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While speaking, the Bishop of Kent had read seven or eight diaries of Philip, and briefly introduced the contents recorded in these diaries.

When he was about to read a new diary and continue browsing, Ye Tian shook his head slightly, and took back the black walnut box containing the diary.

Seeing his actions, the Bishop of Kent could only stop, and didn't say much, just smiled softly.

But Paul, who was standing next to him, had an unfinished expression, with a somewhat regretful look in his eyes.

After taking back the box containing the diary, Ye Tian first looked at the yellowed diary, then smiled and said:

"Obviously, this Venetian named Philip wrote these diaries full of resentment because of his deep-rooted hatred for the ambassador of the Republic of Venice and his wife, and almost everyone in the embassy.

It can be seen from this that the two unknown oil paintings hidden in this dark cell are probably the important collection of the embassy of the Republic of Venice, which was stolen by this guy and hidden here.

It is not even ruled out that the real purpose of his stealing these two oil paintings is not simply because of his love and value of these two oil paintings, it may be a means for him to frame and beat his rival in love.

He is crazily infatuated with the ambassador's wife, to the point where he secretly peeps on the ambassador's wife and the guard to satisfy his fantasy, so it is not surprising that he steals oil paintings to frame the ambassador's guard."

As soon as the voice fell, Paul immediately continued:

"That's right, this guy named Philip looks honest and harmless to humans and animals on the surface, but in fact he is a poisonous snake hidden in the dark, and it will spring out at any time to give a fatal blow.

Judging from the contents of the diary, there are too many people he wants to frame, not only the ambassador's guard, but also the ambassador of the Republic of Venice himself, and even the mean maid.

These two oil paintings are indeed very likely to be important collections of the Embassy of the Republic of Venice. As for whose works these two oil paintings are and who Philip wants to frame, it is likely to be recorded in this diary."

Following Ye Tian and Paul's words, everyone at the scene looked at the two oil paintings wrapped in tarpaulins in the dark compartment, and everyone's eyes were full of curiosity.

Next, Ye Tian handed the box containing Philip's diary to David, and then reached out to take out the smaller oil painting in the dark cell.

As usual, he checked the black tarpaulin wrapped around the oil painting, and after confirming that there was no problem, he began to disassemble it.

In just a moment, a Renaissance-style solid wood picture frame edge appeared in front of everyone.

As the last layer of moisture-proof tarpaulin was completely lifted, this ancient oil painting, which had been hidden in the dark for more than three hundred years, was finally fully presented and was able to see the light of day again.

This is a classic oil painting with a certain sense of realism. The size of the painting is not large, only about 80*90. The outside of the painting is a Renaissance-style solid wood frame.

What is depicted in the painting is a nude woman standing by the stream and bathing. This slightly plump beauty, with a graceful and stretched body, undulating and exquisite curves, is looking back sideways outside the painting.

Her clear and affectionate eyes seem to be gazing at the audience outside the painting, and her plump and sexy lips are gently parted, as if she is whispering something!

The place where this nude beauty is located is a lush forest, with a clear stream at its feet, and on the grass not far away, a few pieces of clothing and a wooden basin are randomly piled up.

Looking into the distance along this clear stream, through the gap between the trees, you can see a simple and simple wooden bridge built on this clear stream.

Farther away in the painting is a village bathed in the afternoon sun, and a few figures can be vaguely seen, a beautiful and tranquil pastoral scenery.

This oil painting is colorful and passionate,

The contrast between light and dark is soft and harmonious, and the characters in the painting are beautifully shaped, perfectly blending into the surrounding environment. The whole painting is full of humanistic spirit!

Although the beauty in the painting is a nude body, the feeling it brings to people is not purely sensual sensory stimulation, but shows the perfect unity between a vital body and a pure heart.

Regardless of the level of shape, color, soft lines, and scenery, this oil painting has achieved a high degree of unity. It is an artistic creation full of humanistic spirit, and it is also a model of the most respected "ideal beauty" during the Renaissance!

The moment they saw this oil painting, everyone at the scene couldn't help being quickly attracted by this beautiful picture like an idyllic lyric poem, and even became obsessed with it.

The small room also fell silent, only the sound of breathing.

After a while, an excited voice suddenly came to mind.

"Wow! This is a classicist oil painting of the Venetian school. It is so distinctive and beautiful. I will never mistake it. Is it Bellini's work, or Titian's work, or Joel's?" Jone's work?"

It was Paolo, the curator of the Palazzo Venezia Museum who expressed this emotion. As a top expert in the identification of antique works of art, his eyesight is naturally not bad.

More importantly, there are many oil paintings of the Venetian School in the Museum of the Palace of Venice, and he is very familiar with the style of the Venetian School.

While being filled with emotion, Paul also took a quick step forward, trying to narrow the distance with this Venetian painting, and appreciate it!

At this moment, Ye Tian suddenly smiled and nodded and said:

"Your eyesight is very good, Paolo, yes, this is a work of the Venetian School, and I can say with great certainty that it is one of the representative works of Giorgione, the master of Renaissance art and the famous painter of the Venetian School. .

The 'clarity and elegance' shown in this painting are the characteristics of the art master Giorgione, and the sexy beauty in the painting is the lover shared by Giorgione and Titian, who is also the cause of his death. The woman of the Black Death.

I believe you can also see that the female model in this painting is highly similar to the female model in the "Sleeping Venus" collected in the Museum of Old Masters in Dresden, Germany. Just one person.

Before today, there were only five works of the Renaissance art master Giorgione handed down to the world, but with the publication of this oil painting, the number of works handed down to the world by Giorgione has become six, This is the sixth piece!

"Sleeping Venus" has always been considered the most successful work created by Giorgione. Even though the finishing work of that oil painting was done by Titian, the artistic level of the oil painting in front of you is not at all inferior to that of Giorgione. That difference! "

Following Ye Tian's words, the scene immediately boiled.

"My God! This is actually the work of the Renaissance art master Giorgione, and it is the sixth work that has never been known. There is no doubt that this is definitely a priceless top art work!"

"Wow! No wonder the beauty in the painting looks familiar to me. It turns out that she is the same person as "Sleeping Venus", but her eyes are closed in "Sleeping Venus". Here They opened their eyes!"

At this time, everyone in this room has a certain degree of artistic accomplishment and a certain understanding of Western art history.

Everyone knows Giorgione, a famous artist of the Renaissance and a famous painter of the Venetian School, and also knows how rare and valuable his paintings are!

Rare is more expensive!

In the works of the art master Giorgione, this statement is particularly evident, or vividly!

Since there are only five pieces of Giorgione's works handed down to the world, and all of them are collected in several famous museums, they are top-level works of art at the treasure level of town halls, which cannot be seen on the market at all!

It can be seen from this that the appearance of this Giorgione painting in front of us will cause a huge sensation. Once it appears in the antique art market, it will definitely attract all the top collectors and museums to chase after it!

As for its value, does it need to be said? It must be a sky-high price that shocked everyone's attention!

Just when everyone was exclaiming, Paul and Giovanni had come close, put their eyeballs close to the oil painting, and admired it fascinatedly.

It didn't take long for them to come to a definite conclusion.

"You are right, Steven, the female model in this painting is the "Sleeping Venus" by Giorgione and Titian, but in this painting, this woman seems to be more be younger.

From this, it can be inferred that the creation time of this oil painting should be earlier than that of "Sleeping Venus". As we all know, "Sleeping Venus" is the last work jointly created by Giorgione and Titian.

When creating "Sleeping Venus", Giorgione was infected with the Black Death by the woman in the painting, and died young at the age of 32. The finishing work of that oil painting could only be done by Titian .

But who would have thought that there is such a piece of "Venus Bathing" in the world, and this top-notch and priceless work of art by Giorgione has been hidden in Rome, it is incredible! "

Paul said with emotion, the whole person was almost crazy with excitement.

Giovanni, who was standing next to him, felt a burst of heartache while being excited, a feeling of pain and happiness!

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