The Pentium Era - South to North

Zhang Chen and Liu Ligan went out for more than a week and won eight projects. These eight projects can be included in Liu Ligan's "Family in Ancient Town" and "Family in Plains" series.

The two of them were sitting in Zhang Chen's office. Liu Ligan said, "That's enough. Now the only remaining places in Zhejiang are Shaoxing, Ningbo, Zhoushan and Taizhou."

Zhang Chen looked at Liu Ligan, but before he spoke, Liu Ligan said immediately: "Okay, put away Professor Zhang's flag, I will go on my own and let you go."

Zhang Chen breathed a sigh of relief, quickly raised his hands and said, "Thank you for not killing me."

Liu Ligan laughed and said, "I let you go because I calculated on my fingers. If you don't come up with the design plan here, it will be too late. I plan to start the construction of these previous projects as soon as the Chinese New Year is over next year." "

It is already the beginning of December, and there are still two months before the end of the year. Zhang Chen has come up with the plan here, and has to produce formal design drawings, and then go through the construction application procedures. It is already very fast to complete all the procedures before the end of the year.

However, Liu Ligan was very confident that in some places, if it was too late, he could apply for it while building it. For such small projects, as long as the relationship is in place, many of them would turn a blind eye.

Liu Ligan drove off alone and set off again. Zhang Chen's office finally became quiet. He began to spread out his pen and paper to design. Although it would be faster to use drawing software to design on a computer, Zhang Chen was still used to it. Instead of drawing by hand, he feels that when the pen and paper come into contact, new inspirations will constantly come out.

When facing paper and pen, people are more often emotional, and the designed things will have warmth, but when facing the screen, they are more rational. Zhang Chen looked at the pictures printed by the laser printer and always felt... There is a cold feeling.

Such a design may be very dazzling, suitable for posting in Moments, and suitable for Internet celebrities to check in, but it is inappropriate. Zhang Chen feels that the design of a B\u0026B must have warmth and make people feel warm. After staying in one, If you think about staying in a second B\u0026B, one of several "other people's" B\u0026Bs, you will become dependent on this brand.

Houses can be lived in, viewed, and dotted in the scenery, but in the end they are still for people to live in. Only those who live comfortably will pay for you, over and over again. Those who look at the house never pay for it. .

Every time Tan Shuzhen and Xiaofang came, they saw Zhang Chen lying on the conference table drawing, concentrating on it. They both laughed, and Xiaofang cursed:

"Is there such a thing as using people as bonded workers?"

She turned around and said to Tan Shuzhen: "You compensate me, you compensate me."

Tan Shuzhen said okay, "Tell me, what do you want to eat or what do you want?"

When Tan Shuzhen and Xiaofang were sitting there and having fun, Zhang Chen almost didn't hear it and was still concentrating on painting. Tan Shuzhen nuzzled at him and said to Xiaofang:

"Did you see that your family is enjoying being a slave laborer? Do you have to pay for someone to provide you with such an opportunity?"

"Go!" Xiaofang spat, and both of them laughed.

Zhang Chen turned his head to look at them. He didn't know what they were laughing at. He turned back and continued to paint in his hand.

Zhang Chen's attack was very fast. After he put his whole body into it, he felt like he was out of control. It seemed that he had not degraded yet. His feelings were still there, his skills were still there, and his sensitivity was still there. He was quite proud of himself. .

Before Liu Ligan came back, Zhang Chen had already taken out the first drafts of the design plans for the twenty-odd projects he had gone to see. Liu Ligan called him every day and told him that he had won another project. Anywhere, Zhang Chen would not be able to do these projects without going to see them on site, and he would have no inspiration.

Liu Ligan said there was no rush. Anyway, these things would be put in the back and the front ones would be done first. If dozens of projects were rolled out all at once, I would become a fucking dog and I wouldn’t be able to run away.

Liu Ligan is not in a hurry, and Zhang Chen is not in a hurry either. Let him ignore those projects and wait until next year.

The design drafts of more than twenty projects were spread out, and they could not even fit on the conference table. Zhang Chen spread them out one by one on the ground, and then he walked around and looked at them. This scene made him I thought of Lao Ju and the first time I saw his work "The Battle of Feishui" upstairs in Lao Ju's studio.

Lao Ju is now a world-famous artist. His time abroad far exceeds his time at home. Every time he calls Zhang Chen, Lao Ju is either in New York, Paris, London or Milan. Lao Ju later created "Dunkirk", "Normandy", "Clash of the Titans" and "Punic Wars", etc., all of which aroused widespread response.

Zhang Chen walked around these works of his. It should be said that Zhang Chen was very satisfied with each of the works individually. He was not inferior to Tadao Ando, ​​Kengo Kuma and others, these Japanese architectural masters. , like all Japanese products, they are sophisticated, concise and unforgettable.

But at the same time, there are also people who pay too much attention to the details and dazzle of the exterior at the expense of many functions of the building itself. They lose their appearance and lose their appearance for the sake of individuality. In the end, they actually eliminate their own individuality. When many people are like this When you do it, it becomes a new stereotype.

The current domestic designers are basically learning to follow this path. They have forgotten that all buildings should be local products and cannot be learned by studying.

When Zhang Chen designed this series of works, he took a different path from them. They preferred to make the buildings "jump" out from the surrounding environment. They are very eye-catching and have a preemptive momentum. In order to match this "jump" , it is also necessary to add a lot of artificial landscapes around, landscapes that do not match the surrounding environment.

Zhang Chen decided to "hide" these buildings into the surrounding environment. From a distance, they are inconspicuous at first sight, but when you get close and walk inside, you will notice them. It's so meticulous and exquisite that when you move around in it, it feels like a very soft sofa that makes you sink in and not want to get up.

Zhang Chen wants to create a series of designs that can be "savoured".

Zhang Chen's idea was gradually formed when he read a large number of ancient Chinese landscape paintings.

In those landscape paintings, the paintings are filled with mountains, waterfalls, streams, pine forests, and snowy fields. People in the paintings are small and look a little pitiful, but when you use When you look at the characters in the painting with a magnifying glass, you will find that their postures are so calm and leisurely, and their faces are so free and easy, which is very moving.

Zhang Chen believes that in architectural design, we must first find the soul of the building, and then we can look for the appearance of the building.

In this series of designs, the soul that Zhang Chen found is "hiding" rather than "jumping".

"Hiding" without leaving any trace, like a cicada hiding among the dense leaves in summer, "hiding" the building in the surrounding environment. People "hide" in the building and are very comfortable in this "hiding" .

Zhang Chen feels that no matter how beautiful you are, a house that no one wants to stay in for a long time has no soul.

Zhang Chen stood there with his hands on his knees, staring blankly at the design drafts in front of him. He vaguely felt that something was missing. It was not in the design, but it seemed to be in the design. What it was, Zhang Chen didn't know. .

Zhang Chen walked to the window and stared outside for a while. He saw the Jiangnan Canal below flowing silently, and the people and cars on the ring road also moved silently, like a silent movie. From here, they could only be seen. Above his head, among so many people, no one would look up. However, when he looked up, he could see the blue sky and white clouds, but he couldn't see anyone watching him upstairs.

Zhang Chen sees the canal below almost every day. The canal seems to be the same every day, but when he suddenly looks back, he realizes that it has changed a lot. This change is probably due to time.

The water in the canal is getting clearer, but there are fewer and fewer boats on the canal. Many boats can no longer pass through the Jiangnan Canal. Their boats are missing not only in the Jiangnan Canal, but also in all canals and even all rivers. trace.

Some are policy restrictions, and some disappear automatically. For example, we often saw ships carrying dung in the past. The cabins were filled with dung. Before the ship arrived, the stench had already drifted over. When the ship passed, , the stench still lingers in the air for a long time, it's really a swagger all the way.

He saw that in the office building opposite "Splendid Jiangnan", everyone was busy in the bright lights. Every company, like a family or a person, has its ups and downs, gatherings and separations that outsiders don't know. Lao Ni used to be here, but now he's gone. That Mr. Huang used to be here, but now he's gone too.

Qu Tianlin used to be here, but now, Qu Tianlin is in Xiasha Factory every day, and Xiao An is now in charge here.

Every company is just like people. They have a lot of energy. Those who have a lot of energy are still here, busy under the bright lights, while those who have a shortness of breath have become like birds and have sunk into the darkness.

Zhang Chen stood in front of the window for a while, his mind was clear, but he couldn't think of anything. His mind stopped like a pendulum. It looked like it was still there, but in fact it was no longer moving.

He walked back to the design draft, stared at it, and still felt that something was missing, but he couldn't remember what was missing. The clockwork had completely relaxed, and the pendulum stopped there motionless.

Zhang Chen sighed softly.

He walked to the sofa and sat down, staring blankly at the tea cup in front of him. The lid of the tea cup had been lifted, and he was lying on the glass coffee table next to the tea cup. Zhang Chen stretched out his finger and pressed it, and the lid of the cup flicked. After making a circle, Zhang Chen pressed it again, and the cup lid made another circle.

Zhang Chen pressed it again and again, and the lid of the cup was spinning. The sound made when the ceramic and glass came into contact was a bit harsh, making people's teeth tighten, and a bit dull and boring, making people drowsy.

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