Tokyo Literary Godfather

But the time dragged on and came three days later. After three days, Keiichi Fujiwara and Keiichi Otomo didn't contact anyone.

It's not that Kei Fujiwara did it on purpose, but it's just that Kei Fujiwara has been too busy at work during this period. When he remembered this, Kei Fujiwara had finished his day's work and was lying on the bed, stroking Arima Guixiang's smooth skin and preparing to fall asleep .

After thinking about this, he thought about going to Otomo Keiichi the next day, but on the second day, he would forget about it again.

It was like this for several days in a row, and Kei Fujiwara just lamented that the busy work is really the culprit of damaging brain function.

The two hit dramas are about to come to an end, but after the end, there is still finishing work to be done, such as the release of video tapes, the release of peripheral derivative products, the endorsement activities of artists, and so on.

And more importantly, now that the name of Shuibo Production has already started, it is the hottest time, so don't settle down at this time, you must launch the next work while it is hot to continue to prove your strength.

In addition to the TV drama business, Kei Fujiwara now has to take care of the movie business.

Kei Fujiwara is naturally confident in his film career. On the one hand, it is because he has an inexhaustible movie library in his mind, and it is not as simple as just knowing the plot. As a practitioner in the film industry, he has done detailed drawing of hundreds of classic film and television works. In addition, his memory is a must-have skill for the traveler, so as long as he wants to, he can make these classic works pixel-level Copied.

However, in order for Shuibo Productions to become a club with the same reputation as the five major film companies, it seems that it will not be enough to rely solely on the works... It also depends on the theater resources.

There are not enough theater resources as a guarantee for film scheduling, and the most critical fate is still in the hands of others.

Moreover, most of the box office distribution of a movie is taken away by theaters and distributors. Seeing a lot of money falling into other people's pockets, Kei Fujiwara is more or less unhappy.

Now that the film industry is in decline and the film industry is in decline, many small theater operators have begun to sell their theaters at very cheap prices, which seems to be a good time to sell. Kashi Yoshida knew that Kei Fujiwara wanted to expand Mizuba's own theater chain resources, so as soon as the cash flow from the three TV series came to the account, he thought about buying theater chains.

But only bought two small theaters in Shibuya, Kei Fujiwara asked him to wait.

Although the two hit dramas made the company a lot of money, there will be a steady stream of income in the future. But in the same way, Shuibo Production must continue to produce new projects, and the cash flow cannot be interrupted.

What's more, in Japan, the price of real estate... will become lower and lower.

Yoshida Kashi is an old-fashioned monster. At the beginning, he was still puzzled by Kei Fujiwara who kept talking about the importance of theater resources and distribution systems to a film and television company. Why is he suddenly not concerned about buying theaters now?

It is true that making new film and television projects requires money, but such things as filming can attract investment. In order to share project risks, it is rare for a film and television company to invest 100% in a film. It is not easy to find five major partners Okay?

But he quickly realized that Kei Fujiwara seemed to be waiting, and as for what he was waiting for...

He suddenly remembered what Kei Fujiwara said to him in the cafe before, and remembered the "landmine" that Kei Fujiwara said would detonate sooner or later.

Kei Fujiwara seems to have an extremely pessimistic view of Asia as a whole, except for China. This naturally includes Japan, if the crisis in the financial world that Kei Fujiwara said, as he said, will really detonate at a certain time point in the near future. Then at that time, Japan's low prices may fall sharply again.

Maybe... At that time, is the best time to buy constant production?

Is this guy waiting to buy the bottom?

Chasing ups and downs is naturally a layman's practice, but waiting to buy bottoms is easy to copy yourself to the rooftops.

After all, there is no lower limit for some things to fall. There is a basement under the floor, and there is a second basement under the basement.

At the end of the 1980s, the low-price housing prices in Tokyo fell, and when it fell to 70%, countless people sold their properties. At that time, there were a few smart people who still had boring fantasies about Tokyo and Japan as a whole. They felt that this was the bottom of Tokyo's housing prices, and it was impossible to continue to decline.

They think that Japan is still the second largest Japan in the world, and Tokyo is still the Tokyo that can buy half of the United States. Where can it fall? So he decisively bought the bottom, imagining that under the maintenance and control of the government and the bank, the housing price could rise back to its original level again.

We all know what happened afterwards. Housing prices and land prices fell further, and the fall was so delirious. During that time, the forest under Mount Fuji became the resting hotel for many Japanese.

There are also people who rent hotels and burn charcoal to commit suicide, so that many hotel operators have to ask to check the other party's luggage when the guest checks in to see if the other party has brought charcoal blocks and hanging ropes. He even asked bluntly: "Are you going to sleep here for a while, or for a lifetime?"

When the price in Tokyo is as low as 50%, there are people who try to buy the bottom. The result is that you copy the bottom and they copy your home.

But Kashi Yoshida instinctively didn't want to question Kei Fujiwara's decision. For some reason, he had an instinctive trust in the president who was half his age.

And according to what he knows, Mr. Fujiwara’s judgment and vision in the stock market are no worse than those in the broadcasting and literary circles. He might have made more money if he had chosen the banking industry. ...what a pity...

Fujiwara Kei has never regretted not joining a bank. Although he has a certain understanding of the direction of the world economy, he is not a practitioner in the relevant industry after all. With only a little knowledge, he is afraid that he will not be able to become the real version of "Naoki Hansawa". of.

But he felt that the familiar smell of 1997 in the parallel world seemed to be getting closer to him in this world.

Even if the timeline is completely messed up and the development of this world is different from the old world, it doesn't matter. Based on the current situation in Japan, the price of real estate may be low, but it is unlikely to be high. Even if the financial tsunami doesn't come, it doesn't matter. Anyway, now... let's wait a little longer.

Two more days passed, and Kei Fujiwara still had no contact with Otomo Keiichi, and there was no movement from Otomo Keiichi.

This time it was Kei Fujiwara who did it intentionally. Perhaps Otomo Keiichi was caught in some kind of entanglement. It can be seen that he put a lot of thought into his science fiction-themed animation script, and it can also reflect some of his thoughts. He wanted to make this work.

But what Kei Fujiwara presented was the script of a phenomenal work like "My Name" after all. As a senior animation director, Otomo Keiichi should be able to see the weight of this story. If the screen performance does not stretch the hips, it will definitely be able to Many people may like it. So maybe I was stuck in a tangle during this period.

Let him struggle. Kei Fujiwara didn’t want to rush him, lest he say he interfered in his creation and violated the spirit of the contract.