Tokyo Literary Godfather

"Hello, Mr. Fujiwara, this is the first time we meet. I'm Makoto Ito. Please give me your advice."

"Well, hello..." Kei Fujiwara looked at the actor in front of him and thought to himself: The name is good...

The cast members took turns greeting Kei Fujiwara. Some of the actors were new actors. Although it was their first time meeting Kei Fujiwara, they knew that this was a figure who had recently become famous in the broadcast industry, so they acted very reserved.

"Tokyo Cinderella" used a lot of new actors, with the idea of ​​cultivating acting talents for future Yuejiu films.

After the camera was turned on, the crew performed the first scene. It was a simple scene and the filming went very smoothly.

"By the way, Shibasaki, the script for the second episode will be handed over to you after a while." Kei Fujiwara said, "The script is still being revised."

"It doesn't matter, I'll shoot the scenes of the first part first." Shibazaki Hideaki said. Fujiwara Kei's script was written slower than usual this time, but he felt inexplicably comforted in his heart.

Normally, Kei Fujiwara has already written the scripts for the first five episodes at this time, and in less than a week, the script for the entire show will be released.

This time Kei Fujiwara wrote and supervised four dramas at the same time, and the writing speed finally slowed down a lot. Hideaki Shibasaki was relieved for a while. It would be too abnormal to open four bows at the same time and maintain the same writing efficiency as usual.

In fact, Kei Fujiwara has already written the original script of "Tokyo Cinderella", but he just plans to make some changes to the script of this drama.

From Kei Fujiwara's point of view, "Tokyo Cinderella", as the originator of Mary Sue dramas in the last century, is more or less tacky in terms of story content, in other words, it's cliché.

Although in this era, the audience has not been baptized by various idol drama routines, they are still very receptive to this initial Mary Sue routine. But Kei Fujiwara felt that the script had too much room for optimization.

When it comes to idol dramas, South Korea is still the most capable. Even some daily gags that have nothing to do with the main plot are still very interesting and can hit the audience, especially female audiences.

So Fujiwara Kei recently recalled some Korean drama clips he had watched in his mind, wondering if they could be inserted into this drama without leaving any trace.

Of course, because he had to create four dramas at the same time, Fujiwara Kei's writing work became extremely heavy during this period, so he also handed over the script of "The Lonely Gourmet" to the screenwriters of the production bureau.

As a food drama, the plot of "The Lonely Gourmet" is not important, because the audience does not come for the plot and story of this drama. The important thing is the food that appears in this drama. As for the plot and so on, just let the screenwriters of the production bureau play freely.

"Furuhata Jinsaburo" has also started filming. Matsumoto Konemon has joined the team and started filming. Arimasai also often comes to Fukuyamadai to visit the team. He also comes to Fujiwara Kei for a meal from time to time, and often in While flattering Kei Fujiwara, he asked Kei Fujiwara when he could shoot a movie with him as the leading actor.

Fujiwara Kei was still a little surprised. When Arimasai made this request, he only thought it was a whim, but he didn't expect that he would remember it until now.

It seems that Inoue Mori won awards one after another, which gave him a lot of excitement...

The second season of "Furuhata Jinsaburo" still follows the path of the previous season, adopting the narrative mode of a unit drama, with one case per episode, and the identity of the murderer is not concealed. The plot focuses on the fact that Furuhata Jinsaburo uses words and strategies to force the murderer bit by bit. corner process.

In each episode, a social celebrity will be found to play the role of the murderer. Unlike the previous season of "Furuhata Jinsaburo", which required Fujiwara Kei and Mizuhara Yui to invite people to guest star, this season of "Furahata Jinsaburo" has not yet started broadcasting. Many people volunteered to play the role of the murderer. There is even a saying that gradually spreads - an entertainer who has not played the murderer in "Guhata Ren Saburo" is not considered popular at all.

So as this year's most famous and talked about artist, Miyata Takaharu should of course be the murderer of one episode. In addition, Kono Aoi and Yamashita Materu have just appeared in the hit drama "Life is Beautiful" The popular artist who starred in the movie also experienced a murderer's identity card.

Since "Life is Beautiful" has not been shut down, Kono Aoi has to join the crew of "Justice Is Victory" again. The two dramas are pressing on her at the same time. The pressure and workload are not ordinary. Kono Aoi has become a bitter melon face recently. .

In China, it is almost common for an actor to act in several dramas at the same time, but in Japan and South Korea, this kind of thing is almost not allowed, unless it is a film like "Justice Is Victory" and "Life is Beautiful", which are produced by one Fang is responsible for the filming and production.

Moreover, compared with the Chinese model of filming and broadcasting Japanese dramas at the same time, the pressure on actors is more than twice as high as that in China. In many cases, even if actors want to quit the drama, they are unable to do so mentally.

Fortunately, she was not the first lead in "Justice Is Victory," so the crew focused on filming Gu Meimen's solo scenes first; in addition, the pre-production filming of "Life Is Beautiful" is about to end, and Aoi Kono's hard days are coming to an end. .

Several dramas are in early stages of filming in an orderly manner. Kei Fujiwara spends most of his time writing in Fukuyamadai's office, and occasionally goes to the filming set to take a look. I found that the filming was going smoothly, so I went there less frequently, and started to concentrate on studying the script.

The sky was getting dark, and the employees on the stage had already left work one after another. Kei Fujiwara glanced at the script on the table, then at the wastebasket at his feet, and sighed.

There are more and more crumpled waste papers in the wastebasket, and these are all waste papers written by Kei Fujiwara. Keimoto Fujiwara wanted to optimize the script of "Tokyo Cinderella" and insert some classic scenes from Korean dramas into it to make the plot less tacky.

But grafting is not that easy. If it is not done well, it may look nondescript. Although Kei Fujiwara himself has creative skills, for him, original emotional drama is much more difficult than original mystery novel plot. Idol dramas are AV for women. As a man, it is not easy to create a plot that can make women reach a climax from the bottom of their hearts...

This is why most professional screenwriters of Korean dramas are female screenwriters.

Kei Fujiwara stood up and stretched after sitting on the office chair all day, his buttocks were numb.

The employees are all off work, and only three or two people are still staying behind. In the silence, the sound of typing on a typewriter is more clear.

Kei Fujiwara opened the door, only to see that Monet Shiraishi was still working, lowering his head, proofreading the materials and knocking on something.

"Ms. Shiraishi, aren't you off work yet?" Fujiwara Kei asked, but as soon as he said the words, he remembered that she was his assistant, and it would be difficult for her to leave until she got off work, so he smiled and said: "I am now I'm going back, you should go home early and rest."

Monet Shiraishi stood up and bowed slightly to Kei Fujiwara: "Mr. Fujiwara, you have worked hard."

Then he sat down and started typing.

Shiraishi Monet usually doesn't communicate much with Kei Fujiwara, and only when Kei Fujiwara asks her about things, will he talk to Kei Fujiwara. Although he has a strong working ability, he seems to be the type who is not good at talking. This is not just the case with Kei Fujiwara. He also reacts lightly when getting along with other colleagues on a daily basis.

So I have worked at Fukuyama Station for two years, but I have no colleagues who are particularly close to me.

Kei Fujiwara returned to the office, picked up the briefcase, and left.