Another stage is finished.

Because this is a transitional stage, I didn't expand on many plots that could be watered down.

I personally think that this section is written quite ordinary, and some plots really didn't write the effect I wanted.

In short, the rules of the question and answer are the same as last time, but this time there will be less content.

Example:

Q: Isn't your writing too stupid?

A: Isn't this to match your IQ?

——

Q: What exactly is this paragraph about? Can you describe it briefly?

A: This stage is just to lead to the transition of the subsequent plot.

The whole stage is actually setting the tone for the background - do you think the protagonist can develop in a corner? In fact, anyone who comes here may cause trouble for him.

Because the protagonist is just a mortal, he will make mistakes. And once he is careless, it is possible that the things he has worked hard for will be lost in an instant.

The biggest core contradiction is also pointed out at the end of the stage, and this problem will make him make more mistakes after that.

By the way, I used to think that this kind of protagonist who has no desires and only cares about others is a bit too unique, but recently I also found similar characters in the games I played.

So this should be quite normal.

——

Q: The distribution of the heroines' roles is a bit unbalanced. Will one of them be ignored in the future?

A: I specifically mentioned this in the previous chapter. Everyone's role must be balanced.

In addition, some people should have understood by now that these heroines seem to be normal, but in fact they have serious mental or personality problems.

These problems cannot be solved by rolling in the sheets, so there is a distinction between the inside and the outside. Only when the psychological problems are completely solved can the strategy be considered complete.

These have to be unfolded slowly, and there is still one person who has not appeared yet.

To put it simply, you have not even seen your wife's second stage transformation, and you dare to say you love her?

——

Q: This part is indeed not very good. Will there be any changes in the next stage?

A: Actually, many authors will enter a period of fatigue after writing 300,000 words.

The early climax has been written, and the next core plot that has been conceived is still a long way off. Most readers have given up chasing updates and started to support the book.

Without enough feedback, most authors will feel tired when they have to lay the groundwork and develop the plot for a long time. Once the mentality is wrong, the things they write will naturally not be good.

Although I have tried my best to adjust my mentality, the various comments at this stage are indeed pitiful.

These are things that cannot be begged, there is nothing I can do.

——

Q: Come on, drive some cars, don't skip them!

A: You can't drive a car.

I don't want the hundreds of thousands of words I worked so hard to write to be blocked because of driving.

However, although I can't drive, I will write some small details on the side appropriately-such as one paragraph in Chapter 201.

But these are just adjustments to the story, don't take it too seriously, and don't expect too much.

——

Q: Add more! I said it for the third time!

A: I can't add more, and I even want to scum.

First of all, I really can't write anymore. Secondly, I don't want to see myself posting three or four chapters in a row and only get 0 reviews and single-digit requests for updates.

I wanted to set a small goal, but after thinking about it, I found that I couldn't make any guarantees, so I'll just leave it at that.

Anyway, I won't force it.

——

That's all the questions and answers this time. After all, there's nothing special to explain in the whole volume.

Some settings may eat up the book, but I'll try to make it right.

Spoilers for the next stage? Then just write a little bit.

—— If I really make an unforgivable mistake, what price will I pay?

"Since you can't understand your own value, burn with the earth!"

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