturally left to Huaxin and Times Light and Shadow to wrangle.

He also believed that even if Wang Yifan came up with the script, he would definitely not be able to eat alone. After all, eating alone is hard to get fat, and offending all the giants in one go is obviously not a good thing for Huaxin. Cooperation and competition coexist. That's the norm.

With Cao Meng in front of him, the minds of other directors became more active.

Sure enough, Wang Yifan was already prepared. The script of "Dark War" was obviously specially prepared for Cao Meng. Of course, in fact, He Jun was also interested in this story, but he wisely didn't open his mouth to fight because, This book is obviously in the style of Hong Kong movies, and Cao Meng is obviously better than himself in this aspect.

And since Wang Yifan had pulled them over, he would definitely not favor one over the other, so although he was looking forward to it, he was not so eager.

"Director Wang, where's mine?" Chen Hang took the lead and asked with a smile.

The others couldn't help being a little surprised, but then they all laughed. In fact, at this moment, why aren't they in the same mood as Chen Hang?

For a director, a good script is really important.

Script, script, the book of a play.

Maybe many people will say, why is the status of screenwriters so low?

Why are so many stories of innovation in Hollywood being shelved?

Those scripts that have been shelved are not to say that they are not good, but because a good script may not necessarily be adopted, because many projects often involve hundreds of millions of costs.

So the script is good, but the effect may not be good.

But in turn, it also depends on who wrote the script.

Winners always succeed.

Because the script was written by Wang Yifan, it was so important.

There are also many good stories and scripts in China, but why do many directors still say that they lack a good story?

Because a good story does not necessarily equal a blockbuster.

In addition, the story of an ordinary screenwriter, even if it is a good story, in many cases, unless it is really amazing, otherwise, it is also difficult to impress investors.

On the other hand, if the story is really amazing, then how can this screenwriter remain unknown?

This in itself shows that your story is not amazing enough.

But on the other hand, if it is a well-known screenwriter or director who seeks investment with a good story, it is completely different.

But at the level of Wang Yifan and Chen Hang, there is no need to worry about investment at all, so what is lacking is good stories. Some good stories may not be suitable for making movies, but some good stories are the director's dream.

Sci-fi movies often mean big production and big investment, so the importance of the script is beyond doubt.

Sci-fi movies have always been very difficult to shoot, and the market is not clear.

Why did Chen Hang give up sci-fi movies and direct other types of movies?

On the one hand, it is certainly because of ambition and being kidnapped by the market, but on the other hand, it is not because of the lack of scripts that make him shine.

Naturally, Wang Yifan was already prepared, took out a script and handed it to Chen Hangdao: "Actually, I originally wanted to shoot this story, but since Director Chen is here, let me show you first, if you are interested, I can also give it to you."

Wang Yifan was telling the truth, and he himself really liked this story.

And speaking of it, the difficulty of filming this story is actually not that great. This is a soft sci-fi story, without any gun battles, action, etc., but a plot sci-fi movie.

But this story is definitely exciting enough and excellent enough!

After hearing this, Chen Hang couldn't help but look forward to it more and more, while the others also looked curious.

Even if it was the script given to Cao Meng before, Wang Yifan didn't say that. What kind of movie would Wang Yifan want to make?

For the convenience of reading next time, you can click "Favorite" below to record this (Chapter 801 800. Script Release) reading record, and you can see it next time you open the bookshelf!

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