Tokyo Literary Godfather

When one value disappears in an institution, another is quickly created.

The concept promoted by the new station director, Mr. Ninomiya Kosei, is "top and bottom as one," and he even posted this sentence on the outer wall of the station's production center, replacing the previous "ratings are everything."

He seems to want to create a work atmosphere of unity from top to bottom. However, the fact is that the boss can ask the subordinates to be consistent with him, but the subordinates cannot make the same request to the boss.

The so-called one mind is nothing more than asking subordinates to obey their superiors unconditionally. Under the guidance of this view, many production talents have their suggestions ignored and suppressed, and they cannot even raise objections to those in higher positions than them, otherwise they will be reprimanded.

The atmosphere in the Yoshida Kashi era, where professionalism was respected and production professionals had to obey their bosses' ideas even on professional issues, is gradually gone forever.

…

Another month passed, and within this month, Sato Miya did not send lobbyists to Fujiwara Kei again. It was probably of no use knowing that, so he was able to live in peace for a while. A month later, I got news from the outside that Miya Sato joined the team again.

However, this time I joined the crew of a film that was completely produced by Matsunichi Films. It was a place where Nobi Shisuke had full control. Mia Sato was the heroine, and she became the female overlord as soon as she joined the crew.

Kei Fujiwara saw the photo taken at the opening ceremony of the film in the newspaper. As an actor, Miya Sato actually stood at the center. This is a very rare thing in Japan where the creative team is the center of production. Just Miyata Takayoshi is now Even if you join a small crew, you have to obediently stand beside the director and producer.

In the photo, the producer and director directly became bitter faces.

Fujiwara Kei smiled, Matsunichi Yinghua really dares to play like this... It seems that the pattern of the five majors will also change.

After Fukuyama Television withdrew its capital, it was inconvenient for Kei Fujiwara to go all over the world to attract investment, so as not to create the impression that no one was optimistic about the film, which would not only affect other investors, but also affect the judgment of the theater manager when it was released. Arranging high-scheduled films is a very troublesome matter.

Fujiwara Kei wanted to use his own reserve funds to make up for it, and Yoshida Kashi looked at Fujiwara Kei with some resentment. He plans to buy a theater recently, and the low prices in Tokyo are still falling slowly recently. He is ready to sell at any time, but the problem is still money, which is too little.

Although several TV series have made Shuibo Productions a lot of money, and although land prices have dropped to the knees, it still feels like they can't buy a few theaters.

Now that Fujiwara Kei wants Kuku to pay money, Yoshida Kashi is very troubled.

However, just a few days after Fukuyamadai announced its divestment, Eiji Shirai took the initiative to find Kei Fujiwara and asked for continued capital injection.

"Do you still have money?" Fujiwara Kei couldn't help but look at him doubtfully.

"Of course. This is the amount." Eiji Shirai made a gesture, "I plan to spend it all to bet on movies."

Fujiwara Kei glanced at the gesture he made and was still a little surprised: "Nichidani Pictures really trusts you. Do you, a person who has just switched jobs, have such a high budget approval authority? Tell the truth, kid. Have you already secretly communicated with the new owner about the song?"

"It's not easy for me to gain trust. After all, Nichido is now at the bottom of the five major TV stations. It started by making pornographic films, and its position is embarrassing... not as good as Dongdao's status among the five major TV stations. So I am eager to turn around, and I also hope He can prove himself, so when he pats his chest and promises to his boss, it is a bit exaggerated about future benefits."

Eiji Shirai smiled bitterly.

Kei Fujiwara asked: "What if you fail to fulfill your promise? Wouldn't it be that you will change jobs again by then? If so, you can consider Mizunami."

Eiji Shirai shook his hand: "In this case, I will really become a slave of the three surnames... Although the profit guarantee I made to the company is not easy to achieve, but not easy to achieve does not mean that it is completely impossible. That's why I will find a way to make it happen. All the money is bet on you, looking at the whole of Japan, it seems that only you can achieve several times the rate of return."

Kei Fujiwara's eyes widened in surprise: "Don't place too high hopes on me. When making movies or doing business, no one can guarantee that you will only make a profit without losing money. Don't blame me for your unemployment when the time comes." "

Shirai Eiji sighed: "At worst, I will be a slave of the third surname for once..."

…

Time once again crossed the New Year's Eve, and on the Great Dark Day, the New Year's bell rang again.

This year, NHK and some commercial TV stations found Kei Fujiwara, hoping that he could contribute some more of his mother's "works" and authorize them to let singers and artists sing.

However, Kei Fujiwara rejected most people's requests and only gave NHK one song. He bluntly said that his mother's creative output was limited and his memory was not very good. I'm afraid I won't be able to produce more songs in the future.

The main reason is that I tell too many lies, and I am afraid of revealing my truth. Kei Fujiwara’s mother was just an ordinary music teacher. Because of a few songs she was suddenly packaged by the media as a famous musician and singer, and because she was unknown during her lifetime, she suddenly became legendary.

Even the school where my mother reported her work during her lifetime has become a tourist attraction. Not long ago, my mother’s head was hung in the corridor of that middle school...

Those songs from last year became huge hits, and while the records sold like hotcakes and took the entire pop music world by storm, it was inevitable that some people would question them. Are these songs really written by Kei Fujiwara's mother? Is it just a hype?

Even some of the mother's former colleagues and students claimed that they had never heard Mrs. Fujiwara sing those songs before.

But these doubts were eventually drowned out. No one believed it was hype. The reason is very simple. Isn’t hyping a living person more profitable than hyping a dead person?

Moreover, based on the quality of those songs, they are completely at the level of classics handed down from generation to generation, and they cannot be written by just finding a few professional musicians. If it were you, would you be willing to give others the works you created that can bring huge benefits one after another, while you only feel at ease as a shooter?

This is a powerful explanation. After all, who would have thought of "time travel"?

But if that's the case, Kei Fujiwara decided to let his mother rest in peace, and don't put any new hats on her head. Kei Fujiwara’s mother now has a fan support group. When her mother died last year, a bunch of people burned paper for her. Since that time happened to be when the series of songs "Ride on the Back of the Silver Dragon" was becoming popular, they participated in the commemoration by burning paper. There are too many people, and if this continues, the currency of the underworld will depreciate.

In the past 97 years, the financial tsunami in Kei Fujiwara's memory did not appear.

Is it postponed? Or, in this world, the stock market crash that hit Asia at the beginning would not happen?