Starting My Treasure Hunting In England

Harvesting a museum in one adventure is indeed a big harvest, but for Liang En, the most valuable thing every time he harvests is never the tangible harvest, but the powerful cards, and this time it is not the same. exception.

After completing the inspection of the treasures harvested this time, Liang En focused his attention on the cards obtained this time, purely in terms of cards. This exploration work can also be regarded as a bumper harvest.

According to the inventory, Liang En obtained a total of 12 cards this time, but there are not many high-level cards, but from a certain perspective, they are similar to the characteristics of the treasures obtained this time:

Although the treasures obtained this time are valuable, from a purely archaeological academic perspective, except for a few cultural relics, the overall type seems a bit single, and they are not as valuable as they seem.

Like many previous treasure hunts, most of the cards released in this treasure hunt were nine common consumption cards, which accounted for the vast majority of the cards obtained.

In addition, the cards obtained this time also include two [Repair (N)], three [Appraisal (N)], three [Detection (N)] and [Legendary Power (N)]. After collecting and placing these cards, Liang En checked the next three skill and enhancement cards, and found that these cards were among the more practical cards.

[Master of Rococo Art (R): The word Rococo is a merger of French Rocaille (shell craft) and Italian Barocco (Baroque).

Rocaille is an interior decoration that mixes shells and stones, while Barocco is an earlier grand and ornate art style.

Some people regard the Rococo style as the late stage of the Baroque style, that is, the disintegration and decadent stage of the Baroque, but others believe that this is the inevitable result of the development of Baroque art based on humanism.

But in any case, this style was produced due to some factors that did not strictly follow the laws of French classicism at that time. It is not an inevitable consequence of the Italian Baroque style.

It follows the theory that "imitating nature" is simply subjecting nature to the whims of society, and the overall art presents an even somewhat morbid sophistication, even a sense of artificiality.

But from another perspective, this gorgeous work of art is still widely popular today, because for most people it meets people's definition of gorgeous.

Especially with the rapid development of industry around the world, a large number of new middle classes have begun to pursue some things that the aristocrats had in the past, and this kind of gorgeous-looking things are very popular with them.

Strengthen card (one-time use). Consuming this card allows the user to master the essence of Rococo art and use it for other art-related cards. Note that mastering this skill will produce an immersive experience, so before using it It's best to find a place to lie down before sleeping. 】

"This is a very practical card." Liang En nodded slightly after reading the contents of the card. If he could put it in some easy-to-understand terms. This card can give Liang En a permanent buff in terms of art.

If you don't master art, this card can be said to be useless at all, but for Liang En, who has already mastered a lot of art knowledge, this card can bring him rapid progress in this area.

For example, for him, it is now easy to design Rococo-style decoration or jewelry in the same style, and it can even reach the level of those court artists back then.

Unlike most art, Rococo art is a very pure court art, so often those court artists represent the highest form of this art, so those who can reach the level of court artists are almost the top level. .

After reading this card, Liang En immediately turned to the second card and found that the second card looked completely different from the first card.

[A Song of Iron and Fire (R): The end of the 18th century and the beginning of the 19th century was not a peaceful era. It can even be said that it was the era of greatest change in Europe and even the Western world.

The American Revolutionary War, the French Revolution, the Napoleonic Wars, the impact of these wars has even continued to affect today, because these chaos are as fragile as glass compared to the luxury of Versailles.

Militaryly, this era created the so-called queuing-to-shoot era, with flintlocks and front-loaded artillery becoming the dominant players on the battlefield, but various cavalry such as Polish lancers and French cuirassiers also demonstrated the final glory of cold weapons.

Skill card (permanent), the owner of the card can summon all the weapons of the European army of that era. These weapons are composed of extraordinary power. Only the user can see it, but the beings with a special connection with it can also feel it.

Any cold weapon requires a few legendary points to be composed. Its strength is equivalent to the best cold weapons of that era and can be destroyed. Each hot weapon can only be fired once after being summoned and cannot be reloaded. A launch costs one legend point. 】

"If the last card is practical, this card is a piece of equipment suitable for use in emergencies." Liang En also spoke highly of this card.

Although he has a space to load weapons, the weapons here also take a little time, which is far less timely than the weapons that can be produced suddenly.

What's more important is that this kind of weapon cannot be seen by others, so no matter from any angle, it can give Liang Enzai an extreme advantage in battle.

Because this was a skill card, Liang En summoned a heavy cavalry sword used by the French cavalry as soon as he was sure that he had obtained this extraordinary power.

"What is that in your hand?" The moment she summoned the sword, Joan of Arc immediately looked at Liang Enxu's right hand. "I feel like you have a weapon in your hand."

"Your feeling is correct." Liang En said, waving the weapon in his hand and causing a gust of wind. "This is my new ability to summon some weapons that others can't see."

"A weapon that others can't see? This is a huge advantage." As a warrior, Joan of Arc naturally knows what this type of weapon represents.

According to his point of view, weapons that are invisible to others can increase a person's awareness of threats to himself several times. After all, humans mainly rely on vision to lock targets, and it is very meaningful to weaken other people's observation capabilities in this regard.

In the next few minutes, Liang En and Joanne put on protective clothing and started a simple sword fight. During the sword fight, Liang En could clearly feel that Joanne had a much harder time dealing with him than before.

Considering that Joan of Arc, as a historical follower, can feel the existence of this sword, and at the same time, after repeated strengthening, she has a sense and physical strength far beyond ordinary people, the bonus brought by the invisible weapon reflected in this battle can be imagined. Know.

Next, they walked to the yard to test the musket shooting. Because there were thick walls around them and the sound of black powder was relatively dull, the design did not attract the attention of others this time.

"Very good." Looking at the stirred up soil and a small pit that was not too shallow on the ground, Jeanne nodded. "The power is very good. Although the accuracy is a bit lacking, it should be fine for shooting at close range."