The Director of Music Department

The film critic Zhang Hong's film review has many people like it, and many people leave comments.

Dear is certainly not a perfect movie!

And "Dear" involves the sensitive subject of fighting abductions, so no matter how you shoot it, it is impossible for one-sided praise to appear.

What's more, "Dear" is far from perfect.

Of course, most people still give praise.

Lin Ke wrote a comment on "Dear" on his personal blog.

"There are thousands of ways to leave home, but only one way home"!

"Dear" focuses on the fight against abduction. It tells about the loss and finding of children, and also reflects the loss and finding of people in society. Along the way, there are many things lost, but there are always some things worth desperately seeking get it back.

The first half of the film is emotionally suppressed. After losing his child, Tian Wenjun desperately searched for it and posted on the Internet; because a single photo traveled thousands of miles away, he was chased by a group of scammers and had to jump into the river to protect the money that saved his son's life; he spent all his savings to find the child. There is a scene where he tells the camera about the details of the child’s disappearance. In the close-up, Ge Jun’s eyes are covered with red silk, and the eye sockets are red. It’s how many nights of insomnia, how many times he suppressed his own collapse, because he couldn’t cry bitterly, Because you can't fall down, because you are always full of hope.

Tian Wenjun is the epitome of countless fathers who have lost their children. In the film, when Tian Wenjun posted a missing person notice, many young audiences in the theater laughed.

But my eyes were red, because I once met such a father. At that time, he and Tian Wenjun seemed to be retreating. Why was he so expressionless? He told me that he was afraid of pain and tears, which would scare others. At the same time, he tried his best to conceal his despair. I don't know if anyone noticed that the look in Ge Jun's eyes at that moment was definitely not expressionless, but he suppressed and restrained.

On the night when he found Pengpeng, he cried bitterly at the corner of the stairs in the police station. After three years of persistence, he finally broke away in despair.

Another episode that cannot be forgotten is that after finding the child, one night Tian Wenjun wanted to take out the trash, but he hesitated for a while when he walked to the door, then went to the room to pick up the sleeping child and then went to take out the trash. This scene made people laugh, but after laughing, they felt sad. Three years of loss and the difficulty of finding it made Tian Wenjun dare not take any more risks. This almost ridiculous cautiousness made people feel bitter.

Let’s talk about the controversial character, Li Hongqin. In the first half of the movie, Li Hongqin can be said to be the opposite of everyone, including in the movie and in reality. But despite the fact that his man is a human trafficker, Li Hongqin This character has been losing continuously since she appeared on the stage. Her man died early, her son was taken back, and her daughter was taken away. It can be said that there is nothing to lose. She plays the role of "an old brand of human traffickers" in society, which is the opposite of morality. However, from her perspective, she is really a person who is cruelly treated by fate.

She used her meager strength to find witnesses and lawyers, hoping to find her lost daughter again, but the law did not allow it.

When she saw her son on the bus, she flew to his side and hugged him tightly. The parents who lost their children vented their pain on her. She burst into tears and knelt down to say sorry, but Is it her fault? Then who should say sorry for her suffering? At the end of the film, when she learned that she was pregnant, she hugged her knees and cried. Perhaps she finally accepted the result that she could not be reunited with her daughter, and perhaps she was grateful for the glimmer of hope that fate brought her.

Of course, some people may question whether Li Hongqin is really "honest". Her sentence "We are all honest people" may sound ironic to many people, but it is really not important.

Because what the director wants to show us is Li Hongqin, the wife of a trafficker!

What needs to be shown and discussed is whether the wife of a human trafficker is qualified to be a mother! For this answer, the director gave a not-so-sure affirmation at the last moment!

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Everyone in the movie "Dear" has their own story, everyone is burdened with helplessness, everyone is facing pain, and each of us can find some inspiration in it.

As director Wu Tianxiong said in an interview, "Dear" is a film that hopes to pave the way for the audience to return home about loss and finding.

A little heavy, a little painful, face it, just as we have to face up to the pain of life, to find the way "home". "

As for the media, most of them gave praise!

""Dear" is a movie with a lot of connotations. It is not just a bitter tearjerker. It is a bit sad and does not necessarily make people cry, but that kind of heaviness will directly pierce the soul; some hope does not necessarily make people cry. Laughing heartily, but there will always be a ray of sunshine inadvertently falling on the brows. Everyone can see their inner anxiety and disregard for family affection through this movie, and the depth and grief of loss are actually everyone's heart. It can be felt and understood from life. People come and go, we are confused, we are lost, where is our "home"?" - Beijing Evening News!

""Dear" probably cried a lot of viewers, but after watching the movie, you will find that it is not just a bitter tearjerker. It is a bit sad and does not necessarily make people cry, but the heaviness will directly poke Heart; some hope, not necessarily making people laugh, but there will always be a ray of sunshine inadvertently falling on the eyebrows. "Dear" is such a movie. As the lead actor Ge Jun said, "This movie has a hand, It reaches deep into your chest and touches your heart. "" - Huaxun Entertainment.

"The down-to-earth style, the sad process of losing the child and finding the child are all very real. Following Tian Wenjun's pain of losing the child, his hatred for the trafficker, and Li Hongqin, the wife of the trafficker who loves the child so much and refuses to be separated from the child. Reversal: The end of one tragedy leads to another tragedy.

Every character is deeply affectionate, whether it is Tian Wenjun and his wife Lu Xiaojuan who are looking for a child everywhere, or Li Hongqin who secretly takes the eldest child, or Han Dezhong, a man who is full of stories, all have many stories and their own personalities. Helpless, this also makes the whole "Dear" welcome the climax of the characters anytime and anywhere. "——"Hua Guo Film Report"

"All the characters in the film are tragic. The tragedy of Tian Wenjun and Lu Xiaojuan lies in the pain of parting from their relatives, the helplessness and hardship in the process of finding a child, and even the final abandonment and despair; the lawyer Gao Xia is also a tragic character. , he is a very small part of the unsound judiciary, inactive like a mayfly. When the brilliance of humanity shines, he wants to fight against the huge judiciary, but he is powerless. The end of the film does not give the result, Perhaps Gao Xia in reality is still on the way to struggle, I hope he is still persevering and not giving up, this shows that he still has hope.” ——Hua Guo Wen Yi!

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