Tokyo Literary Godfather

"Mr. Taniguchi, haven't you already filmed it last time? Why do you want to go?"

In the nanny's car, Hitomi Deki asked nervously and uneasy.

Toyo Taniguchi sat in the driver's seat early and looked back at her. The same question has been asked three times from the time he was in the company to when he was sitting in the car. What happened to this child? Could it be that the tasks assigned to her recently were too heavy, and her brain energy was overdrawn?

"It was proposed by the brand to reshoot. They have released several new styles and need you to shoot again. And because your popularity has increased now, their publicity strategy has also changed, so the previously shot advertisements The poster also needs to be re-photographed.”

Taniguchi Toyohaya said it again, thinking that Deki Hitomi was concerned about money, so he added: "Don't worry, this time it won't be in vain. The brand said that it will give the artist an additional hard-earned fee. This fee will be paid by the company." If you don’t take a commission, everything will be given to you.”

Now Hitomi Izuki has become a hot newcomer, and some talent agencies in the industry are also ready to move.

It is not uncommon in the industry for large companies to poach artists from small companies, even though the contracts signed between many artist agencies and artists are becoming more and more strict. The restraint on artists is getting stronger and stronger, and there is still no way to completely prevent this from happening.

There are even situations where a big company poaches people, a small company files a complaint to take the artist to court, and the big company sends legal personnel to work with the small company to kill time, which can last until the small company goes bankrupt.

Shuibo Production is not a large company now, and it does not even have its own independent legal department. If a brokerage company really uses this method against them, it will indeed be a waste.

However, although the volume of Shuibo Production is not large, its status is high now. It is the target of countless artists and agencies who want to cooperate first. If anyone from Shuibo Production is poached, the artists of this agency will probably be on Shuibo Production's blacklist for cooperation. It will even be "focused on" by the media that Mizuba produced and cooperated with, so no one has come to touch Kei Fujiwara's corner yet.

But even if this is the case, it should also be noted that as a manager, Toyozao Taniguchi maintains a good relationship with the artist... It is necessary to make a proper concession.

Deki Hitomi was silent for another moment, and the volume became even lower: "Then...will Miss Sato come here this time?"

It was only then that Taniguchi Toyohaya realized that the child Izuku Hitomi was scared.

Because the last time I got along with the returned artist was not that pleasant, and because I couldn’t control my volume and said the wrong thing at the dinner, I left the dinner early. The atmosphere was quite embarrassing, and even made Deki Hitomi want to withdraw from the circle. idea. It can be said to have left a psychological shadow.

Toyohaya Taniguchi looked at the rearview mirror and smiled: "It's okay, Hitomi, I will follow you the whole time this time. If there is any situation, I will handle it in time. You don't have to worry at all."

Yutaka Taniguchi said this, and Deki Hitomi felt at ease and nodded.

After arriving at the advertising company's shooting location, Deki Hitomi followed Taniguchi Yuohaya out of the car and walked into the photography base. Along the way, Deki Hitomi felt an obvious difference.

Different from the last experience where it was almost transparent, this time, almost all the staff subconsciously cast their eyes on me. That is to say, the staff have clear recording regulations and cannot excessively disturb the artist's work schedule, otherwise it will appear that There will always be people coming up directly to ask for autographs and photos.

Some staff with higher-level positions will come up to say hello directly after seeing Hitomi Deki and others, and frankly say that they like Deki Hitomi's "Blue Life and Death Love" very much and hope that she can shoot more and better movies in the future. s work.

After arriving at the artist's lounge, when the artists saw Deki Hitomi and Inoshita Takami, their attitudes became extremely enthusiastic and they kept chatting with her. Deki Hitomi was even a little overwhelmed.

After walking into the dressing room, I thought that this time I would have to wait dozens of minutes for the makeup artist to come, like last time. However, within five seconds of my butt touching the bench, the door opened and a man wearing an exaggerated shawl appeared. The makeup artist swooped over like a big bird. It was the makeup artist who gave Mu Tong makeup last time.

Unlike the last time when he was obsessed with putting on makeup for Sato Mia, a returned artist, and was rejected, he reluctantly put on makeup for Hitomi Deki, and the makeup was done very perfunctorily. This time, the makeup artist's face was filled with joy. with a very warm smile.

"Oh, we finally meet our Tong again. I have been watching your TV series these days. To be honest, you really have the appearance of a star. You are simply born to eat this bowl of rice hahaha... By the way, The makeup I put on you last time was pretty good, but it was a bit hasty at that time. Don’t worry, I will make you more bright and attractive today so that you can stand out among everyone... Eh? What’s wrong? "

The makeup artist got closer and closer. Deki Hitomi didn't like this snobbish guy. Every time he got closer, she stepped back. Taniguchi Toyohaa took a step forward and directly stretched out his arm to stop this person.

"Sorry, we have already made an appointment with the makeup artist this time. After all, we had to wait for more than an hour last time, which almost delayed the shooting. I hope you can understand."

The makeup artist's face froze, but he didn't dare to face him directly. After all, he was in the wrong, and it was different now. Still smiling: "I understand, but my makeup skills are worse than others..."

Taniguchi Yutaka didn't listen to his nonsense anymore, and directly arranged for Izuki Hitomi to sit down and closed the curtain of the cubicle. After a while, the makeup artist who made the appointment arrived, and this person had to leave.

When it came time for the official shooting, the difference from last time became even more obvious, and the preferential treatment continued.

First of all, the photographer paid special attention to Hitomi Deki and asked her to wear the star products of the new spring styles for promotion. He also adjusted her position from the previous edge to the center, taking the C position alongside Sato Mia. .

Hitomi Deki suddenly stood next to Sato Mia, not daring to look at the other person's face for a moment.

Inoshita Takami also held her breath and did not dare to speak. Taniguchi Toyohaya couldn't help but sigh when he saw the cowardly appearance of the two of them.

Logically speaking, according to the story template of pretending to be a slap in the face, the two people's popularity has skyrocketed in just a few months, and they have moved from the edge to the center. It is time to show off their momentum and deal with this arrogant woman. Return color.

But the reality is that even though the two little girls have been very popular recently, they still can't help but show timidity when facing the domineering and high-spirited Mia Sato because they haven't adapted to it for a while and their mentality has not been adjusted.

Miya Sato's face was livid, and she seemed to be extremely unhappy with the sudden rise in status of this girl Deki Hitomi in a short period of time. Originally, she did not want to cooperate with this re-shoot, but the brand made it clear that no matter whether you come or not, Come on, these posters need to be re-photographed. If the artist does not cooperate with the endorsement work, he can claim compensation according to the contract. Artists from any country cannot be strong in front of brands, let alone Japan, so after venting their anger, they had no choice but to cooperate with a straight face.

The photographer was very happy. The last time I worked with Miya Sato was not very pleasant. I didn’t like this woman very much. This time I re-shot, and Hitomi Deki also stood in the C position. When the time comes, I will be shooting and selecting photos. Sometimes it can be done by adding some private goods to make Deki Hitomi more conspicuous in the center of the poster...