Tokyo Literary Godfather

After leaving the TV station, I walked two steps, passing a hair salon, and saw the poster of "Life is Beautiful" posted at the door of the hair salon.

The poster shows a single portrait of Kono Aoi.

Since the launch of "Life is Beautiful", the series has become very popular. Aoi Kono and Maki Yamashita, who played the roles of the male and female protagonists in the drama, quickly entered the public's field of vision.

Needless to say, Yamashita Maki's popularity has risen sharply. In the ranking of "The Most Favorite Male Idol Actor (under 25 years old)" initiated by an entertainment magazine, Yamashita Maki even surpassed Hoshino Koya and other young people in one fell swoop. The male artist has become the current number one.

Of course, this is also because when this list was launched, "Life is Beautiful" was currently on the air, and Maki Yamashita's fans were very enthusiastic about participating. So the number one on the list does not mean that Maki Yamashita really surpassed idols of the same age and became the number one person of his type.

If Yamashita Maki really wants to challenge the heights of a national idol, he must at least make two more heavyweight works like "Life Is Beautiful" to consolidate him.

Aoi Kono has also become the most talked-about young female artist nowadays. Although "Long Vacation" helped her to open up the topic, it was not enough to make her one of the first-line. Even many leading roles in big productions would not immediately think of her. she.

But after "Life is Beautiful", Kono Aoi finally crossed the threshold of a first-line star. If there is a role that fits her type in the future, the producer will definitely include her in the preparation from the beginning, regardless of whether she is chosen in the end. select.

Since "Life Is Beautiful" tells the story of a barber and a disabled administrator, after the show was aired, Aoi Kono's hairstyle in the show became the object of imitation by many young girls, so many barber shops simply opened outside the shop. A poster of Aoi Kono was posted.

Fujiwara Keisang was about to walk over, but suddenly felt something, he twirled his temples with his hands, and walked in.

"Guests, please come in. Is there a hairdresser with an appointment?"

"No."

"Okay, please sit here and wait."

Fujiwara Kei picked up a magazine and read it while waiting. During the period, several female customers came in and asked for a "Kono haircut". It seemed that there was a trend to unify women's hair styles...

Kei Fujiwara waited for more than ten minutes. When it was his turn, he trimmed the ends of his hair and ended it. When he was about to leave with his briefcase, he suddenly thought of something, so he opened the briefcase and checked it.

I forgot to take the notebook back... Although there are all kinds of ciphertext in it, it's better to keep it with you. Thinking of this, Kei Fujiwara returned to the TV station the same way.

Keihara Fujiwara returned to the door of his office, but suddenly heard a voice from inside the door:

"Fujiwara, bring that information."

"Fujiwara, go and proofread the text and pay attention to the typesetting."

"Yes, Teacher Shiraishi, I'll do it right away!"

"Mr. Baishi, congratulations, the new play is a big success again!"

"As expected of Japan's number one screenwriter!"

"This is just the beginning. Our goal is to let the brilliance of Japanese dramas break through Japan and cover the whole of Asia! Even the whole world!"

Kei Fujiwara stood behind the door and listened for a while, these conversations sounded like they came from the same person, and he was very familiar with this voice.

Kei Fujiwara stood behind the door in thought for a moment, then took a few steps back, coughed deliberately, and shouted, "Is anyone else here?"

"Bang!"

There was a sudden noise inside the office door, like the sound of a person suddenly falling down while sitting in an office chair. Then the door handle turned, and Shiraishi Monet walked out. Her face was still very calm, and she flipped her forehead. , and then bowed slightly to Kei Fujiwara, "Mr. Fujiwara, I am here, do you have any orders?"

"Well, it's nothing." Fujiwara Keido pretended not to hear anything, "I forgot my things. Come back to get them. What are you doing in my office?"

"The materials you gave me before have been sorted out and placed on your desk."

"Okay, thank you." Kei Fujiwara took a step forward and walked into the office and said, "By the way, are you the only one here?"

Shiraishi Monet still nodded expressionlessly and said: "Yes, other colleagues have already got off work."

"It's really hard. Go back and rest early."

"Teacher Fujiwara, I'll go first." Shiraishi Monet bowed to Fujiwara Kei again, then picked up the shoulder bag hanging on the back of the chair, turned around and left. Kei Fujiwara couldn't help turning his head to look at her, but found that she was walking faster and faster, almost like trotting.

Fujiwara Kei couldn't help laughing, the contrast was quite strong...

Kei Fujiwara walked into the office, took out his notebook from the drawer, looked at his office chair, and couldn't help imagining how Monet Shiraishi was sitting here just now, directing, acting, and entertaining himself.

Just now, I didn't expose her immediately out of politeness, otherwise, the expression on her face would have been wonderful.

Fujiwara Kei put his notebook and the information handed over by Shiraishi Monet in his bag and took it away.

After returning home, I simply made myself some fried rice. After eating, I leaned on the sofa, turned on the TV, and while watching a mind-numbing variety show, I took out my manuscript paper and started writing and drawing.

After writing a few paragraphs, Kei Fujiwara picked up the materials and read them again. These materials are mainly about the current development status of the Korean TV drama industry in this world.

According to the experience of the original world, Korean dramas have already begun to find their own path. After 2000, they will start exporting overseas against the trend, and eventually form the Hallyu that sweeps the world.

If you want to grab this piece of cake, you have to speed up.

The information that Kei Fujiwara asked Shiraishi Monet to compile was about some domestic policies to support the cultural industry in South Korea. The rise of Hallyu is inseparable from South Korea's strategy of "building a country through culture". In 1998, South Korea proposed that "the foundation of South Korea's nation-building in the 21st century is high-tech and cultural industries." In the same year, it proposed the strategy of building a country through culture .

And this strategy is the real source of Korean entertainment developing so rapidly and even counterattacking Japan.

This strategy was proposed in the original world in 1998, and according to data, South Korea has not yet proposed [Cultural Nation] in this world, it may be earlier or later, but it should be two or three years.

Keisa Fujiwara flipped through the pages one by one. Suddenly, he saw a piece of paper full of handwriting. Kei Fujiwara was taken aback, and then took out a stack of manuscript paper from a stack of materials. The manuscript paper seemed to be written on... …script?

And this handwriting is also very familiar to Kei Fujiwara...it belongs to his contrast assistant...

I must have accidentally mixed my own things into the information. Fujiwara Kei thought, looking down at a few lines of words, and a few words stood out in particular.

[Consortium son], [Poor girl], [Rescue], [Car accident], [Amnesia]...

Fujiwara Kei was startled, and then looked up.

Sure enough, Marysu... the taste is really strong...

But the writing is still... quite that flavor. Kei Fujiwara took a rough glance at it first, and then read it carefully from beginning to end.