Tokyo Literary Godfather

Finally, the last episode of "Housekeeper Mita" was officially broadcast, and NBC's "My Ex-Husbands 2" was broadcast together with the final episode.

After the bombardment of publicity, the sequel of this hit drama will definitely attract a group of diehard fans of the drama. The final episode of "Housekeeper Mita" will definitely gather most of the viewers in this period. Even viewers who left midway will return again in the final episode according to the usual broadcast rules.

Kei Fujiwara is confident that in terms of ratings, NBC's first episode can't beat their final episode, but it will also have a little impact.

Since the Yuejiu drama has already made an impact, the average ratings of the drama "Housekeeper Mita" so far are higher than that of "Homeless Children". If it weren't for the NBC guys to interfere, the final episode's ratings would exceed "Homeless Kids"'s 39% rating and break through the 40% rating mark, which shouldn't be a big problem.

It is even possible to enter the top three in history.

However, there is a great possibility that this plan will fail.

Sure enough, the ratings report was released the next day. Kei Fujiwara saw that the ratings of the last episode were only about 35%.

It's not bad, but there is still a lot of gap from Kei Fujiwara's vision.

Judging from the ratings trend all the time, the last episode of this drama can be more than 10% higher than the average ratings. This result must be low.

Some people in the creative team were still very happy, but Yui Mizuhara was silent when she handed the ratings report to Kei Fujiwara. The two had a deep understanding, and she also knew that the result was lower than Kei Fujiwara's expectations.

Sure enough, Kei Fujiwara reached out and closed the ratings report, as if he meant "I don't want to see it again" and asked: "By the way, what are the ratings of NBC's programs at the same time?"

"25.5%." Mizuhara Yui said.

Kei Fujiwara nodded, feeling a little better. 25.5 is not bad, but judging from the popularity and audience base accumulated in the first season of this drama, if it were not for the influence of "Housewife Mita", the first episode of this drama could reach 30%.

Kei Fujiwara suddenly showed a smile at the corner of his mouth. He didn't know what the main creator of NBC was thinking after seeing this result. He was probably scolding the top management of NBC.

However, there is nothing that can be done about it. NBC executives may not be heartbroken when they see the lower-than-expected ratings, but this is the price that must be paid in order to prevent Fukuyama Channel's September 9 drama from continuing to develop.

The goal of Kei Fujiwara and his team is to make NBC and Fanxing Channel more costly and to defeat their goals. Only in this way will no one dare to cause trouble for them in the future.

For this reason, "Naoki Hansawa" must succeed!

Kei Fujiwara came to the Fukuyamadai shooting center again. Along the way, he met the staff of the production bureau, and they all bowed to him very respectfully and politely.

Even some veteran creative staff began to behave modestly and cautiously in front of Kei Fujiwara.

Fujiwara Kei smiled and nodded, walked to the studio, and happened to meet Matsuo Yoko and Miyata Takaharu sitting together, each holding a script in their hands, talking and laughing.

Kei Fujiwara stepped forward, "Miss Matsuo, this morning I will mainly shoot your scene, and I won't be using it for the next two days."

Yoko Matsuo nodded slightly: "I'm sorry, Mr. Fujiwara."

Matsuo Yoko is currently acting in two dramas at the same time, which is not allowed in theory, but both dramas are works of Fukuyamadai, and she has less roles in "Hanzawa Naoki", so she will not be overwhelmed. So it doesn't matter.

Kei Fujiwara briefly explained the script to the two and left. At this time, a woman wearing a sequined dress suddenly jumped in front of Kei Fujiwara.

"Good morning Fujiwara-sensei!"

Fujiwara Kei subconsciously took a step back, took a closer look, and recognized that the person in front of him was Kono Aoi, and he almost didn't recognize it.

It wasn't until the other party bowed deeply and said hello to Kei Fujiwara in a foolish manner, and heard the familiar voice that Kei Fujiwara realized that the "goblin" in front of him was Aoi Kono.

Aoi Kono was invited to play a supporting role. This supporting role only appeared in some scenes in the first five episodes and had very few scenes.

The character she plays is the mistress of a loan-defrauding businessman, so the makeup artist put a little more thought into her look in order to better fit the character of a "mistress."

As a result, Kono Aoi, who has always shown a pure face, has undergone a 180-degree change in her image in the play.

Fujiwara Kei looked at Kono Aoi and was silent for a long time. He stood there and looked her up and down.

Kono Aoi's hair was combed into long black hair, and she also wore smoky makeup on her face. Her suspender dress hugged her figure tightly, making her look a bit like a bartender.

Aoi Kono was a little shy when Kei Fujiwara looked at her. Hehe, it seems that even Mr. Fujiwara is fascinated by me... She also felt that she was beautiful in her real clothes today - she had wanted to dress like this for a long time, but she was afraid of being caught by Miss Fukuyama. Break the legs.

After watching for a while, Fujiwara Kei said: "Put on makeup and change your clothes again. The smell of dust is too strong. Just dress up in her usual style. Just make some changes in makeup. Don't make any big changes in your clothing style. That's not it." All mistresses are dusty."

Kono Aoi originally took the innocent route, and this demonic and demonic dress really didn't suit her. So the person in charge of the costume transformation was instructed to dress her up again, probably in the style of a female lead in a Korean drama.

Kono Aoi left with the makeup artist a little disappointed. She really liked this outfit. Isn't it nice? Mr. Fujiwara really doesn’t know how to appreciate it!

Kei Fujiwara sat behind the monitor and started today's shooting. Hideaki Shibasaki was in the studio next door. The two could communicate at any time and coordinate with each other's progress.

After filming for a whole afternoon, the actors were in very good condition. Especially Miyata Takaharu, who already has a very capable aura after being trained in many stage plays. During this period, under the guidance of a group of big guys, he has made rapid progress.

Nowadays, a frown can highlight his momentum, which makes Fujiwara Kei admire him. If he can maintain such professionalism, Miyata Takaharu will definitely become a great actor.

"Thanks for your hard work, everyone." While filming, a short old man wearing glasses walked in.

After Kei Fujiwara saw the person coming, he also stood up and said hello, "Mr. Uchida."

Uchida Kurami, one of the directors of Fukuyamadai, is also a senior executive of the Fukuyamadai Holdings Group's "Sankei Daily". He also has a crucial identity, that is, he is the president of Mizuha Productions and can be regarded as Fujiwara Kei's boss.

But I don't see him very often, Kei Fujiwara has seen Kashi Yoshida more times than him. In fact, although Uchida Kurami is the president, he holds far fewer shares than Fukuyamadai, and it is Yoshida Kashi who really has the right to speak.

"Fujiwara-san, did the filming go well?"

"It's not bad, everything is going on in an orderly manner." Kei Fujiwara smiled, and then ordered the staff, "Bring a chair."

"No, I'm just here to take a look. I have to go see Director Yoshida later. By the way, I brought you snacks. You can work after eating. It's really hard."

"Thank you so much."

After greeting the main creative team, Uchida Kurami left. The filming continued into the evening, during which Kei Fujiwara answered a phone call.

Today's day's filming was not over until it was completely dark, and the crew called it a day. Kei Fujiwara walked out of the filming center, and a white car was parked by the side of the road.

Kei Fujiwara walked over, the glass window of the driver's seat of the white car dropped slightly, and Guixiang Arima's face appeared, "Let's go, let's eat."